Greg Goldstein's Comic Art Gallery

Author: Greg Goldstein

Greg Goldstein is a veteran publishing and media executive; most recently, he was the Chief Operating Officer, President and Publisher of IDW Publishing, managing all aspects of the company’s book and games business from 2008 to 2019. Throughout his career, Greg has developed creative and profitable publishing programs for dozens of the world’s best-known entertainment brands including Star Wars, Transformers, Star Trek, James Bond, TMNT, Spider-Man, Batman and Godzilla. In 2013, Greg led IDW’s acquisition of Top Shelf, an independent publisher best known for Congressman John Lewis’ March trilogy, which has become the most lauded non-fiction graphic novel series in the history of the medium. In 2011, Greg won an Eisner award for his editing on the first-ever collection of Bob Montana’s Archie newspaper comic strips. (Published under IDW’s Library of American Comics imprint.) Prior to joining IDW, Greg was VP of Entertainment and Gaming for Upper Deck, responsible for the company’s blockbuster slate of games, including Yu-Gi-Oh, World of Warcraft and The VS Superhero system. During his tenure, he created Marvel Ultimate Battles, the first-ever trading card game that focused exclusively on Marvel’s popular mass media characters. As VP of Brand Development for Activision from 2000-2002, Greg established strategic partnerships with the largest Hollywood studios, and worked closely with Marvel Entertainment to successfully develop Spider-man into one of the biggest blockbuster licensed videogame brands in interactive history. Greg’s career has also included a successful stint at Topps, where he helped launch and manage Topps Comics in the mid 1990s. Additionally, Greg serves as an adviser for to the Comic Book Legal Defense Fund (CBDLF). He is also a frequent guest lecturer at San Diego Sate University and has presented at dozens of panels and conferences throughout the US. He is also a well-known collector of original comic book art and rues the day he sold his collection the first time around in the late 1990s.

Rich Burchett — Flesh and Steel

Original Art and The Artists

Superman Adventures #2, December 1996

As discussed previously, the Superman animated TV series, living in the shadow of its older, more popular brother, Batman Animated, never really garners the respect it deserves.

In fact, all the 90s DC “all ages” comics based on the animated series are not appreciated enough. 

Give the current interest and investment in YA and kids comics by nearly all publishers, those Superman and Batman series were likely, and unfortunately, too far ahead of their time. 

I hope someday it makes commercial sense to collect all the Superman and Batman material into complete collections.  They are delightful comics.

Also, similarly discussed, is the fact that Rich Burchett is a vastly underrated storyteller and artist. Pages like this are standard examples of his creative storytelling and imaginative use of composition and camera angles.

And Metallo? Finally something that is not underrated. He is a terrific member of Superman’s modern rogue gallery, especially the version that appears here, following up a classic episode on the TV series.

John Byrne featured a revamped scary Metallo as the first foe in his revamp of Superman — quite a different character than the earliest version that appeared way back in Action #252 (1959). Of course, hardly anyone remembers that Metallo was introduced in that issue, since it is upstaged (understatement) by the introduction of Supergirl in a separate story.

Butch Guice — Cartoon Hour

Original Art and The Artists

Aquaman: Sword of Atlantis, #43, August 2006

Butch (Jackson) Guice and Tony DeZuniga could not have possibly drawn a page in 2006 that is more counterintuitive to their specific art styles than this one-of-a-kind opening splash featuring Aquaman as originally seen in the 1967 CBS cartoon. (“Tusky” the walrus is along for the ride.)

It’s part of a yet another revamp of the character that happened mid-stream when Aquaman became Aquaman, Sword of Atlantis a few issues earlier. Without getting too bogged down in the editorial minutiae, this page is self-aware, as it is a flashback for our protagonist recalling the little he knows about the Aquaman character.

September was typically the roughest time of the year for most kids with school days replacing summer break, but the new cartoon season helped salve the wounds — a bit, anyway. (I didn’t care that much about Aquaman, but Filmation managed to sneak some Justice League and Teen Titan cartoons into the show’s mix. And I thought that was the greatest thing since…. well, I was a little kid, so probably since… anything. At least until the next big thing came along.)

Fun Fact: The original art featured an outline for a title page logo that was ultimately not used in the published version.

Left: When The Aquaman cartoon launched in 1967. DC immediately added the tag “The King of the Sea is now the King of TV!” to the Aquaman comics. Right: Brian Bolland pays homage to the character’s classic design with this beautiful cover from the “final” issue of the 2003 Aquaman series prior to its “reboot.”

John Byrne — No Shrinking Violet

Original Art and The Artists

The All New Atom #3, November 2006

John Byrne pretty much wrapped up his 21st century run at DC with the launch of The All New Atom in 2006. Great art and storytelling, but John only drew the first three issues in the series (with nice finishes by Trevor Scott) before departing.

This might have been bad news for DC’s Byrne fans, of course, but, selfishly, it was good news for us at IDW Publishing. Byrne’s Next Men ultimately returned, and John found time for some additional Star Trek series and a fun Jurassic Park mini, among many others.

Gail Simone created the character and wrote this Atom series, and like all of Gail’s work, it was a fun take, with Ryan Choi as the Atom’s alter ego, replacing Ray Palmer.

Also, Gail is one of the liveliest and funniest (and prolific) comics creators on Twitter. 

Trust me on this.

See you back here next Tuesday. Have a safe and fun Holiday weekend!

Gil Kane — Not Shrinking Away

Original Art and The Artists

Legends of the DC Universe #29, June 2000

Gil Kane’s final completed work (published posthumously) is this fun two-parter featuring his two classic silver age characters, The Atom and Green Lantern officially teamed together for the first time. 

Written with affection by Steven Grant, and inked by Klaus Janson, this story confirms that Gil was able to deliver quality storytelling right until he headed to the big studio in the sky.

Gil was one of a kind as a creator (and a person) and as I’ve mentioned in a previous post, I was happy to know him professionally — albeit very, very briefly.

Dick Dillin — Come Together

Original Art and The Artists

The Atom and Hawkman #45, November 1969

As discussed earlier this year, 1961 is an anniversary for both the Sliver Age versions of Hawkman and The Atom.
 
Neither character was ultimately commercially viable for his own comic book, so DC tried combining two titles into one.
 
Unfortunately that didn’t work long either, but as they say, it was fun while it lasted.
 
Dick Dillin was one of DC”s “B-team” artists who deserves more respect than he typically receives.
 
Although his draftsmanship may not have been up to the higher levels of some of his peers, his ability to draw with imagination and solid storytelling was pretty on point in my book.
 
He pretty much drew every issue of Justice League of America for 12 years starting with issue #64 (1968) and ending with his untimely death at #183(1980). Considering all the various JLA crossovers (JSA, Freedom Fighters, etc.), Dillin likely drew hundreds of different heroes and villains during that time. 
 
Just Atom and Hawkman? Piece of cake.

The final individual issues of the Atom and Hawkman, and the first issue of the “new” title, The Atom and Hawkman.

Barry Kitson — Negative Space

Original Art and The Artists

Secret Invasion: Fantastic Four #3, September, 2008

We close out our second celebration of the 60th anniversary of the Fantastic Four with a quick visit to the Negative Zone.

The Negative Zone, like so many of Jack ad Stan’s creations, endures. I’m sure one version or another will figure into the MCU when The FF finally receives the proper cinematic respect the team deserves.

In the meantime, we have the talented Barry Kitson, and the equally talented Mick Gray, delivering a dynamic and splashy page of Johnny Storm bursting into flames and out of the Fantasti-Car, leaving Ben Grimm unhappily behind.  (With a cute piece of dialogue to showcase his frustration, as seen in the published page below.)

It’s a terrific piece of art, and if I have any beef with it all, it’s in the published version, because, after coloring, Johnny appears to have a tight crew cut or no hair at all when he bursts into flame. (And stays that way.)

Johnny Storm without his blonde locks? Even on fire? Blasphemy, I say.

Jim Starlin — Clobbered

Original Art and The Artists

Marvel Fanfare #21, July 1985

Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)

Jim Starlin pens a love letter to the classic Hulk-Thing battles of the 60s and 70s with this fun two-parter from Marvel Fanfare.

The Hulk decks Mr. Grimm “off-screen” as it were, bridging the two issues.  (See below.)

I never cared one way or another whether The Hulk or Thing was stronger (I pretty much enjoyed any crossover), but apparently this subject is very emotional for some.

That said, Thor is stronger than either of them. 

Let the hate mail begin. Ha.

CBR has done a great overview of those classic battles, which you can read here.

Jim Starlin lets our imagination fill in the actual punch, as the Hulk has apparently just decked the Thing in between issues.
The Marvel Age of crossovers begins in March 1963, with a very busy FF meeting the Hulk and Spider-Man in the same month..

Tony Harris — Divine Time

Original Art and The Artists

Marvel Knights 4 #16, May 2005

Tony Harris delivers a terrific cover for one of the oddest–logoed titles in Marvel History.

The title is not “4”, but actually “Marvel Knights 4”, as the publisher decided to give an edge to the FF by incorporating them into the Marvel Knights brand. (Of course this assumes you know that MK stands for Marvel Knights. And that you’re certain that “4” refers to the FF.)

It’s a puzzler how they ended up there.

And speaking of puzzlers — this storyline deals with time travel and Ramades, son of Ram-Tut, who makes his first appearance the issue prior.

Rama-Tut, of course, is also Kang AND Immortus, and also ultimately retconned to be Nathaniel Richards. Reed’s father. The Time Variance Authority and the Time-Keepers are also involved. 

Frankly, as mentioned previously, I could never keep any of this straight, and even the very-detailed Wikipedia page can’t help my brain get around the various iterations of this character. (Not blaming them, though — it’s probably just me.)

Great cover art, though, and Tony colored it himself — adding the background texture as well. 

(As for Ramades? He has yet to reappear since this storyline was completed in issue#18.)

Ron Garney — Time’s Up

Original Art and The Artists

Fantastic Four #605, June 2012

Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)

Ron Garney — with the help of Jason Keith — delivers a dramatic cover of Ben Grimm and Franklin Richards preparing for a last stand against an unseen foe in a cemetery, indicating the rest of the team is dead.

It’s a time travel story, and a sentimental one at that  — as it explores The Thing’s near-immortal life span. In fact, Jonathan Hickman’s one-shot story itself feels like it would be right at home in a Superman comic.

If I have any small gripe — and I think it has happened elsewhere— is that the older Franklin Richards (Reed’s son) often looks too much like a younger Nathaniel Richards (Reed’s dad) in some of the time travel or multiverse stories. Confusing from time to time. (That pun was not intended. Seriously.)

Brandon Peterson — It’s Clobberin’ Time

Original Art and The Artists

Commission, 2010

Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)

How many brick walls has the Thing crashed through? That’s not some sort of rhetorical question — I have no idea what the answer is.

I do know, when I saw this cool commission, it reminded me in high concept (minus the silly tank top) of John Byrne’s great cover of the ever-lovin’ Thing’s return in Fantastic Four #274.

The Thing. Breaking through a wall. And smoking a cigar.

Works for me.

Nuff said.