Greg Goldstein's Comic Art Gallery

Frank Miller & Dave Gibbons — At War

Original Art and The Artists

Martha Washington Goes To War #1, May 1994

Martha Washington Original art by Frank Miller and Dave Gibbons from the collection of Greg Goldstein

Sooner or later, some smart streaming service will discover Martha Washington, one of my favorite creator-driven series (series of mini-series, actually) of the 90s. All-star creators Frank Miller and Dave Gibbons teamed up to create a memorable post-apocalyptic USA.

Maybe it will happen right after we finally see an American Flagg streaming series; they could both be part of an American Dystopia block. 

Until then, the comics will have to do. 

And the original art, of course, like this great action page from the second series, Martha Washington Goes To War.

John Buscema — Man On Fire

Original Art and The Artists

Sub-Mariner #3, June 1968

Sub-Mariner Original Art By John Buscema from the collection of Greg Goldstein

Five straight weeks in the Spring of 1968. Five comic book issues drawn by the legendary John Buscema:

Sub-Mariner #3

Avengers #53

Sub-Mariner #4

Avengers #54

Silver Surfer #1 (38 pages)

Gems. Every single one. (And yes, I might be biased, because these comics are from my newsstand-era sweet spot — 1967-1973 — but I’m not wrong.) My guess is that only Jack Kirby ever had an achievement similar, or greater.

This Sub-Mariner page featuring Namor and Triton is the best Buscema superhero page I’ve ever owned, and unless an amazing opportunity comes my way, will likely remain that way. 

Dynamic inks from one of John’s favorite inkers, Frank Giacoia.

All action. 

Just terrific.

Sub-Mariner #3 Original Art Page From the Collection of Greg Goldstein

Neal Adams & Bernie Wrightson — Twice As Great

Original Art and The Artists

Green Lantern #84, July 1971

Neal Adams & Berni Wrightson, Green Lantern #84 Original Art, from the collection of Greg Goldstein

Opinions on Bernie Wrightson’s rare inks on Neal Adams pencils range from “dream team” to “dueling styles.”

Personally, I enjoy the combo, But Neal himself is said to have told Bernie he was better off going his own way. And that, I think, we can all agree upon.

As for this great Green Lantern page from Adams legendary run? The top panel feels more Adams dominant to me, and in the cool final panel I see more of Bernie’s efforts.

Your mileage may vary.

(Pictured below the published Green Lantern comic are a few more examples of the Adams/ Wrightson combo: A terrific Batman cover and the splash page to an El Diablo story from Weird Western #12.)

For more:

https://13thdimension.com/bernie-wrightson-a-birthday-salute-from-frankenstein-to-swamp-thing-and-more/

Neal Adams & Berni Wrightson, Green Lantern #84 Original Art, from the collection of Greg Goldstein
Neal Adams & Berni Wrightson

Jack Davis — Ace

Original Art and The Artists

Aces High #3, August 1955

An entire case of Champagne might be a bit much for a New Year’s celebration — unless you have a big crowd, and they all like to drink the bubbly.

Either way, Jack Davis brings us a killer EC title page from Aces High. A lovely way to start the new year.

(Fun fact: This page kicked around for a while as part of the complete story. When it was finally broken up, the pages sold very quickly — and at an aggregate price greater than the entire story.)

JH Williams III & Mick Gray — Dreams & Imagination

Original Art and The Artists

Promethea #14, June 2001

Criminally underrated artists.

Criminally underrated art team.

Criminally underrated artwork.

Seriously, each 2-page spread in Promethea is somewhere between great… and stunning. And yet, when pages sell at auction, the realized prices rarely reflect the quality of the work.

A definite head-scratcher, certainly. But a boon for collectors who want a terrific piece of art — from an Alan Moore project, no less — at a ludicrously low price.

And a lunar realm like this one seems like a good place to wish everyone a very happy and healthy New Year. 

See you in 2024.

John Byrne — Bloody Victory

Original Art and The Artists

Wonder Woman #104, December 1995

This is obviously a cool splash page from John Byrne’s (story, pencils and inks) run on Wonder Woman. Tremendous detail apparent here.

Less obvious without the published page nearby of course is the terrific coloring here by Patricia Mulvihill. She creates a clear background and foreground with minimal tone, adding depth and clarity to the art.

If you’re curious about plot, Darkseid and his legions have killed quite a few of Diana’s fellow warriors and wrecked Themyscira, but didn’t get what they wanted, so they split.

Good riddance, even if only temporary.

Joe Staton — That’s A Stretch

Original Art and The Artists

Adventure Comics #471, May 1980

Remember when DC had some space for some comics that were fun, even playful?

How about Plastic Man, written by Marty Pasko and drawn by the talented and versatile Joe Staton. (Also, he and his wife Hillary are two of the loveliest people you will ever meet. Trust me on this.)

DC will bring back ol’ Plas someday — although, given the current state of the editorial mindset in the industry, there is always a chance he will come back as a schizophrenic who only thinks he can stretch. 

Trust me on this, too.

(Fun footnote. Someone at DC must have liked this story as much as I do — it was reprinted just a few years later in 1983’s Adventure #503, the final issue of the series.

Bob Brown & Wally Wood — Hidden Treasure

Original Art and The Artists

Superboy #160, October 1969

Bob Brown’s Superboy stories were the Superboy stories I read as a kid. 

Wally Wood inks? A very happy bonus. 

Even though the stories rarely matched the intensity of the typically featured Neal Adams covers, I’d likely buy a collection of this material on the spot if it ever becomes available. Nostalgia is a powerful thing. (It’s shocking how much DC silver age superhero material remains to be printed. But that’s a story for another day.)

Gil Kane & Kevin Nowlan — Never Fade Away

Original Art and The Artists

Superman: Blood of My Ancestors, November 2003

Superman: Blood of My Ancestors is an unusual project. Gil Kane was the original penciller, but he passed away before he could finish it, and then John Buscema took over the penciling, and did manage to finish it — before his passing shortly thereafter.

So, when the book finally see print in 2003, both pencillers, giants in the industry were gone.

Kevin Nowlan provides finishes for both. (And as a bonus, because Kevin inked Gil’s pages, they won’t fade away like so many of the other Kane “marker era” pages from his latter DC comics career.)

Not a ton of Superman in this one-shot since much of the story revolves around an early ancestor of the House of El. In fact, most of the Buscema pages look like a classic barbarian tale.  Kal-El’s distant relative is a dead ringer for Conan.

Who knew?

Gil’s depiction of Superman in flight made the back cover of the one-shot as well. It reminds me a lot of this great house ad for Gils underrated run on Superman in the early 80s, just prior to John Byrne’s overhaul of the character and the mythos.