Rampaging Hulk Magazine #3, June 1977 and Avengers #28, September 2012
If December makes you think of red and green, then, wow do we have a month for you. (Well, to be fair, mostly green, some red, and a little gray thrown in for good measure.)
It’s “12 days of Hulk” this month — 12 all new art posts devoted to everyone’s favorite rampaging hero, who turns 60 in early 2022.
But first a flashback to the ghost of Christmas past (two years ago, to be exact) with two great Hulk pages by the legendary Walter Simonson. (With help from Alfredo Alcala on the first and Scott Hanna on the second.)
See you back here on Tuesday with a double feature courtesy of Mark Bagley.
It’s a Red Hulk / Green Hulk Walter Simonson-themed Christmas, and Green Hulk takes his turn.
Green Hulk takes out his frustration on one of the Metal Master’s lethal robots in this action-filled story, pencilled by Walter Simonson with inks and wash-tones by Alfredo Alcala.
Original art for stories from black and white magazine titles often has more depth, because tonal quality was necessary to make the art pop without color printing. Alcala was one of the best of the artists working regularly in this medium.
Word balloons on many of the Marvel Magazines were done on tissue overlays, hence the “word-free” artwork. But a good action page, like a well directed fight scene in a film, should be void of most speaking parts anyway. (Even as a young reader, I disliked inner monologue masquerading as outer dialogue.)
Who has the breath to talk during a fight? (I know, they’re super-powered beings. But still…)
Continuing our ongoing celebration of Marvel’s 80thAnniversary.
Tony Stark is forced to relive The Hulk’s origin — and his own potential culpability in the fateful gamma blast — in Original Sin, a clever 2014 crossover event by Mark Waid that introduces some new retcon elements into the Marvel Universe.
Re-imagining a classic scene is an interesting challenge for an artist, and Mark Bagley delivers on Bruce Banner’s transformation with inventive (and concise) storytelling and solid draftsmanship. Andrew Hennessy’s inking on Bagley’s pencils adds some nice polish.
The basics of Hulk’s origin haven’t changed much in the nearly 60 years of his existence, but the nuances have been modified many times. In the early days of the Silver and Bronze ages, a number of artists did different takes, as evidenced below.
Where did I first see the Hulk’s origin? On TV, of course, in the 1966 Marvel Super-Heroes Cartoons. (Courtesy of Jack Kirby’s art.)
Sing along to the theme song if you will:
(Lyrics by Jacques Urbont)
Doc Bruce Banner, Belted by gamma rays, Turned into the Hulk.
Ain’t he unglamor-ous!
Wreckin’ the town With the power of a bull,
Ain’t no monster clown Who is as lovable.
As ever-lovin’ Hulk! HULK!! HULK!!
The original “long-form” origin (Hulk is gray) by Jack Kirby first appeared in Hulk #1.
In Hulk #3, Kirby redraws the origin (as a flashback) in a succinct three pages — and retcons the Hulk into his green form. (This origin also appears as the lead story in Hulk Special #2.)
Origin revisited: Hulk #102 (1968) by Marie Severin and Rampaging Hulk #1(1977) by Walter Simonson and Alfredo AlcalaAdvertising material for the 1966 Marvel Super-Heroes Cartoon
