Tony Daniel — Spider-Man’s Amazing Feat
Commission (Based On Steve Ditko, Amazing Spider-Man #33, November 1965), 2013
Amazing. Spectacular. Sensational.
It doesn’t matter what adjective you put in front of Spider-Man’s name, his actual popularity dwarfs them all.
And he celebrates his 60th anniversary later this year.
So why not celebrate the world’s most famous web-slinger with a whole month of Spider-Man art.
Why not indeed?
First up — Tony Daniel’s terrific tribute to Stan Lee and Steve Ditko’s most iconic issue of the original series, Amazing Spider-Man #33.
It’s not that Spider-Man wouldn’t be saved (Heck, even a little kid knows that.) But in that classic story, Ditko masterfully conveyed Spidey’s struggle and necessary force of will to find the strength to lift tons of machinery and save himself.
No Iron Man or Thor to the rescue. This is all about Spider-Man’s personal will to survive — so that he himself can rescue Aunt May.
It’s likely the most powerful three-page comic book sequence of the era.
Harris is not the first creator to pay tribute to the scene, but he does it masterfully, creating an image that exists somewhere seconds before page three of Ditko’s original sequence.
Additionally, Harris uses a muted color palate, perfect for the art. I don’t typically pursue color art, but this piece grabbed me the moment I saw it.
Amazing indeed.
