Greg Goldstein's Comic Art Gallery

Tag: Batman Animated

Mike Parobeck — Batman, Forever

Original Art and The Artists

Batman Adventures #7, April 1993

Kevin Conroy THE voice of Batman for millions of bat fans, has passed at at age 66. From Comic Art Fans:

“The Bat-signal will shine a little dimmer over Gotham City tonight as word has come down that Kevin Conroy, iconic voice of Batman for generations in the Bruce Timm-verse of cartoons, has passed at age 66. Just this past he added the credit of comics writer to his resume with a short story in the DC Pride 2022 anthology about how he related his secret life as a gay man in the 80s to the Dark Knight. 

“Kevin was a brilliant actor,” co-star Mark Hamill said in a statement. “For several generations, he has been the definitive Batman. It was one of those perfect scenarios where they got the exact right guy for the exact right part, and the world was better for it. His rhythms and subtleties, tones and delivery — that all also helped inform my performance. He was the ideal partner – it was such a complementary, creative experience. I couldn’t have done it without him. He will always be my Batman.”

 Our deepest condolences to his family, friends, and fans around the world.”

Posting this great Batman Animated page by the great Mike Parobeck, who also passed much too soon, to remind us that, fortunately, the work will always live on.

Tim Levins — Bringing Down The House

Original Art and The Artists

Batman Gotham Adventures #39, August 2001

Here’s a cool “Batman-animated” style page from Tim Levins that captures the fun and the flair of the 90s animated series.

The best art pages have no words — therefore, no word balloons needed. (And therefore, no missing word balloons on original modern art, 98% or more of word balloons are digitally added later.)

I realize its a bit of a cliche — but I always do get a kick out of Batgirl’s signature action move.

And, yes, I likely deserve one myself for employing that pun.

Mike Parobeck — Double Trouble

Original Art and The Artists

Batman Adventures #8, May 1993 & Batman Adventures #13, October 1993

Two great pages from the late Mike Parobeck wrap up our 2021 celebration of “Batman Day.”

As I’ve written previously, I was a big fan of Mike’s work; he was terrifically gifted from the start. Most of his art shares the same terrific qualities: Simple. Clear. Clean. Powerful.

He died much, much too early from diabetes at age 31.

Joe Staton — Magic and Madmen

Original Art and The Artists

The Batman and Robin Adventures Annual #2, November 1997

Batman saves the Zantana in this wonderful splash page by the ultra-talented and versatile Joe Staton. (It’s a sequel story to the Zantana episode of Batman Animated.)

And… that wraps up our week of posts celebrating DC superhero cartoons.

But it’s just the beginning of our Batman celebration — September 18 is the annual “Batman Day,” and the remainder of the month is devoted to the caped crusader.

See you on Tuesday.

Rich Burchett — Flesh and Steel

Original Art and The Artists

Superman Adventures #2, December 1996

As discussed previously, the Superman animated TV series, living in the shadow of its older, more popular brother, Batman Animated, never really garners the respect it deserves.

In fact, all the 90s DC “all ages” comics based on the animated series are not appreciated enough. 

Give the current interest and investment in YA and kids comics by nearly all publishers, those Superman and Batman series were likely, and unfortunately, too far ahead of their time. 

I hope someday it makes commercial sense to collect all the Superman and Batman material into complete collections.  They are delightful comics.

Also, similarly discussed, is the fact that Rich Burchett is a vastly underrated storyteller and artist. Pages like this are standard examples of his creative storytelling and imaginative use of composition and camera angles.

And Metallo? Finally something that is not underrated. He is a terrific member of Superman’s modern rogue gallery, especially the version that appears here, following up a classic episode on the TV series.

John Byrne featured a revamped scary Metallo as the first foe in his revamp of Superman — quite a different character than the earliest version that appeared way back in Action #252 (1959). Of course, hardly anyone remembers that Metallo was introduced in that issue, since it is upstaged (understatement) by the introduction of Supergirl in a separate story.

Rich Burchett — Mechanical Monsters

Original Art and The Artists

Superman Adventures #1, November 1996

The Fleischer Studio Superman Cartoons — the very first time Superman appeared on the big screen — continue to be regarded as animation legends.

Watching them today, 80 years later, they appear more astonishing than ever. This is especially true when you realize how much the studio was able to accomplish with the technology of the day.

The best known — and perhaps highest regarded — of these 8 original Fleischer shorts is the second one, “The Mechanical Monsters.”

Superman vs. an army of robots?

What’s not to love?

So it’s only fitting that the first issue of Superman Adventures, adapting the contemporary (1996) animated series, features Superman battling… an army of robots.

Writer Paul Dini and artists Rich Burchett and Terry Austin provide us with an action-packed “all ages” adventure, which includes Superman fighting a fairly powerful Superman robot.

Superman vs. Superman?

What’s not to love?

Side note: Superman The Animated Series, coming in the shadow of the phenomenal Batman animated series, doesn’t get enough love. My daughter and I watched them all. It’s a terrific version of Superman. Trust us on this.

Superman Adventures #1 pays homage to the classic 1941 cartoon “The mechanical monsters.”

Mike Parobeck — Not Joking

Original Art and The Artists

Batman Adventures #16, January 1994

Continuing our art showcase in honor of the annual “Batman Day.”

Here’s an example of the terrific work DC’s editorial accomplished on its Batman animated tie-in comics, which captured the look and spirit of the brilliantly produced animated series.

Mike Parobeck, as discussed in a previous post, passed away much too early. The work he produced in his short time was so well done that an amazing long-term career appeared inevitable.

Lots of things to love about this title splash, including fun lettering (on the art board) by Tim Harkins, his final issue on the series.

Composition is terrific of course, and the multi-faceted Rich Burchett provides some nice slick inks.

Mike Parobeck — Modern Composition

Original Art and The Artists

X-Men: The Early Years #7, November 1994

Sometimes the reprint cover is just better.

Case in point, Mike Parobeck’s cover of X-Men: Early Years #7, which reprints the original X-Men  #7.

Jack’s original cover (below) is overloaded, and a composition mish-mash. Ok, I know it’s by Jack Kirby, and some fans will bristle about anything negative about the King’s work, but sorry, there’s no real comparison between the original and the reprint.

Mike’s cover is strong and focused.

Jack’s original has way too many characters all over the map, with the X-men oddly positioned in the background and The Brotherhood of Evil Mutants voyeuristically up front, awkwardly. Are they watching from a window? Or on a TV screen? A magical portal? Why the heck are they even on this cover? This is a selling point?

Now, just to be clear, this may not be at all Jack’s fault. Maybe Stan Lee art directed it. And overwrote the cover blurbs to death. (Now, the Stan haters can come out of the woodwork.)

As I’ve said on the record many times, I’m a fan of both Stan and Jack, so let’s all calm down. However this original cover developed, it’s simply not a great one. Even legends drop the ball once in a while.

Mike’s solves the problem thirty years later by focusing only on the X-men coordinating — or attempting to — an attack on the Blob.

Simple. Clear. Clean. Powerful.  Typical of Parobeck’s work.

But… On the published version, the trade dress is a bit heavy handed, so some of the art is obscured — and the entire image had to be flipped to accommodate said trade dress. And, to add to this litany, why the monochrome coloring? Ah Hell, who knows.

Anyway, the original art is great and Mike’s Marvel work is pretty rare; he is best known for some great looking art on the Batman Animated comic books. I was also a big fan of his Justice Society run.

He unfortunately passed away MUCH too early at the age of 31 (from Diabetes) in 1996.

His is a talent that is sorely missed.

Ty Templeton and Rich Burchett — Very Animated

Original Art and The Artists

The Batman and Robin Adventures #2, December 1995

Batman Animated remains a timeless version of the character more than 25 years after its debut. That’s a well-known fact. Lesser well known perhaps is that the comic books published to support the award-winning TV series are pretty terrific in their own right.

Similar to the series itself, DC assembled an all-star group of creators to support these tie-ins including Burchett, Templeton, Joe Staton, and the late Mike Parobeck among many others.

Stories were typically self- contained, and the writing style was “all-ages,” sophisticated enough for adults, but not too complex for kids. 

On this absolutely great opening splash page by the Templeton/Burchett team, the artists dramatically illustrate how Batman can get very, very animated indeed. Cartoon or not, this version of Batman is a deadly serious guy.

As he should be. Always.

Kevin Altieri — Happy New Year!

Original Art and The Artists

Batman Adventures Holiday Special #1, January 1995

This is a terrific three-page Batman / Joker sequence from the amazing Batman Animated team: Story by Paul Dini and Bruce Timm, art by Kevin Altieri. Kevin is primarily known for his role as an award-winning director and storyboard artist for Batman and other animated series. As such, Kevin’s done little actual comic book work. As this sequence clearly illustrates, that’s a shame.

Kevin Altieri:

https://www.imdb.com/name/nm0022828/