“Bombshell, ” Spirt Vol. 2, #18 (Unpublished) DC Comics, December 2011
The Third and final part of our “Will Eisner Week” Spirit series features the noirish ending to this unpublished Spirit story “Bombshell” by Chip Kidd and Dave Bullock.
80 years of the Spirit, from his first newspaper appearance to the 80th celebration by Clover Press.
“Bombshell, ” Spirt Vol. 2, #18 (Unpublished) DC Comics, December 2011
Part two of our three-part “Will Eisner Week” series features the action heating up in the middle of the unpublished Spirit story “Bombshell” by Chip Kidd and Dave Bullock.
“Bombshell, ” Spirt Vol. 2, #18 (Unpublished) DC Comics, December 2011
The first week of March is “Will Eisner Week,” an annual event celebrating the life and works of one of the fathers of graphic storytelling.
And that means… it’s time for our own contribution to Will Eisner Week as well.
This year, we feature a terrific unpublished Spirit story by Chip Kidd and Dave Bullock featuring Bombshell. Unpublished… because DC cancelled its First Wave version of The Spirit before the story saw the light of day. (And shortly thereafter, the Spirit moved to Dynamite.)
Great storytelling along with beautiful wash tones by Bullock make this an especially unfortunate casualty of commercial considerations.
Part one of this great story appears today, part two on Thursday, and the conclusion on Saturday.
As for the dialogue?
Let your imagination soar.
I see a possible theme here — Bullock contributed this great Deadman story to DC’s Wednesday Comics in 2009.
Enter SHIELD, 55 years ago. Nick Fury had already joined the Marvel Universe as WW 2 commando Sgt. Fury in 1963. And he showed up later that year in Fantastic Four, 20 years in the future (present day) as a CIA officer. But now he was ColonelFury, head of the super secret spy agency SHIELD. (Originally, Supreme Headquarters, International Espionage and Law-Enforcement Division.)
In 12 short pages, we are not only introduced to SHIELD, but the villainous Hydra (Not an acronym, one of the few) and of course those great gadgets like the crazy heli-carrier. Comics, as noted previously, do not have budget constraints. Artists can go wild, and as we know when it came to wild tech, Kirby always delivered. All the bells and whistles of the Bond films, plus much, much more.
As a very young reader, I appreciated that Fury was a unique character; living in two different eras, in Sgt. Fury and in Shield. And that he interacted with Captain America and Reed Richards (Mr. Fantastic) in both of those eras.
SHIELD was another great Lee and Kirby creation, but the series became something extraordinary when Jim Steranko took over, first pencilling over Jack’s layouts, and eventually writing, pencilling, inking and even coloring some those epic SHIELD stories himself. (More on that in the next post.)
Dave Bullock’s modern cover is a pseudo-homage to one of Steranko’s great Shield covers, SHIELD # 4, with the uniform almost identical, minus the dagger on the boots. The background references the groundbreaking pop psychedelic look that Steranko himself was creating at the time.
If Marvel ever decided to create a SHIELD animated series, I’d want it to look exactly like this.
Nick Fury started as a WW2 commando and evolved into director of SHIELD. Marvel ultimately retconned a war injury to fully explain the eyepatch.
Fury weaved into the bigger Marvel universe, past and “present”(60s) with Captain America, Tony Stark, Reed Richards and others.
I realized after the fact that nearly all the creators I spent time with — Scott Kolins, Matt Wagner, Howard Chaykin, Gabriel Hardman , Mike Mayhew, Scott Koblish, Dave Bullock and Christian Gossett —- pretty much pencil and ink their own art, which was an odd coincidence. (Koblish inks others as well, but still…) And… they were all exhibiting within a few feet of each other in an otherwise large artists’ alley. Some sort of artistic serendipity I assume.
A great group of creators, enthusiastic fans, creative cosplay — and a good crowd, as opposed to an impossible one — made for a fun day. Kudos to Martha Donato and her team for more than 10 years of successful conventions In Long Beach and elsewhere!