Greg Goldstein's Comic Art Gallery

Tony Daniel — Wonderous

Teen Titans #29, December 2005

We should all be getting ready to go see Wonder Woman 1984, the follow-up to the mega hit original Wonder Woman, this week.

Well, actually, we should have seen it back in June.

Ummm… actually, we could have seen it last fall. It’s been in the can for quite some time. The first delay was because of strictly commercial scheduling reasons, while the next two are due to COVID.  I’m pretty certain Warner would like to go back in time and release it on its original schedule. (Come to think of it going back in time is a good idea for pretty much every reason.)

Its currently on the schedule for October 2, and If I were guessing, it will arrive then no matter what, even it means some sort of weird combo of theatrical and Video On Demand (VOD).

But that’s just an educated guess.

In the meantime, we’ve moved the Wonder Woman art posts around a few times to accommodate the film’s timing, and they can’t be moved anymore, as we’ve run into to other scheduling roadblocks. (Just like the film studios, except we don’t have millions of dollars on the line.)

And, were starting off our next two weeks of Wonder Woman blogs with not only a great piece of art by the terrific Tony Daniels, but a very appropriate one as well: That’s Maxwell Lord she’s got under control, and he apparently plays a major role in the film.

I don’t know much more than what I’ve seen in the trailer, because if I’m not actually working a project, I try to avoid any spoiler details, whatsoever. And the more this film gets delayed, the more difficult that becomes.

Fingers crossed, it’s only two more months.

Fun Fact #1: This is the only appearance of Diana in the entire issue. As the published page clarifies, Cassandra (Wonder Girl) is viewing Wonder Woman’s confrontation with Max on a TV.

Fun fact #2: The printed page is reversed, but I’m wondering if a last minute page layout change (because of an advertisement) renders the change moot. It appears on the left side of the spread and, in my mind, works better with its original direction if it’s a “lefty.”

Matt Wagner — Oliver Queen Bows Out

Green Arrow #20, March 2003

Tonight is the final episode of the extremely well-done Arrow, lasting eight seasons on the CW and successfully launching the “Arrowverse” which now includes Flash, Legends of Tomorrow, Supergirl and more. I doubt anyone could have predicted that these shows would create a well-crafted and (mostly) unified TV DCU, much like Marvel has created a unified film universe.

I’ve seen some (unjust) criticism that ultimately, these shows feel like any other show on the CW, just with more spandex. I think some of that criticism comes from grading these Greg Berlanti produced shows against the more mature (and expensive) shows that are running (less frequently) on premium cable and streaming services.

Its difficult to imagine something like this unified DCU coming together even just 10-years ago, and kudos off to Berlanti and company for creating quality shows with just enough (hopefully not too much) fan service. And the shows will continue on even without the launch series, and star Stephen Amell.

Matt Wagner created a terrific series of painted covers for this Brad Meltzer run of Green Arrow in 2002 and 2003, including this very dramatic portrait of Oliver Queen. (In this story arc, Ollie is dealing with a Hal Jordan (Green Lantern) sub-plot, hence the green illumination.) And speaking of Green Lantern, will he (they) crossover from the upcoming HBO Max series?  Very much looking forward to seeing how this all plays out .