I finally checked off a piece of art from my OA “bucket list” with the acquisition of this terrific Russ Manning Star Wars Sunday strip late last year.
I own some great Star Wars original art, but not much focusing on Leia, so I’m especially pleased I won this strip at auction. Coincidentally, I was the underbidder the previous time it had appeared at auction — second time is the charm, apparently.
When we had the opportunity to collect the complete Star Wars strip collection at IDW Publishing, it was yet another box checked off from the publishing bucket list. Dean Mullaney and the Library of American Comics (LOAC) crew produced (as always) an amazing three-volume set.
Welcome to Star Wars “month.” May the force be with you throughout.
Did your newspaper make room for the full strip, or the “abridged” version, featuring Sundays without the top tier?Screenshot
Superman — Atomic Age Sundays Volume 3, December 2017
As described in a earlier post, Pete provided all the terrific covers for our DC superhero strip reprints for The Library of American Comics.
Pictured is a typical great example where Pete emulates legendary artist Wayne Boring — with some Curt Swan thrown in for good measure.
Oversized — and beautiful.
Fun Facts: (From the marketing copy):
Written by Alvin Schwartz and Bill FInger and Illustrated by Wayne Boring
The Man of Steel stars in thirteen classic adventures as the 1950s “Atomic Age” comes to a close. Some of the stories are original to the newspaper strip, while others were alternate versions of tales that were simultaneously published in the regular comic books. One of the featured adaptations is “Superman Versus the Futuremen,” written by Batman co-creator Bill Finger, which retells Superman’s origin. This concluding volume of Superman’s Atomic Age Sundays reprints all strips July 1, 1956 to October 11, 1959.
Pete hand colors copies of his original art, and those color guides are then handed off to the digital colorist who completes the work for publication.Meanwhile, over in the comics, Superman reminds us to read all his adventures.
Every so often, I have this daydream, that I will sell most, if not all, of my art and use the proceeds to buy just one piece: An Alex Raymond Flash Gordon Sunday.
First time I ever saw that art as a kid, I recognized that I was looking at something extraordinary.
Nearly 50 years later, I still feel that way.
In the meantime, I have this great Raymond Rip Kirby to enjoy. Frankly, they are all pretty great, but this one especially spoke to me because of the terrific use of light and shadows. (And smaller word balloons than typical means more art to enjoy.)
Publishing the complete Raymond Rip Kirby — and Flash Gordon, with the Raymond Jungle Jim toppers — at IDW was a joy. An absolute joy.
Continuing our month long celebration of the great adventure comic strips: Week 1: Superheroes Week 2: Detectives Week 3: SF Week 4: Masters Of The Form
Fun fact: This is Volume 2 of the complete Alex Raymond Rip Kirby, despite the fact that the years contained within are misidentified here.
Nostalgic collectible tin advertising signs became all the rage in the 1990s.
At first, “reprints” of authentic signs started popping up at flea markets and street fairs. Many were classic brands and logos, some long defunct.
Shortly thereafter, inventive entrepreneurs created new signs designed to emulate the retro look and feel of the classics. You can still find many of these at shops and vendors that specialize in nostalgic candy, soda, etc.
Kitchen Sink, publisher at the time of the Superman and Batman newspaper strip reprint collections, issued two very cool Superman “advertising” tins designed and illustrated by the amazing Pete Poplaski. (This one is marked #3, but I’ve only seen two, so I’m assuming at least one design was tabled.)
As with nearly all of Pete’s illustrations, everything you see, including the lettering, is fully hand drawn. (The line detail on the buildings alone is astonishing.)
And no one captures classic comic art styles like Pete. (Well, maybe the equally amazing Paul Mavrides, but that’s a tale for another day.)
As mentioned previously, when we picked the DC strip reprint rights at IDW in 2013, Pete was our first choice to create all the cover material.
And, as always, he knocked it out of the park.
Celebrating the 80th anniversary of the original Superman cartoons, created by the incredible Fleischer Studios for Paramount Pictures.
Paul Mavrides, Pete’s only real “competition” in recreating other artist styles, illustrated the Comic Book Confidential film poster art back in 1988, mimicking the art style of each individual artist. (Paul and the original art provide a funny intro to the film itself.)
Archie, as noted in the previous blog, rapidly achieved success. Within a few years after the character’s introduction, the Archie family added a hit newspaper strip to the successful comics line. Bob Montana, Archie’s co-creator, worked on the strip for nearly 30 years until his untimely passing in 1975.
IDW and the Library of American Comics intended to publish a complete sequential series of these strips, but ran into a problem: Finding the actual strips themselves. Archie had no strip archive, and collectors, who had kept clipped strips from the era, concentrated primarily on adventure series and mostly ignored Archie.
Fortunately, we managed one book each of dailies and Sundays from the period, and even a cursory glance reveals Montana’s cleverness in cartooning.
Early solicitations for the Montana dailies book included this preliminary cover, but imprint Editor Dean Mullaney ultimately went in a different direction for publication.
Archie Americana Volume 1: Best of the 1940s HC, 2011
Archie Andrews, (along with many of the rest of his timeless Riverdale gang), celebrates his 80th anniversary this year.
Starting as a back-up feature in MLJ’s Pep Comics #22 (cover date December 1941), Archie and his pals gradually took over the whole comic, and eventually, in 1946, the entire company.
Archie’s creation is generally credited to MLJ founder John Goldwater, and cartoonist Bob Montana. Montana apparently based many of the characters on friends and neighbors from his high school days in Haverhill, Massachusetts.
IDW Publishing and Dark Horse both relentlessly chased Archie Comics for archival reprint rights — an area the company itself was slow to develop, and in 2009, Archie ultimately split those reprint rights between the two publishers.
AT IDW, we published hardcover “Best of” collections, based on both era and artist. We also added the Archie strips to our Library of American Comics imprint headed by Dean Mullaney. (More on that later.)
Andrew Pepoy drew era-specific covers for all four Archie’s Americana volumes. This cover from the first volume — Best of the 40s — is a faithful and clever re-working of Montana’s cover for Archie’s Pals and Gals #3. Ironically, Montana’s original is from the 50s (1954), but I don’t think anyone complained.
More Archie coming up in the next few posts as we celebrate his very youthful 80th.
All four volumes in the IDW “Archie’s Americana” series feature era-specific covers by the talented Andrew Pepoy.
Starting as a back-up feature in MLJ’s Pep Comics #22 , Archie and his pals gradually took over the covers, the comic, and in 1946, the entire company.
Truly one of the most talented comic artists ever, the late Al Williamson spent 13 years illustrating Secret Agent Corrigan as a daily strip. (With writing by the late, also great, Archie Goodwin.) Here from 1977, is the 8/29 strip, with Corrigan dealing with one of those startling revelations that happened… well… quite regularly back in the day.
It matters not. Archie was a terrific writer of course, but Al Williamson could have illustrated a guide to Windows XP, and I would have devoured it anyway.
I miss Al’s work. I also miss newspaper adventure strips, but that’s a lament for another day.
The complete five-volume collection of Williamson’s Corrigan (Also referred to as X-9) is one of my favorite series form the Library of American of Comics, and one of my favorite projects at IDW Publishing. Yes, that makes me biased. So?
