Greg Goldstein's Comic Art Gallery

Wallace Wood — EC For Me, See?

Tales From The Crypt #25, August 1951

Wallace Wood and film noir. A favorite artist and a favorite fiction genre for me. I’m in, of course.

Okay, so this page is actually from Tales from the Crypt, EC’s best-known horror title. But the look and feel are pure film noir, so I’m counting it. Crime and horror overlap pretty frequently—especially in EC comics, now that I think of it. A rotting corpse—or a witch—might show up along the way, but the atmosphere is still straight out of a noir film.

But I digress.

Funny thing is, despite how much I like this page, I’ve owned it—and parted with it—once before.

Some paste-ups had me convinced that portions of the art were photostats rather than original drawings. Then I learned that Wood sometimes combined original art from different boards onto a single page, whether to incorporate shading from Craftint paper or to rework the storytelling or a “camera angle.”

Unfortunately, I learned that after I’d let it go.

Anyway, that’s probably more in-the-weeds information than you need. All you really need to know is that I really dig this page, and I paid dearly to own it a second time.

That last part I’d just as soon forget myself.

Jack Davis — Stage Fright

Tales From The Crypt #27, December 1951

I love dynamic panel pages like this from Tales From The Crypt and EC’s other horror titles: Dark, foreboding, and yes, murderous — but without the gore. More film noir than horror, Jack Davis once again crafts the dramatic scene with a terrific balance of shadows and light.

Since I can remember, the prolific Davis has been one of my favorite artists, and he should absolutely be on any list of best commercial illustrators of the 2nd half of the 20th Century.

Side note: As one of EC’s youngest artists, he hadn’t quite turned 27 years old when he drew this. 

Graham Ingels — Trapped… In The Crypt*

Tales From the Crypt #23, April-May, 1951

Graham (“Ghastly”) Ingels creates a fabulous story page for the classic (and unsurprisingly, horrific) EC tale, “Last Respects.” (Tales of the Crypt #23.)

I likely first ran into this specific story from the Vault of Horror reprint paperback (1965) which I grabbed at a flea market sometime the early 70s. Oddly, the Crypt cover from this story was reused as the jacket art for the amazing Nostalgia Press EC reprint collection (1971) (which hooked me into EC Comics to begin with) — but did not include the story inside!

As for Ingels himself? — He was the most prolific of the EC horror artists and in many ways, he was the most intriguing personality of the EC gang. Later in his life, he was certainly the most elusive, seemingly horrified (pun intended) by his contribution to these classic comics.

*Yes, I know it’s a mausoleum, but crypt was more fun, and appropriate.

See you next week for another taste of Halloween horror; it is October after all!

Jack Davis — Knockout

Playboy Magazine, November 1960

Can you think of another artist whose work appeared in Mad, Time, TV Guide and Playboy at the height of their circulation in the 60s and 70s? Not to mention seminal work as a visual storyteller at EC Comics?

Nope, me either.

“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and “the master of the crowd scene.” It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.