Greg Goldstein's Comic Art Gallery

Tag: Fourth World

Keith Giffen — Beyond The Fourth World

Original Art and The Artists

O.M.A.C. #1, November 2011

We conclude our celebration of Jack Kirby’s legacy at DC Comics with one more look at Jack’s characters and concepts as envisioned by other creators. 

Keith Giffen gets an opportunity to play in the DC Kirbyverse with O.M.A.C., based on Jack’s short-lived series at DC about a future that was closer than we realized. Critically acclaimed, it was cancelled after just eight issues. (Coincidentally, Jack’s original series was cancelled after eight issues as well.)

“OMAC was my favorite title of DC’s initial New 52 relaunch, but being based on a Jack Kirby character that’s more obscure than Kamandi and Devil Dinosaur combined probably didn’t help when it came time for DC to trim its first wave of underperforming titles. The fact that it was written by fan rage magnet DiDio made for marketplace kryptonite. You could’ve lined the interior of the book with 20-dollar bills and nobody would’ve bought it.”—Tom Scioli, writer, artist and author of Jack Kirby: The Epic Life Of The King Of Comics.

Giffen, a legendary Kirby fanatic, also wrote and drew a Forever People series and the first issue of the Kamandi Challenge, all with co-conspirator DiDio, who happened to be DC’s publisher at the time.

*Purists will note that some of the characters and titles actually made it onto newsstands before the close of 1970, but the fully integrated series (Jimmy Olsen, Forever People, New Gods, and Mister Miracle) — doesn’t fully materialize until the following year.

Steve Rude — Love Letter To The King

Original Art and The Artists

Mister Miracle Special #1, April 1987

We continue to celebrate Jack Kirby’s legacy at DC Comics with a special two-week look at Jack’s characters and concepts as envisioned by other creators. 2021 is the Fiftieth anniversary of the Fourth World storyline. *

Jack Kirby super-fan Steve Rude pens this artistic love letter to Kirby’s Fourth World, in this one-shot from 1987. Along for the tribute are Jack’s best-known collaborators at DC, writer Mark Evanier and inker Mike Royer.

On this inventive and powerful splash page — the best in the issue — Rude cleverly uses a “trapped” Miracle as the backdrop for other Fourth World characters including The Forever People, Lightray of the New Gods, and Big Barda.

Rude and Evanier would reunite again for another Kirby tribute years later with a 1999 Jimmy Olsen story in Legends of the DC Universe # 14. (Inked this time by Bill Reinhold.)

*Purists will note that some of the characters and titles actually made it onto newsstands before the close of 1970, but the fully integrated series (Jimmy Olsen, Forever People, New Gods, and Mister Miracle) — doesn’t fully materialize until the following year.

Jim Aparo — Miracle #19

Original Art and The Artists

Brave and Bold #112, May 1974

We continue to celebrate Jack Kirby’s legacy at DC Comics with a special two-week look at Jack’s characters and concepts as envisioned by other creators. 2021 is the Fiftieth anniversary of the Fourth World storyline. *

Mister Miracle makes his first appearance outside of the Jack Kirby DC universe in this cool Batman team-up story in the Brave and The Bold, penciled and inked by the legendary bat-artist Jim Aparo.

Ironically, Kirby’s own Mister Miracle title had been cancelled the month previously, effectively ending the Jack’s interconnected Fourth World, a little more than three years after it started.

Think of it as the 19th Bronze Age issue of Mister Miracle; it would take another three years for an actual issue #19 — without Jack’s involvement — to see the light of day. 

(The bat team of writer Bob Haney and artist Aparo effectively weave Mr. Miracle into the greater DC Universe, and the two escape artists will team up again in issue #126 as well.)

*Purists will note that some of the characters and titles actually made it onto newsstands before the close of 1970, but the fully integrated series (Jimmy Olsen, Forever People, New Gods, and Mister Miracle) — doesn’t fully materialize until the following year.

The final issue of Mister Miracle (#18) is also the final issue in Jack Kirby’s New Gods saga until he returns to it briefly about 10 years later. But hey, miraculously, our great escape artist shows up right on publication schedule —- albeit as a guest star in a Batman book.

Jim Starlin — Superman Among The Gods

Original Art and The Artists

Death of the New Gods #7, May 2008

We continue to celebrate Jack Kirby’s legacy at DC Comics with a special two-week look at Jack’s characters and concepts as envisioned by other creators. 2021 is the Fiftieth anniversary of the Fourth World storyline. *

Superman (with Mr. Miracle’s help) gets into it with the Infinity man in this great splash page and well-crafted mini-series by Jim Starlin.

Starlin of course created Thanos, the not-quite knock-off of Darkseid, who became one of the most popular super-villains in the Marvel Universe, and ultimately the ultimate “Big-bad” of the MCU. So it’s fitting to have him play in the Darkseid’s  sandbox as well.

Ironically, it took Darkseid a bit longer to achieve the same level of popularity in the DC Universe, but his own crown as DC’s ultimate super-villain has been amplified by his inclusion in the Zach Snyder “cut”of Justice League.

As for the series title? Let’s just say that reports of the New Gods’ deaths are greatly exaggerated.

*Purists will note that some of the characters and titles actually made it onto newsstands before the close of 1970, but the fully integrated series (Jimmy Olsen, Forever People, New Gods, and Mister Miracle) — doesn’t fully materialize until the following year.

Darkseid and Thanos, not as similar as you might think. (Darkseid doesn’t need a cosmic cube to be a god — he already is one.)

Eddy Barrows — Darkseid At World’s End

Original Art and The Artists

Earth 2: World’s End, June 2015

Darkseid dispatches a number of earth’s greatest heroes in this great looking title page of the final issue of Earth 2:World’s End.

If you like your superhero universe grim and gritty, (as per our last post), this series, set in an alternate universe, should do nicely. 

Darkseid is inarguably Jack Kirby’s greatest legacy at DC comics.  Although his “fourth world” books didn’t last long at DC, Darkseid untimely became the “big bad” of the DC Universe. Shockingly, before Jack’s era, there was no over-arching multi-title super villain. This, despite the fact that by 1970, Marvel had at least a few. (Doctor Doom, Galactus, Kang, The Super Skrull, et al.) 

Marvel had focused on continuity well before DC figured it out.  In fact, Jack’s fourth world books, introduced the first cross-title continuity to the DC Universe.

But, as always, we digress.

Brazilian Artist and DC mainstay Eddy Barrows regularly combines quality draftsmanship and creative storytelling into a highly compelling story. Another Brazilian artist, Eber Ferreira, known for his detailed and meticulous brushwork, typically inks Eddy’s pencils.

More on Jack Kirby’s legacy at DC in the next few posts.

Jack Kirby — Hello and Goodbye, Rinse, Repeat

Original Art and The Artists

DC Graphic Novel #4 – The Hunger Dogs, June 1985

Jack Kirby’s tenure at DC was ultimately a mixed bag — for both Jack and DC. 

The Fourth World saga was one of the most ambitious projects ever attempted in comics at that time; yet, the books were cancelled well before they had a chance to fully realize Jack’s vision.

And yet…  there was something about those characters and premises that continued to resonate.

Jack’s Post DC career included a three-year return at Marvel (Think Eternals, et al), his own creator-owned comics (Captain Victory, Silver Star) and a home at animation house DePatie-Freleng studios and then later Ruby-Spears.

And then, another opportunity arose at DC to finish his New Gods saga. DC would reprint the original series in “deluxe” format and give Jack a chance to end the saga with new material.

But, unfortunately Jack wanted to end the saga in a way that would kill off the main characters, and by then DC had grown accustomed to having them in the line-up. 

So, Jack was again denied the chance again to finish it in his vision. And somehow the end of the saga morphed into a standalone graphic novel, Hunger Dogs, which also didn’t bring the story to a satisfactory conclusion.

And the graphic novel itself was a mess on the production end. Pages intended for the standard comic books were reworked for the graphic novel using photocopies, corrections, new “border” art and a host of other techniques to turn standard size pages into graphic novel pages.

Fortunately, Jack did create brand new large art pages for the GN, and they are pretty terrific in terms of page layout and composition, as evidenced here.  They are his final work for either of the “big two” publishers.

As for the New Gods? They lived on, and more importantly, Darkseid arguably became the most important villain in the DCU. Jack shared in some of that commercial success, and his family continues to share in that success today.

A fitting ending after all.

Giorgio Comolo — Across The Universe

Original Art and The Artists

Thor #168 (September 1969), Cover Re-creation, 2006

Today wraps our special remembrance to Jack Kirby with a third piece by Giorgio Comolo, an Italian artist who worships the King  — and expresses his adoration with unique and lovely homages and recreations.

“It is your understanding I seek — and not your enmity!” —Galactus

Galactus reveals his origin to Thor (and to us) in this story arc, after Thor, at Odin’s insistence, tracks down the planet devourer in the far reaches of the universe.

Kirby is doing some of his wildest Marvel science fiction in these issues — a small hint of what will come just a short time later in his “Fourth World” comic books at DC.

Apparently, Galactus is not a bad guy. Despite the fact that he devours worlds and galaxies, destroys trillions of lives, he’s misunderstood. That’s all.

Uh-huh.

Comolo homages the cool Kirby cover image and fleshes out the background with cosmic details. And again, he employs that very specific neon-like palate. He also makes Thor’s face a bit more visible — a nice touch. (Although he keeps Thor’s somewhat wonky hand from Jack’s original.)

Oh, and he gives Galactus pants and full sleeves. Galactus should always have pants and full sleeves.

No one has (yet) published a book –or even a portfolio — of Comolo’s Kirby homages. I hope that is rectified in the near future.

Or hey, at a minimum, how about celebrating the 60th anniversary of the Fantastic Four next year by doing Kirby cover homages all year long. Who wouldn’t want to contribute to that?

Meanwhile, Thor #168 itself?:

Kirby. Thor. Odin. Galactus. The Watcher. Balder. The Warriors Three. The Thermal Man…

A pretty good deal at 15 cents.

Galactus gets emo… Thor struggles with cosmic ethics… The universe will never be the same.
1971 blacklight posters repurposed existing panels & pages from Marvel comics, adding a rich cosmic feel to the art.

Jack Kirby — Happy 102!

Original Art and The Artists

Jack Kirby and Steve Rude, Jimmy Olsen: Adventures by Jack Kirby – Volume 1

Today, let’s celebrate The King’s birthday with some help from an unabashed professional Kirby admirer — Steve “The Dude” Rude. Steve completed a previously unpublished Kirby Jimmy Olsen cover rough for a TPB collection in 2003.  I love the power and playfulness in this image, and Steve’s inks nailed it.

Interesting that the initial color version of the cover, used for solicit purposes, is realized in the “classic” style, while the final printed version is digitally rendered in the “modern” style.

Anyone want to guess which version I prefer? Anyone?

(On the subject of Superman’s likeness in the DC Kirbyverse, Kirby expert and author Mark Evanier has some illuminating background here.)

Happy Birthday Jack!

  • Preliminary color
  • Published color
Original (previously unpublished) cover rough, likely an early version of Olsen #145