Greg Goldstein's Comic Art Gallery

Ernie Colon & Al Williamson — A New Hope

Droids #8, June 1987

George Lucas thought SF comics legend Al Williamson (EC, Flash Gordon) was an ideal choice to draw the original Marvel adaption of Star Wars. (Now officially titled Chapter IV: A New Hope.)

Unfortunately, Al was locked into his deal for the Secret Agent Corrigan newspaper strip and couldn’t take the gig.

(Fortunately for George, his other choice came through: Howard Chaykin, who was extraordinarily familiar and comfortable with SF and swashbuckling came on board for the adaptation and a few additional issues. But, as always, we digress.)

Al ultimately ended up doing wonderful adaptations of both Empire Strikes Back and Return of the Jedi. The stories are gorgeous.

But… Al gets another shot on the original film, when, 10 years after the fact, Marvel decides to adapt A New Hope again — this time as a three-part story in the kids’ comic, Droids. 

Ernie Colon provides lovely storytelling, and Williamson provides his beautiful inks, giving him credits on all three Star Wars original trilogy films.

As for the story itself — the main selling point is that this adaptation is told from the Droids’ point of view — which seems odd, since Lucas told interviewers that the films were told from the Droids’ POV, in the first place.

Deja Vu all over again?

Al Williamson — Jedi At The Drawing Board

Return of the Jedi, #2, October 1983

Lush brushwork. Clear storytelling. Impeccable detail. Accurate anatomy and likenesses.  Al Williamson’s page from Star Wars: Return of the Jedi adaption speaks volumes about realizing potential in adapting other mediums to comics.

George Lucas had the power to choose the artist to draw the Marvel Empire Strikes Back adaption and he had the good sense to choose Al Williamson.

Al’s gorgeous art on classic EC science Fiction stories as well as Flash Gordon had clearly made an impression.

Fortunately for us, Williamson agreed to also illustrate the Star Wars newspaper strip (after Russ Manning’s untimely passing), and he ultimately came back for Return of the Jedi adaption as well.

On all three projects — plus a handful of stories in the regular comics — Al delivered. It’s some of his finest work.

Williamson kept much of his Star Wars related art, and his estate now owns it.  Nearly all the originals that have come on the market are those once owned by his assistants or inkers.

This great page from ROTJ has a more interesting provenance. Superstar inker Mike Royer received it from Al (see inscription) shortly after publication. It remained in his collection for many years.

So it’s not only a great piece of original art, it has a great story behind it as well.

And it’s a cornerstone of my collection.