Greg Goldstein's Comic Art Gallery

Tag: Jeph Loeb

Tim Sale — Er…That’s No Robot

Original Art and The Artists

Hulk Gray #4, February 2004

Welcome to the day two of “12 Days of Hulk.”

Tim Sale (with writer Jeph Loeb) creates a cool and dynamic page from an early clash between Gray Hulk and “Gold” Iron Man in the classic Hulk Gray mini-series.

The Hulk surprisingly didn’t battle with IM in the early years of the original Silver age, with the very notable exception of the first few issues of Avengers — which was the first team book that seemed to have more fighting within the group than without.

Of course, Loki helps manipulate their clash in issue #1, and the Space Phantom does the same in issue #2. By issue #3, Tony has switched into the first version of his now famous sleeker red and yellow model. (They duke it out there, too.) And by the end of issue #3, Hulk will disappear altogether from the book for quite a while.

As a side note, I miss hand-drawn sound effects even more than I miss traditional lettering. Thoom indeed.

Hulk and Iron Man spend most of issue #1 of Avengers fighting each other, then, astonishingly do it all over in issue #2.

Darwyn Cooke — Captures The Spirit

Original Art and The Artists

Continuing our celebration of “Will Eisner Week” and the 80th anniversary of The Spirit, with other creators’ takes on the beloved and influential character.

The late Darwyn Cooke?  The closest thing to Will Eisner this modern generation of talent had seen. Visionary storyteller, writer, illustrator, letterer and more. Not only could he do it all, Darwyn could do it well. VERY well.

He was the logical choice for an ongoing series of Spirit stories — the first since Eisner’s run ended in 1952.

DC launched the series with a Batman Sprit crossover, and this terrific splash is the final page of that story. Inked by J. Bone, this issue, and the subsequent ones of the ongoing series are the closet in spirit (ahem) to Eisner’s vision more than 50 years prior.

Darwyn, we miss you.

“I think everybody who is consumed by storytelling within this medium has had some profound schooling from Will…

I can remember it was one of those days when I was thirteen, and I was in a comic store, and there was nothing that I wanted to get. On the wall was a copy of Warren’s Spirit magazine. I think it’s number three, where he is running down the elevated track straight at you, and the train is behind him. It’s just one of the most exciting images I have ever seen…”

-Darwyn Cooke interview From Will Eisner: A Spirited Life by Bob Andelman

Young Darwyn Cooke found a copy of Warren’s Spirit #3 and the world was never the same. Also pictured, his cover for the first issue and collection of DC comics stories.

Tim Sale — “Mrrow!”

Original Art and The Artists

Batman: The Long Halloween, #6, June 1997 

Wait.

It’s November 1, and we’re still discussing Halloween?

Of course — we are talking about Batman: The Long Halloween, one of the greatest long-form (13 issues) Batman stories ever created. Jeph Loeb and Tim Sale craft an inventive and gorgeous story that takes place early in Batman’s career, centered on a serial killer who only kills on holidays. 

The story also features the Calendar Man, once a silver age joke, who taunts the caped crusader in the manner of Hannibal Lechter. He knows who the murderer is, but will only provide tantalizing and taunting clues, not the killer’s actual identity.

On this great action page, Catwoman attacks Poison Ivy in an attempt to break her spell over Bruce Wayne, but the somewhat hypnotized Bruce breaks Catwoman herself from the attack.

Mrrow indeed!

(And happy anniversary Mr. Wayne. Our next few posts are in honor of your 80th year as the Caped Crusader.)

Ian Churchill — Split Personality

Original Art and The Artists

Supergirl # 4 (2005 Series), February 2006

Two Supergirls — one “light”, one “dark.” Lex Luthor in his “war-suit.” Appearances by Superman and the Justice League. Covers by the late Michael Turner. Darkseid. Big splashy fight scenes. And did I mention Luthor in his “war-suit?”

This fun —albeit brief — arc of Supergirl comes to us courtesy of Jeph Loeb, writer, and is rendered dynamically by Ian Churchill, penciller and Norm Rapmund, inker. 

Black Kryptonite, making an early comic book appearance here (It was first introduced in the Smallville TV show) is responsible for Kara’s split personality, and her dark side has no problem taking the gloves off, quite literally. Here we see her get the upper hand on Luthor’s — (ahem)— upper hand, as she gleefully destroys the weapon of mass destruction built into his arm. Check out the amazing detail as it shatters into a million pieces. Also noteworthy is Luthor’s face, which expresses a rare combination of pain and shock.

It’s always fun to see Luthor in his super-suit post Crisis on Infinite Earths, and especially entertaining to see Supergirl shred it.

CBR has a fascinating look at the iconic suit’s history here.

The “B” cover of the issue is a Churchill homage to Curt Swan’s cover of Action # 346.