Greg Goldstein's Comic Art Gallery

Tom Grummett / Sean Chen — He’s Dead, Jim

X-Men Forever #10, December 2009

As noted earlier, John Byrne had returned to X-Men with X-Men: The Hidden Years.

His original collaborator, writer Chris Claremont, returned much later on in 2010 via a more direct route, in X-Men Forever.

Basically picking up after he left off in 1991 — and then immediately diverging — Claremont quickly killed Wolverine and had the remaining X-Men team deal with the ramifications of his death.

Tom Grummett’s character-packed cover deals with the team laying their fallen comrade to rest. Grummett was the many artists on the Forever series, which also included X-men mainstay Paul Smith on this issue, and others.

It’s an interseting choice — and a good one, commercially — to leave Wolverine’s uniform on top of the coffin. Contextually, of course, it makes little sense.

Sean Chen’s variant cover takes a look at an imaginary one moment later — when “zombie” Wolverine breaks out of his coffin(In uniform). This event is not in the series. Wolverine in fact stays dead. This image seems a tribute to the popular (and multiple) Marvel Zombies series.

It’s a clever set-up, and one of the few times a main cover and a variant are done in this manner. Kudos to editor Mark Paniccia — or whoever came up with the imaginative idea.

Gabriel Hardman — Like A Demon

Cursed Comics Cavalcade #1, October 2018

Continuing a two-week series celebrating Halloween with the best in monsters, mystery and mayhem.

Jack Kirby’s Demon — despite a short-lived original run of 16 issues — endures 47 years after his first appearance in 1972.

Talented creators have reinvigorated, and in some cases outright reinvented, Jack’s supernatural character in the ensuing decades. It’s an all- star list that includes Matt Wagner, John Byrne, Garth Ennis, John McCrea, and many others.

Add to that list Gabriel Hardman, who, on this splash, provides an iconic and frightening image of the classic character. Gabe’s use of deep black inks and the off-setting lightning and breaking glass create a haunting and dramatic page. (I think the art looks more impressive in black and white than in published color, but regular readers of this blog probably already guessed that.)

Hardman’s main professional work is creating storyboards for films, a list that includes Spider-Man, Batman, Logan and much more. He’s terrifically talented, and much sought after in Hollywood, so we don’t get enough of his work in comics, which is a definite pity for comic art aficionados. 

In the meantime, we can likely look forward to yet another artistic interpretation of Kirby’s character sometime in the future. 

After all, we all have our Demons.

An atmospheric storyboard from Logan. Even if Gabe were permitted to part with it, he couldn’t — he does most of his storyboards fully digital.