Greg Goldstein's Comic Art Gallery

Mike Deodato / Andrew Pepoy — Family Feud

Pencil Commission, Undated (Inks, 2019)

Continuing our countdown to Star Wars:The Rise of Skywalker, opening December 20, and concluding, apparently, the Skywalker saga.

I discovered this dynamic undated commission by Mike Deodato a few months ago. Something about it — the composition, Luke’s face, the overall “loose” style — reminded me of Carmine Infantino’s enjoyable run on the original Marvel series 40 years ago.

When I acquired the piece at NYCC, it was pencils only, and although it looked great, my gut told me to get it inked.  (Sadly, my guts often have opinion.)

Fortunately, my pal Andrew Pepoy, the talented inker, happened to be nearby. Turns out, he always wanted to ink the late Infantino, and well, maybe this is the next best thing…

He nailed it — keeping the looseness intact, while adding polish and more depth to make it pop. (Look at Luke’s Lightsaber against Vader’s cape for instance.) This is especially impressive because the pencils were created on an odd thin paper stock, nothing like the more typical Bristol board artists employ. Definitely not an easy task.

Carmine’s run comes during the period leading up to to Empire Strikes Back, and I’m sure Lucasfilm was giving Marvel and writer Archie Goodwin fits, keeping them from, well, just about any story element that would spoil the film. Which is… well…. just about everything. Nerveless, they manage to have a few confrontations between Luke and Vader. Even if, of course, nothing is what it seems.

As for this Deodato piece? Mike’s modern Star Wars (see below) art looks nothing like this commission — someday I hope to get the backstory on the art. Until then… stay tuned.

Mike Deodato — Regal Portrait

Sub-Mariner Commission, Unknown Date

Our weeklong tribute to The Human Torch and Sub-Mariner continues, in honor of the late summer weather at the California coast.

“Cover-quality” is an overused adjective in the comic art-retailing world.

Typically it appears when a reseller is trying to grab attention on an unpublished commission for sale: “Gee, look, isn’t this as good as a published cover?”

Why do this? The short answer of course is marketing. Hyperbole (theoretically) helps support a higher asking price. Also, it adds the word “cover” to the item description’s metadata, meaning it appears in any on-line search for that word. Clever.

Here, however, “cover-quality” is no exaggeration for this richly detailed Sub-Mariner commission by Mike Deodato — a moody portrait of Prince Namor with the only human he truly pines for, the lovely Sue (Invisible Woman) Storm. Hell, it’s better than many published covers.

Who hasn’t marveled (sorry) at the evolution of Deodato’s artistic style? When he broke in professionally about 25 years ago, Mike’s art approach was much more similar to the  “Image Comics” style of the day. Today, his storytelling blends similar dynamism with an often astonishing photo-realism into an accomplished, and enviable, form.

One previous owner of this piece did in fact describe it as an actual published cover, without evidence. But… so many retailer variants and limited exclusive covers have been published the last few years, anything is possible. I’m aware of multiple instances where a piece of art was indeed assigned — and executed — for a cover variant, but then cancelled last minute.

So… if anyone can provide evidence that this art was indeed professionally published. or solicited to be published, somewhere — anywhere — you will have my thanks, and a piece of original art as a finder’s fee.

I found a number of color versions online, adding a bit to more mystery to the provenance of the piece, but they appear to be samples by aspiring colorists.