Did Neal Adams create the “Batman perched on a building gargoyle” trope?
In my mind’s eye, I was a positive I had seen a golden age illustration of the caped crusader on a stone carving — but when I scanned through the Batman and Detective covers through the decades, these early bronze age beauties were the first two examples I found: Batman in May 1970, Detective in May 1971, both by Neal. I guess he liked it enough the first time to revisit it exactly a year later.
Of course, since then, it’s been done countless times — including this 2018 commission from the great Paul Smith. (Striking colors below by Frank Cuonzo.)
And maybe because I’ve seen the image so many different times, I’ve convinced myself it existed earlier.
If someone has reference on earlier piece of Batman gargoyle art, I’d love to see it.
Nearly everyone I spent some time with at NYCC 2023 ended up with Covid-19. I indeed returned from the show feeling a bit under the weather, but when I tested negative, I assumed I had a case of the more common “con-crud” and went about my business.
Next day, I stopped at a local fast-food taco joint for a seasonal lobster burrito and COULD NOT TASTE IT. So, I went home and took the test again, tested negative, and napped. Woke up, ate dinner, still couldn’t taste a thing, and went back to sleep.
Next morning, tested again. Third time a “charm?” Nope, still negative. Did some homework, and learned the home kits have about a 15 percent false negative result. Called the doctor’s office, and the nurse told me to check back in if I felt worse. I could practically see her shrug through the phone.
Fortunately, I didn’t get worse, and my taste buds returned to normal in a few days. Covid? Maybe. Maybe not. Welcome to the 2020s.
Which makes this great Paul Smith specialty art even greater. In my case, The Joker could have burned the test, and it wouldn’t have mattered.
Oh, and the punchline: Where did I acquire this art?
NYCC 2023.
Kismet, no?
Some additional Paul Smith takes on the Batman family…
Classic Iron Man vs. Magnus: Robot Fighter, Commission, 2001
Mankind advances more than 2000 years into the future, and the greatest superhero of the era apparently can’t distinguish between a robot and a man in a suit of armor?
No matter, it’s a superb piece of art by the terrific Paul Smith. And a perfect way to honor both characters’ 6oth anniversary.
Paul Smith, Pin-up tribute to Steve Ditko, ASM Annual #2 (1965), 2001
Elegant, clean and striking: The definitive Paul Smith style captures Steve Ditko’s classic (and only) pairing of Spider-Man and Doctor Strange in Amazing Spider-man Annual #2 from September 1965.
Seeing the pairing of these now iconic Marvel cinematic characters creates some wistfulness here.
Last week, Disney postponed the feature film Black Widow once again. It’s now scheduled for May 2021, a full year behind schedule. 2020 will be the first year without a film in The MCU since 2009.
And, even when the films were less frequent in the early days, a Fox or Sony Marvel film typically filled in the gaps.
(No, I’m not going to act as if the recent New Mutants counts. More people have probably seen the officially unreleased Roger Corman Fantastic Four film than New Mutants.)
Now of course, Covid has thrown the entire upcoming film schedule into disarray. Eternals and Shang-Chi also moved, and swapped positions in the queue — for now.
After that, it’s a bit of a wild card.
The next three films should be Spider-Man 3, Doctor Strange 2, and Thor 4… but, we’ve seen differing revised release dates for those just in the last week.
Then, the schedule becomes even hazier, but let’s put off that discussion until next week.
Meanwhile, up next this coming week on the blog:
Spidey, Doc, and of course… Thor. See you soon.
The current digital version of the original splash from Amazing Spider-Man Annual #2 in 1965.
Many reprints, many colors, and a few layout and production changes, too. From left to right, the original annual coloring re-mastered for digital, the coloring and other changes from the “emergency” reprint in Doctor Strange #179, and the re-colored (again) reprint from Marvel Tales.
Here’s a bet: Ditko drew the cover for ASM Annual #2 well before he and Stan knew what the story would be. Otherwise… you’d probably see Doctor Strange actually on the cover. A few years later, and a deadline blown, Barry Smith was called on to provide a new cover for the story which was reprinted completely out of continuity in Doctor Strange #179.
Digital colors by Gerry Turnbull, and, in the MCU, Spidey and Doc work together to try to defeat Thanos in Avengers Infinity War. It doesn’t go well… at first.
As noted earlier, John Byrne had returned to X-Men with X-Men: The Hidden Years.
His original collaborator, writer Chris Claremont, returned much later on in 2010 via a more direct route, in X-Men Forever.
Basically picking up after he left off in 1991 — and then immediately diverging — Claremont quickly killed Wolverine and had the remaining X-Men team deal with the ramifications of his death.
Tom Grummett’s character-packed cover deals with the team laying their fallen comrade to rest. Grummett was the many artists on the Forever series, which also included X-men mainstay Paul Smith on this issue, and others.
It’s an interseting choice — and a good one, commercially — to leave Wolverine’s uniform on top of the coffin. Contextually, of course, it makes little sense.
Sean Chen’s variant cover takes a look at an imaginary one moment later — when “zombie” Wolverine breaks out of his coffin(In uniform). This event is not in the series. Wolverine in fact stays dead. This image seems a tribute to the popular (and multiple) Marvel Zombies series.
It’s a clever set-up, and one of the few times a main cover and a variant are done in this manner. Kudos to editor Mark Paniccia — or whoever came up with the imaginative idea.
