Greg Goldstein's Comic Art Gallery

Denys Cowan and Bill Sienkiewicz — Meta Human

The Question #37, March 2010

HBO’s Watchmen was an unexpected television smash of 2019, and it has landed on a number of best of lists. This series of posts explores the Watchmen characters, which have roots in the more traditional superhero universe.

Steve Ditko creates the iconic and mature character Mr. A (with moral absolutism as his trademark) in 1967 for the prozine Witzend, published by Wally Wood.

A few months later, Ditko tones down the violence and moral absolutism just a bit, and creates a more comics-code friendly character, The Question, for Charlton Comics.

In 1983, DC acquires the Charlton superheroes from the financially strapped publisher. The characters first appear in 1985’s mega-event Crisis on Infinite Earths as inhabitants of “Earth Four.”

In 1986 Alan Moore retools the Question/Mr. A as Rorschach for Watchmen.

Even before Watchmen concludes, the Question receives his first own ongoing (and very mature) DC series by Denny O’Neil and Denys Cowan.

In issue #17 of that series, the Question (Vic Sage) reads a Watchmen comic and dreams that he is Rorschach.

A most meta series of events.

Ultimately, The Question series ran 36 issues, ending in 1990. 20 years later, DC added an extra issue as part of the Blackest Night storyline that brought back additional issues of previously cancelled comics.

Which brings us here: In this issue, Bill Sienkiewicz, who drew or inked nearly all of the covers for that original series, inks an entire issue for the first time over Denys Cowan’s dynamic pencils. (Cowan had penciled all but one original issue.)

This is the last page (Renee Montoya is The Question here) from the story. But, of course, certainly not the last of The Question. As he/she has already appeared a few times since, most recently notably in Grant Morrison’s Multiversity: Pax Americana on a new version of Earth Four.

And, in this universe, Vic Sage sounds a lot like… Rorschach.

And the circle continues….

Steve Ditko — Road To Watchmen

Captain Atom #89, December 1967

HBO’s Watchmen was an unexpected television smash of 2019, and it has landed on a number of best of lists. The next few posts explore the Watchmen characters, which have roots in the more conventional superhero universe.

Most fans of the original 1986 graphic novel know that the main group of (five of the six) Watchmen characters have direct antecedents from the “Charlton superhero universe.” Since DC had recently acquired those characters from the financially strapped competitor, creator Alan Moore’s idea was to use them for his Watchmen concept. But Dick Giordano, DC’s editor at the time, nixed the idea, knowing that Moore’s concept would mean that those characters would be rendered unusable in the greater DC Universe. 

Moore, undeterred, simply turned the Charlton characters into his own.

Some more literally than others.

Steve Ditko renders a dynamic action page featuring the original Dr. Manhattan, Captain Atom.

Ditko is the unofficial godfather of the Watchman, having created or revamped Captain Atom, The Blue Beetle and The Question (plus Nightshade) all in a short period in 1966/67. With little in the way of material changes, the three appear as Dr. Manhattan, Nite Owl, and Rorschach in Watchmen. (Nightshade is not so obvious — more on that in a future post.)

Ditko had left Marvel in 1966, returning to Charlton in the immediate period after his departure. His return there launched a brief, but ultimately futile attempt at a fuller Charlton superhero universe. By 1968, none of the books survived.

Ditko is co-creator (with writer Joe Gill) of the original Captain Atom character, and his origin story (March 1960) is extremely similar to Dr. Manhattan’s, minus the blue skin. In Space Adventures #33, he is seemingly atomized, but he ultimately reappears — with super powers. President Dwight Eisenhower asks him to become the military’s greatest weapon.

On this page from the final issue of the original series, Captain Atom fights “Thirteen” a (surprise!) super-villain with supernatural powers. Inks are by Frank McLaughlin, who was Charlton’s Art Director at the time. Finding a decent inker for Ditko — other than Ditko — could often pose a challenge, but McLaughlin delivers here.