Greg Goldstein's Comic Art Gallery

Al McWilliams — Reborn In Battle

Savage Combat #1, February 1975

Alden (“Al”) McWilliams might have drawn this beautiful splash page form Atlas’ 1975 Savage Combat Tales partially (or entirely) from personal memory. He served in WWII and won the bronze star for his actions during the D-Day invasion in 1944.

He of course is among many comic book artists and cartoonists who went from depicting battles with pen and ink to participating in them with actual flesh and blood.

(Story by Archie Godwin, who had previously edited the brilliant Blazing Combat mag from Warren.)

As noted previously, The Atlas/ Seaboard books have never been reprinted, and that will likely remain that way because of rights issues. I’m hearing of late that demand is now much greater than supply on many of these short-lived and mostly obscure titles.

Howard Chaykin — Atlas, Shrugged Off

Scorpion #1, February 1975

Atlas/Seaboard announced its 1974 entry into comic book publishing with plenty of talent and plenty of marketing. Founded by former Marvel Comics publisher Martin Goodman and featuring marquee names like Neal Adams, Steve Ditko, Wally Wood and many up-and-comers, it seemed the possibilities for the new company were endless.

But… those possibilities ended just 23 issues later (no individual title lasted more than four) in late 1975. Many of the titles had rebooted midstream, providing a capricious and confounding publishing strategy.

Howard Chaykin’s Scorpion was easily one of the better Atlas titles — so naturally, after two issues, Seaboard canned Chaykin, hired Alex Toth, and never actually published the pages Toth produced.  (They turned up later, elsewhere.) 

Not one to waste a great character, Howard quickly transformed Scorpion into Dominic Fortune at Marvel, where he has lived on and off for the last 40 years.

This great page captures Chaykin inventive and dynamic sense of storytelling. Literally “thinking out of the box,”  Chaykin flies the airplane right through the outer panel walls, and somehow Atlas’ production dept. made it work — years before full bleed pages were practical in comic book printing.

(Related — there are a few videos available on-line on the short history of Atlas/ Seaboard: https://www.youtube.com/watch?v=hzhcYa23PI0 ; https://www.youtube.com/watch?v=CJn7NlnjLy8)

And, as Luke narrates in the recent Star Wars The Rise of Skywalker trailer, “No one’s ever really gone.” To wit, Atlas just made another comeback of sorts:

https://www.hollywoodreporter.com/heat-vision/ghost-rider-producer-buys-atlas-comics-library-teams-paramount-1211185

https://www.hollywoodreporter.com/heat-vision/who-owns-atlas-comics-1212677