Greg Goldstein's Comic Art Gallery

Jack Kirby & Joe Sinnott — Fantastic, 4ever

Fantastic Four #76, July 1968

Sixty-five years on, The Fantastic Four still feels like Marvel figuring itself out in real time—and getting it spectacularly right. These weren’t heroes born in alleys or back rooms; they were a product of the early ’60s, when the Space Race filled the headlines and the future felt thrilling, reckless, and inevitable. Rockets were launching, limits were being tested, and the question wasn’t should we go farther—it was how fast can we get there. Marvel’s cosmic imagination starts right here, with four people charging into the unknown.

And speaking of charging ahead—just look at this page by Jack Kirby, beautifully locked down by Joe Sinnott. This isn’t just a shrinking sequence; it’s Kirby inventing scale. Machines loom like alien vistas, panels crackle with motion, and your eye doesn’t just read the page—it gets pulled inside it. Sinnott’s inks keep all that chaos crisp, clear, and impossibly confident.

I continue to believe the first 100 issues (and especially the marvelous three-year stretch from about issues #39–76) of The Fantastic Four rank among the most important runs in comic-book history—one long creative hot streak where the ideas redefined pretty much everything that came before.

I’m never going to referee who did what between Kirby and Stan Lee, but one thing is pretty obvious: Lee contributed much of the personality, friction, and soap-opera snap that made the cosmic feel personal. The Fantastic Four bicker, joke, and melt down while rewriting reality—and that mix of big ideas and human irritation became Marvel’s calling card.

Happy 65th to the Fantastic Four: Marvel’s original first family, and a wondrous revolution in comic books.

John Buscema — Man On Fire

Sub-Mariner #3, June 1968

Five straight weeks in the Spring of 1968. Five comic book issues drawn by the legendary John Buscema:

Sub-Mariner #3

Avengers #53

Sub-Mariner #4

Avengers #54

Silver Surfer #1 (38 pages)

Gems. Every single one. (And yes, I might be biased, because these comics are from my newsstand-era sweet spot — 1967-1973 — but I’m not wrong.) My guess is that only Jack Kirby ever had an achievement similar, or greater.

This Sub-Mariner page featuring Namor and Triton is the best Buscema superhero page I’ve ever owned, and unless an amazing opportunity comes my way, will likely remain that way. 

Dynamic inks from one of John’s favorite inkers, Frank Giacoia.

All action. 

Just terrific.

Eric Powell — I’d Like To Meet His Tailor

Secret Wars Too, #1, January 2016

Eric Powell brings his offbeat sensibility to the good doctor in this two-page gag story featured in a Secret Wars parody comic.

I acquired this page directly from Eric at SDCC a few years back, and apparently the other page had just sold to another lucky purchaser.

Missed it by that much.

(Full two-pager presented below.)

Erik Larsen — Marvelous Melee

Defenders #11, January 2002

Erik Larsen (With help from Sal Buscema and Kurt Busiek) has some fun with the Defenders on this frenetic splash, as they clobber the undersea warlord Attuma and his feckless fish men. The Defenders are celebrating their 50th anniversary this year.

I only learned recently the reason that Doctor Strange replaced Silver Surfer between their first “unofficial” appearance in Sub-Mariner, and their official launch in Marvel Feature later in 1971. Apparently, Stan Lee was feeling precious about the Surfer, and didn’t want anyone else to write stories featuring him.

Eric solves that line-up problem here by including both of them, along with original stalwarts Hulk and Sub-Mariner.

(Many of the latter members of the group — Nighthawk, Valkyrie, et al — are along for the ride as well.)

All in all, a fun 20-year-old mini-series that has yet to be collected as far as I can tell.

John Romita Jr. — Stan’s Fantastic Farewell

The Last Fantastic Four Story #1, October 2007

Stan Lee, nearly 85 years old at the time, returns to the Fantastic Four for one last tale.

It’s not a groundbreaking story by any means. And it’s not meant to be. Is the dialogue corny in places? Certainly.  Is the plot surprising? Nope. An all-powerful big bad (The “Adjudicator”) comes to destroy Earth and pretty much everyone is helpless to stop him. Its up to Reed Richards to figure something out, which ultimately involves the previous almost all-powerful big bad, Galactus.

The entire issue could definitely be an unused story from Lee and Kirby’s FF heyday in the 60s.

Who cares? Not me. Great art from John Romita Jr. (inks by Scott Hanna) make this a fun tribute to the “old days.” Stan works in most of the great supporting characters from the original run, including Doctor Doom and the Silver Surfer. 

This page of course features both of them, along with the entire FF. Plus, it’s signed by the entire creative team, because, for once, I had the presence of mind to remember to get that done.

Definitely a keeper.