Star Wars – Page 4 – Greg Goldstein's Comic Art Gallery

Mike Mayhew — Fool’s Gold

December 14, 2019 Greg Goldstein Original Art and The Artists

Star Wars: Lando, #1, September 2015

Mike Mayhew cleverly envisions Lando Calrissian’s ’s microsecond moment of glory in the Empire Strikes Back — interrupted by Vader and company.

Lucasfilm has not always encouraged more whimsical interpretations of its characters and storylines, so it was good to see this one approved to print.

Mike had submitted a few ideas (see below) for this variant cover and this one received the green light.

And Mike was kind enough to thank me for reminding him to file and back-up everything in his archive so that when art obsessives like myself come along, he has digital copies of the roughs and pencils to provide. You’d be surprised at how much comic art material will never see the publishing light of day again because no can find the files or scans.

Happily, here we can see the progression from thumbnail to sketch to pencils to finals, etc.

As for Lando? (Billy Dee Williams, a spry 82-years old.) I’m happy that he gets to make one final appearance in the Star Wars saga. But if he’s there just to make some grand sacrifice, I will be annoyed. (Ditto for Chewie. And the Falcon, too, for that matter.)

I think we’ve had enough of that.

*The production process: Concepts, sketches, pencils, colors and finally, the published copy, signed by Mr. Mayhew for good measure.*

Al Williamson — Jedi At The Drawing Board

December 12, 2019 Greg Goldstein Original Art and The Artists

Return of the Jedi, #2, October 1983

Lush brushwork. Clear storytelling. Impeccable detail. Accurate anatomy and likenesses. Al Williamson’s page from Star Wars: Return of the Jedi adaption speaks volumes about realizing potential in adapting other mediums to comics.

George Lucas had the power to choose the artist to draw the Marvel Empire Strikes Back adaption and he had the good sense to choose Al Williamson.

Al’s gorgeous art on classic EC science Fiction stories as well as Flash Gordon had clearly made an impression.

Fortunately for us, Williamson agreed to also illustrate the Star Wars newspaper strip (after Russ Manning’s untimely passing), and he ultimately came back for Return of the Jedi adaption as well.

On all three projects — plus a handful of stories in the regular comics — Al delivered. It’s some of his finest work.

Williamson kept much of his Star Wars related art, and his estate now owns it. Nearly all the originals that have come on the market are those once owned by his assistants or inkers.

This great page from ROTJ has a more interesting provenance. Superstar inker Mike Royer received it from Al (see inscription) shortly after publication. It remained in his collection for many years.

So it’s not only a great piece of original art, it has a great story behind it as well.

And it’s a cornerstone of my collection.

*The complete adaptation was printed all at once in a Marvel special magazine — it appeared in Direct Market stores a few weeks **prior** to the film’s release. Imagine if that happened in 2019*.
*Covers for the magazine **and** the comics by Bill Sienkiewicz*.

Adam Hughes — Leia Nouveau

December 10, 2019 Greg Goldstein Original Art and The Artists

Print, Star Wars Celebration IV and Star Wars Celebration Europe, 2007

Continuing our multi-part countdown to Star Wars The Rise of Skywalker, opening December 20, and concluding, apparently, the Skywalker saga.

This print, limited to 250, and now selling for as much as a nice page of original art, checks three great boxes for me:

Adam Hughes. Star Wars. Art Nouveau via the master, Alphonse Mucha.

(And a fourth actually — a wry sense of humor not seen often enough in Star Wars related content)

Stellar artist Hughes is supposedly keeping his original art for this giclee. Who can blame him? For an artist who generally sells all his originals, that probably tells you all you need to know.

*Some great prints by the Nouveau Jedi Master, Alphonse Mucha*.

*Adam also tackled “Slave Leia” earlier in this reprint of the Return of The Jedi adaptation.*

Mike Deodato / Andrew Pepoy — Family Feud

December 8, 2019 Greg Goldstein Original Art and The Artists

Pencil Commission, Undated (Inks, 2019)

Continuing our countdown to Star Wars:The Rise of Skywalker, opening December 20, and concluding, apparently, the Skywalker saga.

I discovered this dynamic undated commission by Mike Deodato a few months ago. Something about it — the composition, Luke’s face, the overall “loose” style — reminded me of Carmine Infantino’s enjoyable run on the original Marvel series 40 years ago.

When I acquired the piece at NYCC, it was pencils only, and although it looked great, my gut told me to get it inked. (Sadly, my guts often have opinion.)

Fortunately, my pal Andrew Pepoy, the talented inker, happened to be nearby. Turns out, he always wanted to ink the late Infantino, and well, maybe this is the next best thing…

He nailed it — keeping the looseness intact, while adding polish and more depth to make it pop. (Look at Luke’s Lightsaber against Vader’s cape for instance.) This is especially impressive because the pencils were created on an odd thin paper stock, nothing like the more typical Bristol board artists employ. Definitely not an easy task.

Carmine’s run comes during the period leading up to to Empire Strikes Back, and I’m sure Lucasfilm was giving Marvel and writer Archie Goodwin fits, keeping them from, well, just about any story element that would spoil the film. Which is… well…. just about everything. Nerveless, they manage to have a few confrontations between Luke and Vader. Even if, of course, nothing is what it seems.

As for this Deodato piece? Mike’s modern Star Wars (see below) art looks nothing like this commission — someday I hope to get the backstory on the art. Until then… stay tuned.

*Detailed pencils… but it still needed finishes.*

*Classic Carmine Infantino Star Wars pages from the late 1970s.* *Check out the length of Luke’s hair in the middle page. Yikes!*

*A fan favorite Infantino cover… in original and published form.*

Tony Harris — The Phantom Limb

December 6, 2019 Greg Goldstein Original Art and The Artists

Star Wars Special: C-3PO #1, June 2016

Star Wars: The Rise of Skywalker opens in two short weeks, and the Star Wars Skywalker trilogy of trilogies (I can’t bring myself to call it a ennealogy) will apparently conclude, 42 years after it began.

In honor, the next two weeks of posts will feature original art from Star Wars, showcasing one or more of the “original trilogy” characters.

James Robinson and Tony Harris (Starman) reunite for a one-shot C-3PO story that explains the droid’s red arm in The Force Awakens.

Their Starman run was one of the great comic book series of the late 20^thcentury and it was nice to see them back together, even if only for a one-shot. And a pretty good one at that — a surprisingly moving tale about droid sacrifice.

The story is packed with eccentric droids in tight spots, and this splash is perhaps the best page in the book — a full image of C-3PO rendered with delightful and quirky detail by the talented Mr. Harris. He painted the striking “A” cover as well.

I love the final coloring, also by Harris, but as is often true, the art is especially striking in glorious black and white.

May the force… Well, you know.