Once again, HUGE thanks and congrats to all the terrific folks who made this past weekend’s Baltimore Comic-Con just as perfect an event could be.
As noted in previous years, It’s easily one of my favorite conventions — an absolute delight to attend. I had a blast catching up with old friends and colleagues, making some new acquaintances, and hosting some fun panels.
I’m exhausted, but it’s a happy exhaustion, and once again, I miss all of you already.
One part Joe Shuster. One part Alex Toth. One part Jack Kirby.
All parts Steve Rude.
And I can’t (or won’t) get flowery about a classic Superman image — from the era when “The Dude” first started working with mainstream publishers. (World’s Finest)
Simply a classic. Period.
See you next week with our continuing summer tribute to the Man of Steel.
Start with a full-size portion of Russ Manning, then add a very generous helping of Jack Kirby.
Mix in in a cup of Alex Toth, a shot of Doug Wildey, and a pinch of Joe Schuster, and… voila, you have yourself a full Steve Rude gourmet meal.
Unfortunately, it’s a one-of-a-kind meal, near impossible to replicate.
Clean and distinctive, Rude is among my favorites of the “modern” artists working in graphic storytelling. (In other words: Old guys who, like me, are not that old.)
Nexus, created by Rude and writer Mike Baron, celebrates its 40th anniversary this year. Pages from early issues featuring the titular character rarely become available, and this great one isn’t going anywhere soon.
We continue with our month long celebration of the “Independents” — Independent creators and projects that continue to impact the comic book medium.We’re back on Tuesday (7/27) with… Jim Lee. Have a great weekend.
Steve Rude delivers a terrific action page of Superman vs. Hulk, as we continue to pay tribute to Hulk vs. heroes in other universes this week.
Superman vs. Hulk seems quite a bit more logical than Batman vs. Hulk. Theoretically, Superman would ultimately win, but at least he would be winded.
And come to think of it, Golden Age Superman, as originally conceived by Jerry Siegel and Joe Shuster, might still win, but it would be pretty close to a draw.
Early Silver Age Superman, who could move planets around, not so much.
Rude, who worships at the alter of Jack Kirby, and shows reverence for Shuster’s Superman as well, is the perfect artist to illustrate this pairing.
And Granny’s expression in the middle panel? Nothing like a bit of offbeat humor to lighten the mood of a titanic fight, albeit very briefly.
Rude is perfect for that, as well.
Technology gets better (and less expensive), and fans apply their creativity accordingly.
We continue to celebrate Jack Kirby’s legacy at DC Comics with a special two-week look at Jack’s characters and concepts as envisioned by other creators. 2021 is the Fiftieth anniversary of the Fourth World storyline. *
Jack Kirby super-fan Steve Rude pens this artistic love letter to Kirby’s Fourth World, in this one-shot from 1987. Along for the tribute are Jack’s best-known collaborators at DC, writer Mark Evanier and inker Mike Royer.
On this inventive and powerful splash page — the best in the issue — Rude cleverly uses a “trapped” Miracle as the backdrop for other Fourth World characters including The Forever People, Lightray of the New Gods, and Big Barda.
Rude and Evanier would reunite again for another Kirby tribute years later with a 1999 Jimmy Olsen story in Legends of the DC Universe # 14. (Inked this time by Bill Reinhold.)
*Purists will note that some of the characters and titles actually made it onto newsstands before the close of 1970, but the fully integrated series (Jimmy Olsen, Forever People, New Gods, and Mister Miracle) — doesn’t fully materialize until the following year.
Concluding our tribute to Captain America’s 80th anniversary.
Ah Las Vegas.
The only place where you are likely to find a giant statue of Captain America, yes? But even Las Vegas wouldn’t have accepted a giant statue of the Red Skull — swastikas and all. (Imagine a giant Patton statue facing off against a giant Rommel sculpture. It does not compute. ) It’s a rare slip in an otherwise fun Cap mini-series penned by Bruce Jones with beautiful visual storytelling by Steve Rude and Mike Royer.
And the good news is that the Skull statue that gets blown to smithereens on this great splash page, anyway.
Happy 80th Mr. Rogers!
In addition to the obvious Jack Kirby references throughout, Rude manages to work in a Steranko homage on the opening page of the issue. Meanwhile JG Jones delivers a surprisingly boring and stiff painting of Cap on the cover, which, to make matters worse, looks like it belongs to a completely different series altogether.
Steve Rude delivers a nicely designed splash page for the one-shot Dollar Bill comic from the Before Watchmen series. Len Wein wrote the issue, and Steve penciled, inked and hand-lettered the entire issue himself, a definite rarity. It’s one of the better-looking Before Watchmen comics.
As Watchmen fans know, Dollar Bill is a member of the Golden Age Minutemen — tragically gunned down when his cape gets caught in a revolving door, as described/depicted in the comic book, film and television series.
His role in the series is pretty much limited to that one tragic moment, so this one-shot gives the creative team a nearly blank slate to flesh out his character.
Definitely a unique creation, he is sponsored and employed by a bank as an actor, and pressured by his employer to work with the Minutemen as an actual costumed crimefighter. Any derivation from an existing character would be in design only — and his costume is in fact similar to Archie’s (MLJ’s) Golden Age Captain Flag.
And Flag did reappear in the Archie superhero revival (Mighty Crusaders #4 and #5) in the 1960s, so Moore would have definitely seen him since he has already discussed his interest in those characters.
Not that aren’t enough patriotic-themed red and blue costumed superheroes to go around.
The published splash page flanked by the Rude painted cover and by a variant cover by the late, great Darwyn Cooke.
Captain Flag in three different incarnations: Golden Age introduction, Silver Age introduction, and in an ironic Modern Age introduction he stands front and center. Why ironic you ask? This 1989 version of the MLJ/Archie superheroes, despite the ad, never actually appeared. Archie’s management got cold feet over the potential mature themes conflicting with the company’s wholesome image and pulled the plug. .
Crazy uncles… are crazy 365 days a year. So why is it on Thanksgiving especially we argue with them over domestic politics, international relations, trade wars, e-mail server locations, or any number of myriad topics bound to interfere with all that good food? (Ok, maybe we actually don’t see them the other 364.)
Here’s my suggestion. Let’s keep politics out of the Thanksgiving holiday, and if you must argue/debate/parry over something, keep it to pressing and nerdy comic book questions, like —
Which super villain is smarter (Luthor), which one is crazier (Joker), which one causes more trouble (tie). Essential topics like that. (And be thankful that while your uncle might be yelling at the TV all day, he’s probably not scheming to take over the city/nation/planet etc.)
And please, be polite. The only time you should be Rude is when discussing Steve. (No debate here — that was a bad pun.)
Also, if you look around the table and can’t find the crazy uncle, it might actually be you.
Have a Happy Thanksgiving!
Back soon with our continuing celebration of Marvel’s 80thanniversary.
Upper Deck, Marvel VS. System TCG: Web of Spiderman, Card #162 — Surrounded, 2004
Concluding a multi-part look at Spider-Man vs. Mysterio in honor of Spider-Man: Far From Home landing on digital streaming platforms this week.
Some of the most tantalizing art ever created for Marvel and DC characters is hiding in plain sight — on trading cards… and trading card games.
In fact, the Upper Deck Vs. TCG System, started in 2004, and lasting in its original incarnation through 2009, is home to hundreds, if not thousands, of original artworks by some of the industry’s leading talents.
Except for a handful of the key art pieces, which includes illustrations by Alex Ross and Drew Struzan, all the TCG images were printed at postage stamp size only. (Some, like this one, were cropped ruthlessly to fit the printed image area.)
Sigh.
Steve “The Dude” Rude illustrated number of cards in the various VS series, and this one, featuring Spider-man vs. multiple Mysterios, is a favorite.
Steve’s clean and dynamic superhero rendering typically feels like a fascinating cross between Jack Kirby and Joe Schuster — with storytelling influences from Alex Toth , and yet here, he channels some John Romita for good measure.
Most trading card is created at a relatively small size, but fortunately this Rude original is drawn on traditional comic board, with the live image area just slightly smaller than most standard modern art.
Just enough room for all those Mysterios.
Too many Mysterios — or too much Spider-Man. Either way, Spidey is in a jam. This great panel by John Romita from ASM # 67 is a classic.
Jack Kirby and Steve Rude, Jimmy Olsen: Adventures by Jack Kirby – Volume 1
Today, let’s celebrate The King’s birthday with some help from an unabashed professional Kirby admirer — Steve “The Dude” Rude. Steve completed a previously unpublished Kirby Jimmy Olsen cover rough for a TPB collection in 2003. I love the power and playfulness in this image, and Steve’s inks nailed it.
Interesting that the initial color version of the cover, used for solicit purposes, is realized in the “classic” style, while the final printed version is digitally rendered in the “modern” style.
Anyone want to guess which version I prefer? Anyone?
(On the subject of Superman’s likeness in the DC Kirbyverse, Kirby expert and author Mark Evanier has some illuminating background here.)
Happy Birthday Jack!
Preliminary color
Published color
Original (previously unpublished) cover rough, likely an early version of Olsen #145