Archie Americana Volume 1: Best of the 1940s HC, 2011
Archie Andrews, (along with many of the rest of his timeless Riverdale gang), celebrates his 80th anniversary this year.
Starting as a back-up feature in MLJ’s Pep Comics #22 (cover date December 1941), Archie and his pals gradually took over the whole comic, and eventually, in 1946, the entire company.
Archie’s creation is generally credited to MLJ founder John Goldwater, and cartoonist Bob Montana. Montana apparently based many of the characters on friends and neighbors from his high school days in Haverhill, Massachusetts.
IDW Publishing and Dark Horse both relentlessly chased Archie Comics for archival reprint rights — an area the company itself was slow to develop, and in 2009, Archie ultimately split those reprint rights between the two publishers.
AT IDW, we published hardcover “Best of” collections, based on both era and artist. We also added the Archie strips to our Library of American Comics imprint headed by Dean Mullaney. (More on that later.)
Andrew Pepoy drew era-specific covers for all four Archie’s Americana volumes. This cover from the first volume — Best of the 40s — is a faithful and clever re-working of Montana’s cover for Archie’s Pals and Gals #3. Ironically, Montana’s original is from the 50s (1954), but I don’t think anyone complained.
More Archie coming up in the next few posts as we celebrate his very youthful 80th.
All four volumes in the IDW “Archie’s Americana” series feature era-specific covers by the talented Andrew Pepoy.
Starting as a back-up feature in MLJ’s Pep Comics #22 , Archie and his pals gradually took over the covers, the comic, and in 1946, the entire company.
Classic Jack Kirby action highlights this dynamic page from the extremely short-lived Double Life of Private Strong in 1959.
Here though, “Classic” suggests a Kirby Golden Age look and feel. (As an example, The Shield is jumping out of a panel — very similar to earlier Simon and Kirby techniques.) Definitely a time warp, since we were theoretically a few years into the Silver Age at this point.
When did the Golden Age end, exactly? I devoured all the comics’ history books I could get my hands on as a youngster. (Steranko, Feiffer, Daniels, Lupoff / Thompson, et al.) I’m not sure they all agreed on, or even in some cases, identified, the exact point of the “end.”
So my youthful brain filled in the blanks: If the first appearance of Silver-Age Flash (Showcase #4, 1956) launches the Silver Age, then Flash #104, the final issue of the original Flash Comics (1949) obviously ends the Golden Age. (Let’s just call the in-between period the “EC Age.”)
Very neat and tidy, but it only took a short while before I realized it was much more complex than that.
If not Flash, then, how about when All-Star Comics kicks out the Justice Society and switches to All-Star Western (1951)? Perhaps the last issue of the Spirit newspaper supplement (1952)? Or maybe when Captain Marvel and Whiz Comics ceased publication (1953)? And what about the brief return (1954) of Marvel’s “Big Three” (Sub-Mariner, Torch and Captain America). Are those Golden Age Comics?
EBay defines Golden Age Comics as any published through 1955. The well-known back-issue retailer Sparkle City Comics says the era ends in 1956, leading directly into the Silver Age.
See, it gets complicated.
But, if we consider Golden Age as a style of superhero storytelling rather than a timeframe, my vote goes here: The final Simon and Kirby team-up.
Archie Comics, seeing DC’s success at re-introducing superheroes, hired Joe Simon, who in turn hired Jack Kirby (they were no longer partners at this point) to help create some new super suits for themselves.
Two titles came as an immediate result of that ideation: The Fly, and The Double of Life of Private Strong, featuring an updated version of their original patriotic superhero, The Shield. Both characters were Simon and Kirby superheroes. And both looked and felt like Simon and Kirby superheroes. (Even if Simon himself didn’t ink the page.) The page and the story don’t in any way capture the modern feel of DC’s sleeker and slicker Flash, Adam Strange, et al — or especially Kirby’s own Challengers of the Unknown.
The Fly buzzed around for a few years, although Simon and Kirby left after a few issues. Private Strong? A mess from the start, with a terrible title, retro trade dress that appears borrowed from Simon and Kirby’s Golden Age Speed Comics, some obvious knock-offs from Captain America, and a background story that seemed so similar to Superman, DC sent a cease and desist letter to Archie.
After two issues, The Shield was done. Shortly thereafter, the temporary reunion of the Simon and Kirby team was also finished.
A few months later, Kirby and Stan Lee, already churning out monster stories at Marvel, would collaborate for the first time on an ongoing character with Rawhide Kid #17. Although no one knew it at the time, the “Marvel Age” had begun, and the Silver Age was about to rev into high gear.
And the Golden Age of Comic Books was definitively over.
With some pretty great old-school art by Jack to usher it out.
Archie’s original version of the Shield predates Simon and Kirby’s Captain America. Not to ever give the patriotic superhero concept a rest, the two star creators develop Captain Freedom (below) for Harvey, and Fighting American, an early creator-owned series in the 50s.
Apparently Joe and Jack couldn’t decide on Captain Freedom’s costume from issue to issue. Notice the star on the mask that disappears and reappears, not to mention the proportions of the stars on the chest, and the belt too.
Meanwhile… Across town at DC, Kirby’s Silver Age Challengers of The Unknown look like… Jack Kirby in the Silver Age! Giant robots, futuristic cities, et al, are a sign of things to come.
