Greg Goldstein's Comic Art Gallery

Tag: Wonder Woman

Matt Wagner — Roping In Bizarro

Original Art and The Artists

Batman / Superman / Wonder Woman: Trinity #2, September 2003

Batman / Superman / Wonder Woman: Trinity #2, 2003

Here’s a great Matt Wagner splash featuring Wonder Woman doing her best to rein in Bizarro. Spoiler alert: It doesn’t go all that well.

Wagner delivers page after page of visual dynamics and terrific storytelling in this underrated series featuring DC’s “Big Three.”

The only thing I don’t like: The “official” book title, which is a bit long and definitely not obvious. (Publishers occasionally forget that readers have to be able easily find the title at retail. Trust me on this.)

Happy Halloween —all month long!

John Byrne — Bloody Victory

Original Art and The Artists

Wonder Woman #104, December 1995

This is obviously a cool splash page from John Byrne’s (story, pencils and inks) run on Wonder Woman. Tremendous detail apparent here.

Less obvious without the published page nearby of course is the terrific coloring here by Patricia Mulvihill. She creates a clear background and foreground with minimal tone, adding depth and clarity to the art.

If you’re curious about plot, Darkseid and his legions have killed quite a few of Diana’s fellow warriors and wrecked Themyscira, but didn’t get what they wanted, so they split.

Good riddance, even if only temporary.

Mike Sekowsky — Of An Era

Original Art and The Artists

Justice League of America #23, November 1963

Mike Sekowsky’s art and 70s pop music have characteristics in common for me: 

As a kid, I didn’t like either of it, and now I look back on both with a sentimental warm feeling.

It’s not easy to explain. But I was warned by one of my older colleagues this would happen.

Sekowsky’s art always felt too loose (and blocky) for me.  I realized he could draw any character of course, which made him the perfect illustrator for Justice League, but the end result never grabbed me.

Now as time has passed, and I smile when I see it. Possibly a primal nostalgic impulse. It seems like a perfect fit for the DC comics of the era.

This example, a cool Flash-focused page, with Wonder Woman on deep background, showcases some clear and inventive storytelling.

As for the draftsmanship? Like I said — things change. Now, it seems charming to me.

Excuse me a moment while I flip over Abba’s greatest hits on the turntable. 

Matt Wagner — Holy…Trinity?

Original Art and The Artists

Batman / Superman / Wonder Woman: Trinity #2, September 1993

September 18 was DC’s annual  “Batman Day.” Although not exactly a national holiday, DC and Warner have used the occasion to commemorate the caped crusader and launch and market new products around the event.

Batman shows off his typically charming personality — to Wonder Woman and Superman — in this iconic bat-panel from Matt Wagner’s Trinity 2004 series. 

(And the Amazon princess is not amused.)

The overarching plot of this deluxe three-parter involves Ra’s al Ghul enlisting Bizarro to create… well, chaos. 

But the critical (and very entertaining) theme of the title is how DC”s three iconic heroes reconcile their personality and philosophy differences and figure out a way to work together without defeating each other, instead of the bad guys.

It ain’t necessarily easy. Trust me on this.

Tom Derenick — At Long Last, Wonder Woman

Original Art and The Artists

Wonder Woman: Come Back To Me #5, 2019

Tom Derenick helps us celebrate that, at long last, Wonder Woman1984 opens today in theaters and starts streaming on HBO Max.

Probably not a Christmas film per se, it is still something of a Christmas Miracle that the film, completed in time for a Holiday 2019 release, will finally see the light of day.

I’m looking forward to it, especially since I’ve already completed most of my Christmas film rituals, including watching Die Hard last night.

Happy Holidays!

Scott Kolins — Fearsome

Original Art and The Artists

Wonder Woman #600, June 2010

Concluding for now our celebration of Wonder Woman, in anticipation of the much anticipated (and delayed) superhero film, Wonder Woman 1984.

Scott Kolins creates a fierce “in-action” pin-up of Wonder Woman using only graphite. (The page is colored and published directly from the pencils.)

DC has created some terrific celebratory issues and this one is no exception. Plenty of other pinups in the oversized issue from 2010, featuring art by Adam Hughes, Jock, Ivan Reis and many more.

We will back with one more Wonder Woman post, whenever the film finally opens.

Whenever.

Gene Colan — Rumble

Original Art and The Artists

Wonder Woman # 295, September 1982

Continuing our celebration of Wonder Woman for the next few posts — no matter when the new film finally releases.

Gene Colan delivers an outstanding splash in an offbeat story involving t video-game mania. Well, it was 1982. Think Atari 2600. Only here we have a cast-off villain –General Electric — from Jack Kirby’s Sandman (I kid you not) who uses a kind of mass hypnosis… oh never mind.

As mentioned previously, I’m a passionate fan of Gene’s work and picked up nearly everything he did at Marvel. By the time he jumped ship to DC I was less interested in superhero comics in general and paid little attention to his work on Wonder Woman. (Batman was another story, as I thought he was a great choice for the dark detective.)

Turns out it was a short but memorable run on WW (artistically at least) and Gene is actually responsible —under the direction of publisher Jeanette Kahn — for her very first costume re-design, replacing the eagle on her chest with the “WW.” (Not including a brief stint in “mod” civilian attire in 1968- 1973.)

The exact new design may have been a work in progress, because the halter on this original has an art patch on it.

Wonder Woman gets an updated halter, logo and creative team, as previewed in DC Comics Presents #41, and ultimately launching in Wonder Woman #288.
Gene’s work at Marvel looked nothing like the other “bullpen” artists, yet somehow fit in perfectly. Where he went, I typically followed.

Chris Sprouse and Karl Story — Sensational

Original Art and The Artists

Sensation Comics, (digital) #26, (print) #9, June 2015

Continuing our celebration of Wonder Woman for the next few posts — no matter when the new film finally releases.

Plenty of reboots. Rebirths. New universes. New timelines. Old characters return. New characters die. Old characters becomenew characters.

Rinse. Repeat.

And yet somehow, through all of this, the dynamic duo art team of Chris Sprouse and Karl Story are not illustrating a mainstream superhero comic book on an ongoing basis.

The ONLY —and I mean ONLY – reason this should be possible is speed. Plenty of talented art teams have trouble with long-term monthly output. (As they say, I have the gray hair to prove it.)

But that can fixed with some long-term creative planning and execution.

Meanwhile, even if it’s a rare sighting, it’s definitely a welcome one.

Like this Wonder Woman splash, from a “digital First” Sensation Comics series featuring multiple creative teams.

The pages have to work in both digital and print format, and that’s certainly not a problem here. Good, clean storytelling from a fun tale featuring Diana and Lois Lane.

More, please.

Aaron Lopresti — Nouveau

Original Art and The Artists

Print, 2016

Continuing our celebration of Wonder Woman for the next few posts — no matter when the new film finally releases.

As noted previously, I’m a passionate admirer of Alphonse Much and the Art Nouveau period of the late 19thand early 20th century.

Aaron Lopresti captures the style flawlessly with his print “Warrior Nouveau,” — Wonder Woman as if developed during the Nouveau period.

In addition to the print, Aaron is using the graphic on his personalized convention banner as well. (I wonder — only half-kidding — if he will sell it to me when he’s done with it.)

Not much to add here other than I’m certainly glad I happened upon the original when I did. It’s one of those pieces that typically disappears deep into a collection, not to be seen again for a long time, if ever.

A work in progress: Rough and finished pencils.
Alphonse Mucha’s renderings are astonishing, even if his ladies are less battle ready than Wonder Woman.