Greg Goldstein's Comic Art Gallery

Tag: Zero Hour

Brian Stelfreeze — Zero Hour, Plus 30

Original Art and The Artists

Batman: Shadow of the Bat #31, September 1994

Brian Stelfreeze provides this amazing “Golden Age” style cover for a Batman story in the 1994 Zero Hour event. The “original” portly Alfred suddenly reappears (from another timeline) — and, spoiler alert — disappears at the end of the story.

No matter: Stelfreeze’s cover painting is terrific, and Brian purposely added all the stains and scratches to give it an aged look.

Bonus: I can cover up his signature and no one realizes Brian painted it; it’s (obviously) nothing like his traditional painting style.

Zero Hour — The first large-scale crossover event at DC since Crisis on Infinite Earths, is celebrating its 30thanniversary. It’s a timeline event, designed primarily to clean up some continuity holes left behind by “Crisis.” Some get fixed, some don’t, but it’s a fun crossover, regardless. (And of course I’m biased, because pal Dan Jurgens wrote and drew the original mini-series.  A brand new 30th anniversary special featuring a new story by Dan and Ron Marz landed on shelves last week.)

Alfred makes his first appearance in Batman #16; He loses weight a year or so later when a thinner actor is cast in the role in the first Batman movie serial.

Graham Nolan — Widescreen

Original Art and The Artists

Detective Comics #0, October 1994

Graham Nolan delivers an action-packed three-panel page from the peak period of the his and Chuck Dixon’ Batman run in the early 90s. This is of course the same dynamic duo that brought us the supervillain Bane a year earlier.

(I still break into a cold sweat from that page where Bane breaks Batman’s back. But I digress.)

I’m fascinated that 100 percent horizontal panel layouts took such a long time to become more commonplace, especially given the frequent storytelling relationship between comic books and film. Although Hollywood introduced widescreen in the 50s (a marketing ploy primarily to lure audiences away from their TV sets) the square format panel was standard for many years.

Now of course the horizontal panel layout is ubiquitous, but even in 1993 it stood out among the crowd. And this one specifically is a dynamic example of how it can enhance the action.

(All The Batman books had “Zero” issues as part of the broader Zero Hour DC crossover event.)

Fun fact #1: 

The first bar I ever (illegally) hung out at as a kid in my Long Island hometown was built by Graham’s grandfather — who had sold it by then. (Pub still there, by the way, hopefully it will survive Covid.)

Fun fact #2:

My pal Joey Cavalieri and I both had an English HS teacher who was a classic barfly at said bar. (Good teacher though).

But these are stories for another day.