Greg Goldstein's Comic Art Gallery

Author: Greg Goldstein

Greg Goldstein is a veteran publishing and media executive; most recently, he was the Chief Operating Officer, President and Publisher of IDW Publishing, managing all aspects of the company’s book and games business from 2008 to 2019. Throughout his career, Greg has developed creative and profitable publishing programs for dozens of the world’s best-known entertainment brands including Star Wars, Transformers, Star Trek, James Bond, TMNT, Spider-Man, Batman and Godzilla. In 2013, Greg led IDW’s acquisition of Top Shelf, an independent publisher best known for Congressman John Lewis’ March trilogy, which has become the most lauded non-fiction graphic novel series in the history of the medium. In 2011, Greg won an Eisner award for his editing on the first-ever collection of Bob Montana’s Archie newspaper comic strips. (Published under IDW’s Library of American Comics imprint.) Prior to joining IDW, Greg was VP of Entertainment and Gaming for Upper Deck, responsible for the company’s blockbuster slate of games, including Yu-Gi-Oh, World of Warcraft and The VS Superhero system. During his tenure, he created Marvel Ultimate Battles, the first-ever trading card game that focused exclusively on Marvel’s popular mass media characters. As VP of Brand Development for Activision from 2000-2002, Greg established strategic partnerships with the largest Hollywood studios, and worked closely with Marvel Entertainment to successfully develop Spider-man into one of the biggest blockbuster licensed videogame brands in interactive history. Greg’s career has also included a successful stint at Topps, where he helped launch and manage Topps Comics in the mid 1990s. Additionally, Greg serves as an adviser for to the Comic Book Legal Defense Fund (CBDLF). He is also a frequent guest lecturer at San Diego Sate University and has presented at dozens of panels and conferences throughout the US. He is also a well-known collector of original comic book art and rues the day he sold his collection the first time around in the late 1990s.

Al Jaffe — A MAD Look At Gags

Original Art and The Artists

Mad #141, March 1971

Ah, more memories of a misspent youth.

Once upon a time, Mad Magazine was a users manual for anti-establishment thinking among the baby boomer generation. Think of it as an introductory guide to counter culture.

And my personal sweet spot for devouring each issue (around 1970-1976) coincides with its biggest circulation success — reaching sales of more than 2million copies per issue, and rivaling TV Guide and Reader’s Digest as an American magazine powerhouse. 

In other words, a lot of kids got the joke. 

The art styles of its stars — Mort Drucker, Sergio Aragones, Jack Davis, Dave Berg, et al — were instantly recognizable.

Including, of course, the legendary Al Jaffee.  In an incredible 50-year span (1964-2013), only one issue of Mad doesn’t feature a gag from him. He actually holds the Guinness World Record as the comic artist with the longest career. Jaffe “retired” from cartooning just shy of turning 100-years old.

When the original art for this page appeared for sale a few years ago, I remembered the gag vividly. I can’t remember what I ate for lunch yesterday, but a 50-year old cartoon from Mad? 

No problem.

Happy 70thanniversary, Mad. 

Mad celebrates its 70th birthday this year, launching as a comic book in 1952, and changing formats to a magazine a few years later. The rest, as they say, is history...

The Art Of Freakonomics

Original Art and The Artists

Podcasts #484, #485, #486, December, 2021

Freakonomics is one of my favorite podcast series. It’s devoted to, as they say, the hidden side of economics.

Last month, the show featured a three-part series discussing the commercial aspects of the art market. Specifically, the show’s journalists examine the fine art market, but there are many, many similarities to any aspect of art collecting, including comic art. Someof the topics — such as purchasing at auctions vs. dealers vs. directly from the artist — will ring familiar to anyone who owns more than one or two pieces of original art.

Admittedly, this could have been a two-parter (they spend an inordinate amount of time discussing the fine art career of Alice Neel and the increase in value of her works in recent years), but as always, the pod episodes are interesting and valuable.

If you buy art, or have ever considered it, it’s definitely a worthwhile listen.

See you back here next Tuesday, January 11 with the start of our salute to the 70th anniversary of Mad.

Art Adams — A Classic, Revisited

Original Art and The Artists

Avengers # 24.Now, February 2014, Variant Cover

Art Adams pays homage to Neal Adams with this terrific Avengers variant cover from 2014.

Neal’s original Avengers (#92) cover is from 1971, and remains one of my personal favorites. In addition to loving the dramatic art and striking colors, I have a fond memory of guessing the cover’s story gimmick before I actually read the comic.

(Spoiler alert: Thor, Cap and Iron Man are actually skrulls, which we don’t find out until the next issue. Another spoiler: Writer Roy Thomas shortcuts some of the backstory of how that came to pass — blink and you might miss it. Before it’s all over though, the Avengers will find themselves in the middle of the Kree-Skrull war. But, as always, we digress.)

Art’s modern version swaps out X-Men for Avengers, and seamlessly adds additional characters as well.

2021-2022 is the 50th Anniversary of the Kree–Skrull war, so… Happy Anniversary, and Happy New Year!

Sal Buscema — Hulk (& John Byrne) On The Run

Original Art and The Artists

Incredible Hulk Annual #14, December 1985

This Hulk story — from Incredible Hulk Annual #14 — is a direct outcome of one of the oddest creative moments in Marvel Comics history. 

Why so odd? The creative teams on Alpha Flight and The Incredible Hulk did a complete switch with each other. And naturally, they did a crossover to bring readers up to speed. Also, the Secret Wars sequel is involved.

But as always, we digress.

John Byrne, who had been on Alpha Flight, commenced his (ultimately brief) run with issue #314 and this annual, simultaneously. (Bill Mantlo and Mike Mignola went over to Alpha Flight.) And, as prolific as John is, even he can’t produce that many pages at once, so he enlisted art support from Sal Buscema, who penciled and inked the full double issue.

Sal Buscema on the Hulk? Always great.

Sal Buscema on everything else? Always great, too.

After a crossover — and a Secret Wars tie-in — creative teams on The Incredible Hulk and Alpha Flight fully flip-flopped, a first in comics history.

Bill Sienkiewicz — To Kirby, With Love

Original Art and The Artists

Sentry / Hulk #1, February 2001

Welcome to Day 11 of “12 Days of Hulk.“

I couldn’t imagine I’d ever see Bill Sienkiewicz create a Jack Kirby version of the Hulk, and then I ran across this odd and trippy one-shot issue featuring an unusual pairing of the Sentry and the green goliath.

And sure enough, during some flashback scenes / dream sequences, we do indeed see Bill’s Kirby-style Hulk, crackle and all.

As a bonus, on this great page, we get “traditional” Bill art along with the Kirby homage.

Definitely a keeper.

Bill combines classic and contemporary images on some beautiful pages throughout this one-shot.

Chris Giarusso — Hulk Splash!

Original Art and The Artists

Hulk-Sized Mini-Hulks #1, August 2011

Green Hulk vs. Gray Hulk?

Nope.

If you’re Chris Giarusso, cartoonist extraordinaire, it’s Green vs. Red vs… Blue?

The Hulk’s co-creator, Stan Lee, would have turned 99 years old today. He might not have ever envisioned a world of rainbow-colored Hulks, but “Hulk Splash?” That’s a gag worthy of Not Brand Ecch.

Happy Birthday Stan. Say hello to Jack and the rest of the team for us.

Dale Eaglesham — In The Savage Land

Original Art and The Artists

Incredible Hulks #624, May 2011

Welcome to Day 9 of “12 Days of Hulk.“

Here we have a savage Hulk in a… savage land. But unlike his time on “Planet Hulk”, this story takes place on Earth, literally in the “Savage Land”(hidden away in Antarctica), home to Ka-Zar and plenty of prehistoric creatures and other odd denizens.

Dale Eaglesham’s dramatic rendering of the green goliath is the title splash of the issue, despite the fact it’s the last page as well.

Remember when all Marvel Comics had a great opening splash page on page one? Me too, and call me old fashioned, but I liked that formula.

And speaking of old fashioned — once again, I think the dark, overly rendered color detracts from the detailed art, instead of enhancing it.

But maybe that’s just me.

Back here with more Hulk on Tuesday.

Kyle Hotz & Eric Powell — Joe Fixit Returns

Original Art and The Artists

Incredible Hulk #22, January 2001

Welcome to Day 8 of “12 Days of Hulk.” 

My favorite version of the Hulk the last 35 years or so?

Mr.Fixit, of course. The gang enforcer you, absolutely, positively don’t want to mess with.

That “character” pretty much disappeared when Peter David left the Hulk title, but he makes a comeback here courtesy of Paul Jenkins and the criminally (pun intended) underrated Kyle Hotz.

And Eric Powell on inks? Count me in, of course.

From our world to others… Mr Fixit was a different kind of Hulk.

Will Conrad — Beneath 150 Billion Tons (?!)

Original Art and The Artists

Secret Wars Novel, Novo Seculo Brazilian Edition (“Guerras Secretas”), 2015

The Hulk saves his fellow superheroes by holding up a … mountain.

And no, you can’t make this up. It’s Will Conrad’s very dramatic rendering of the original Secret Wars story (Issue #4, 1985) for a contemporary Brazilian edition of a Secret Wars novelization.

How did Jim Shooter come up with 150 Billion Tons? I’m really going to have to ask him that one of these days. All I know is there are some pretty powerful heroes counting on ‘Ol Greenskin, no matter how much those rocks weigh.

Will has done a number of these Brazilian novelization covers and they are all fabulous, but this is my favorite.

Another version of Hulk holding the mountain, from Spider-man and the Secret Wars #1(2010.)

Dale Keown — Mind Games

Original Art and The Artists

Incredible Hulk #371, July 1990

Previously, on the blog…

Our 12 Days of Hulk special has featured some great splash paged from the likes of Gabe Hardman, Gary Frank, Ed McGuiness and others.

To change things up a bit, day six features a terrific panel page form Dale Keown, who imaginatively utilizes a variety of panel sizes and “camera angles” to keep things fresh for writer Peter David — and the audience.

I love this page — in addition to the feature listed above, it uses lettering and sound effects to maximum effect. Also, it features some terrific lighting, especially on that first panel of a freaked out Hulk.

Plus, a Defenders reunion.

David’s astonishing 12-year run on the Incredible Hulk title featured great art from the likes of Todd McFarlane, Jeff Purves, Liam Sharp and others, but I confess a certain bias towards Keown’s work on the title. As evidenced here, he has an artistic wit that complemented David’s stories perfectly.

Back here on Tuesday… with Day 7 of “12 Days of Hulk.”