Godzilla #2, July 1988
Godzilla’s origin generally begins with atomic testing and radioactivity. (You can catch up on all the versions of his origin here.)
So maybe he is getting ready for a nice atomic snack on this great cover by Mark Nelson.
Nelson executed the art on Craftint specialty paper, which used a chemical process to add an amazing level of tone and depth to the art. Artists like Roy Crane, Wallace Wood and Howard Chaykin are among the many who used the paper regularly (and well) to enhance their storytelling.
The paper was readily available to artists in the mid to late 20th century and ultimately discontinued in 2009 with more commercial artists switching to digital.
I believe Kevin Eastman (TMNT) purchased a large supply when he heard the paper was being discontinued. But, like a fine vintage wine, sooner or later, the supply will run out.
A lost art — although you can replicate the effect in Photoshop, and other similar digital programs.
But, unfortunately, at that point, you don’t get a great piece of art to hold in your hands.
