I’m still processing the loss of the legendary Neal Adams, who truly was a one-of-kind artist and person. Dozens of stories and anecdotes come to mind, and at some point in the near future, I will post one or two of my favorites.
Which leads me to one of the most quoted lines of dialogue in film history, from the classic John Ford western, The Man Who Shot Liberty Valance:
“When the legend becomes fact, print the legend”
In Neal’s case, the legend and the fact are pretty much the same thing. Any story you’ve heard — you can safely believe it.
Or, to quote from another film: (Harrison Ford/Han Solo in The Force Awakens)
Legend has it that this is the “lost” original cover for Thor #405.
As the story goes, Ron sent the pencils to Marvel, and it was misplaced before Marvel could send it to Joe Sinnott for inking.
So Ron quickly redrew the cover and sent the replacement off just in time for deadline.
Eventually, this “first” original surfaced and Marvel returned it to Ron.
Ron ultimately sold it, and the purchaser had Bob McLeod finish it up.
I also think its entirely possible that Thor editor Ralph Macchio (or EIC Tom DeFalco) simply decided he wanted to change Thor’s positioning on the cover, which is pretty much the only material difference between the two versions.
Thor appears to be in more trouble in the published version, although that change could have come from Ron himself. (I like the figure positioning slightly better in the “original” version.)
It’s a riddle, wrapped in a mystery, inside an enigma.
Or, just a fun story, take your pick. Either way, it is a nice piece of cover art.
The actual published version with its original as well.
Rune Thor decks Ultimate Thor in the Secret Wars spinoff, “Thors.”
Chris Sprouse and Karl Story deliver a cool action splash from this series where members of the Thor Corps investigate the deaths of many, many Jane Fosters.
If you Google “Rune Thor,” you’ll find a close-up of this page used as the “bio-pic” on the Marvel Fandom Wiki.
Cool indeed.
Thor vs. Thor, the first time, courtesy of Walter Simonson from 1983 in the Wayback Machine. (With contemporary coloring.)
Sal Buscema gamely takes over the art chores on Thor, as Walter Simonson prepares to conclude his legendary run as writer/artist on the character. This is some of my favorite Sal Buscema art from this era. He manages to channel Walter’s art without aping it, while keeping core elements from his own style, and the results are terrific.
The issue, like all the Marvel comics that month, celebrates the 25th anniversary of the launch of the “Marvel Age Comics” with the original August 1961(November cover date) publication of Fantastic Four #1.
And speaking of anniversaries, it’s Thor’s 60th anniversary this year, so we still have a few more upcoming posts lined up to celebrate Marvel’s God of Thunder. (Of course, technically, the Thor legend is eon’s old, but, as always, we digress.)
Thor Artist’s Edition, Original Art Cover “Remarque” Limited Variant, 2011/2012& Sketch, 2012
Here are two terrific Walter Simonson Thor pieces with equally terrific “origin” stories.
First up: IDW Artist’s Edition Editor Scott Dunbier developed a unique concept with one of his earliest volumes — A blank cover that the artist could then draw on, making a limited amount of copies of the book true originals.
A challenge for the printer, but mission accomplished, at least with this volume.
Walter and Scott agreed on a price, and Walter drew approximately a dozen of these covers. I say approximately, because of some confusion about whether it was going to be 10 or 15 of them, and Scott ultimately chose to offer them privately to some well-known original art collectors in a addition to a handful of IDW’s senior management team. I have no recollection how many were actually ultimately created. And I’m not positive all the completed drawings were scanned.
(Yes, that is the way comics works sometimes, folks.)
In addition to the piece I own, I’ve seen about four others, and like this one, they are all terrific. The only challenge is figuring out a creative way to display one properly and safely. If anyone has solved that puzzle, feel free to chime in.
The second Walter piece is looser, but extra special. Walter generously drew it in my office after SDCC while I was tied up in a meeting elsewhere, with the plan to personalize my “regular” edition of the Artist’s Edition.
It was only after the art was completed that I noticed it was the book was damaged printer’s proof version, instead of my actual personal copy.
A bummer, certainly, but a solution presented itself with the help of a handy X-Acto blade. I removed the page, trimmed it to a more precise 11×17 size, and framed it.
Voila. Now I can view it all the time, instead of just upon opening the book.
As they say, it’s in the permanent collection.
It’s Thor’s 60th anniversary this year, so we have a few more posts lined up to celebrate Marvel’s God of Thunder. (Of course, technically, the Thor legend is eon’s old, but, as always, we digress.)
A few days late… and definitely a few dollars short. (Parts 2 and 3 coming tomorrow and Thursday.) So nice to be at conventions again, and you can quote me.
Concluding the 60th anniversary celebration of Ant-Man/Giant-Man.
John Byrne provides his own spin (that pun was intended) on Spider-Man’s early days with the “maxi-series” Spider-Man: Chapter One. This series created some controversy, as many fans believed the early Stan Lee and Steve Ditko stories did not need a refresh. (Unlike say Byrne’s own Superman revamp years earlier, which was the right reboot at the right time. But… we digress.)
This fun page from issue #11 guest stars Giant-Man and Wasp in a revamping of Spider-Man’s very early Spidey crossover in Tales To Astonish #57. (How early was the original story? It’s the same month as Spider-Man #14, which also featured the Hulk. Spider-Man had a very busy month in the Marvel Universe, as Annual #1, featuring the Sinister Six, was also published at about the same time.)
