Here’s an original to help us celebrate the 80th anniversary of Batman (I know, we said we were finished with that series… but this time we mean it!) and the 35th anniversary of the Teenage Mutant Turtles, launched in 1984.
Kevin Eastman was inspired to create this Frank Miller Dark Knight Returns homage during the first DC / IDW crossover between Batman and the Teenage Mutant Turtles. No surprise, as Kevin cites Miller and Jack Kirby as inspirations for his and Peter Laird’s original TMNT. The piece wonderfully captures the grittiness and weariness of Miller’s Batman; and Michelangelo as Robin? Mad genius. Everyone at both companies loved it.
But the art was formally submitted for approval a bit late in the game — after all the retailer variants and exclusive covers for that series had been determined and solicited, so it missed series one.
Flash forward to series two and three (2017 and 2019) — and now the DC retailer variant program has been virtually eliminated, and there is no logical place for the piece to appear as a cover. Sigh.
That third series is wrapping up now, and I’m assuming there will be collection of all three in a deluxe format at some point. Maybe this piece will appear as a bonus; I think fans would love to see it, and selfishly, I would love to see a color version.
As for how TMNT came to crossover with Batman in the first place? That’s a great tale, but one for another day.
The iconic Miller image from Dark Knight Returns and… An original art gift from Frank Miller To DC EditorJulie Schwartz in honor of his 75th birthday, 1990. I love it, but not as much as Kevin’s take on his own Dynamic Duo.
Today concludes our special series celebrating Batman’s 80th birthday.
I’m not a child of the ’50s. Didn’t make the cut.
But… I was a little kid in the ’60s when DC published many great 25-cent annuals (80 pages!) and specials reprinting classic tales of classic characters.
Like Batman, for instance.
It was in these annuals that I learned abut Giant Batman, Rip Van Batman, Rainbow Batman and more. I had no idea when these stories first appeared, and I didn’t care. It also didn’t matter that they didn’t quite fit in with the “new-look” Batman. They were goofy fun, and I was a kid, and goofy fun was a job requirement.
I hadn’t thought much about those iterations of Batman in recent years. Many of those stories have yet to be reprinted in the current DC omnibus collections because of, well, pesky chronology.
Then at SDCC, Preview Night, Michael Cho’s art representative put this original of Detective #1000 on display while I was chatting with him.
It floored me.
Michael captured so many of those wondrous Batman moments in one stunning and giant (Its drawn on a double-size board) original. And as noted previously, I’m a passionate admirer of his art.
I asked the price. The dealer answered. I gulped. My art budget would be shredded.
But I understood the pricing — it’s obviously a one-of-a-kind piece. A classic cover for a milestone comic book.
I hesitated for one millisecond. And then I was smart enough to say: “Yes, I want it.”
Good thing too. Turned out there was another buyer literally right behind me. (Typically, I’m the collector who just misses out, so this was unusual.)
I confess that I didn’t recognize ALL the Batmen on the cover at first. (Some of course are covered by the final trade-dress.) But fortunately, with Michael’s help, it’s now sorted out:
17 visible front-facing Batmen surrounding “Conventional” (Regular? Traditional?) Batman and Robin, and seven additional Batmen with a back view to the reader. Below is the complete list, with the original appearances noted as well. The art gallery features the original covers, as wells Michael’s preliminary art, created digitally.
These are not all the odd versions of Batman. Michael himself laments that he couldn’t fit in Batman Jones (Batman #108) or Batman Creature (Batman #162), and a few others, but hey, there’s only so much room.
As for Invisible Batman? (Detective #199.) Who’s to say he’s not also on the cover somewhere? I’m certainly not ruling it out.
Detective 1000 by Michael Cho:
Front view (17):
Jungle Batman – Batman 72
Rainbow Batman (full) – Detective 241
Mummy Batman – Detective 320
Giant Batman (leg) – Detective 243
“First” Batman (Thomas Wayne costume) – Detective 235
Alien Batman (weird face & body) – Batman 140
Alien Batman (orange ears) – Detective 251
Bat-Baby – Batman 147
Genie Batman – Detective 322
Swindle Batman – Detective 222
Captive Planet Batman (weird helmet) – Detective 256
Rip Van Batman – Batman 119
Scuba Batman – Detective 253
Robot Batman – Detective 239
Dragon Society Batman (tunic with #1) – Detective 273
Scottish Batman (kilt bottom) – Detective 198
“Original” Batman (cape open like wings) – Detective 195
Back View (7):
Bronze Batman – Detective 302
Clayface Batman – Detective 312
Zebra Batman – Detective 275
Interplanetary (space helmet) Batman – Detective 165
White Snow Suit Batman – Detective 165
Luminous (radiation) Batman – Detective 165
Rainbow Batman (pink) — Detective 241
Young brains explode — at a bargain price of a quarter!
Michael’s cover jarred my memory into recalling this 1994 cover by Jon Bogdanove which features many different versions of “traditional” Batman in one place, and the matching “reverse” version featuring Batman surrounded by Supermen. I think that one appeared as a poster only. Not as cool, certainly, but fun in their own right.
One year ago today, Stan Lee headed off into the greater cosmos. I like to think he’s bugging the Watchers, endlessly and enthusiastically reviewing his many adventures on Planet Earth with them. Like this:
“Hey fellas, remember that time I saved everyone form the Martian invasion? Remember? Fellas?”
Fortunately for us, in case we forget, Joe Jusko captures the moment perfectly with this premium trading card and litho for Stan’s own Los Angeles comic book convention in 2013.
Stan Lee and Topps Mars Attacks. It’s perfect reflection of my misspent youth, and well beyond. I knew the moment I saw the painting I had to have it. Hell, Joe probably knew I would need to have it when he took the assignment. (We’ve known each other a long time.)
We miss ya Stan. I hope Jack and Steve are taking you on a wild ride through the multiverse — just like the good old days.
DC’s war comic books, taking inspiration from EC’s titles years prior, featured some of the best stories published in any genre. They often dealt directly with the human toll and sacrifice of war, and rarely emphasized a false “glory of battle.” In the 1970s, Editor Joe Kubert quietly added in the widget “Make War No More” at the end of many of those stories. (Seen in the published page below as the paste-up in the original is missing.)
The brilliant John Severin (1922-2012), who drew some of the best of those original EC masterpieces, returns here to illustrate Robert Kanigher’s haunting Sgt. Rock tale “The Bloody Flag.” Rock’s dialogue, and his expression in panel three, sum up much more than just the story itself.
Today we honor John, and millions of other veterans of the armed forces, past and present. Thank you for your service!
Part five of a multi-part series celebrating Batman’s 80th birthday.
Booster Gold goes back in time to save Barbara Gordon (Batgirl) from being crippled as depicted in Alan Moore’s classic Killing Joke. Of course it doesn’t work, and of course, this being a Booster Gold comic, things go from bad to worse. Batman (at this point in the timeline, Dick Grayson) is none too happy.
Jurgens wrote much of this Booster Gold series, and he plays to his own specific artistic skills and interests. I enjoy the storytelling here, as well as the expression on Booster’s face, a combination of dismay and disappointment as he explains his failure to Batman. And extending Batman’s “ears” into the upper panel is a clever and splashy touch.
The New 52 reboot ended this series a few years later, which was unfortunate. It combined action and wit (and mind-bending time paradoxes) avoiding outright camp or satire while providing a joyful and thoughtful ride through the DC time stream.
Batman Animated remains a timeless version of the character more than 25 years after its debut. That’s a well-known fact. Lesser well known perhaps is that the comic books published to support the award-winning TV series are pretty terrific in their own right.
Similar to the series itself, DC assembled an all-star group of creators to support these tie-ins including Burchett, Templeton, Joe Staton, and the late Mike Parobeck among many others.
Stories were typically self- contained, and the writing style was “all-ages,” sophisticated enough for adults, but not too complex for kids.
On this absolutely great opening splash page by the Templeton/Burchett team, the artists dramatically illustrate how Batman can get very, very animated indeed. Cartoon or not, this version of Batman is a deadly serious guy.
Part three of a multi-part series celebrating Batman’s 80thbirthday.
I missed this story, published nearly 30 years ago, the first time around. I don’t care much for 3D in media — comics, film, etc. And this cover didn’t do anything for me. I probably never even noticed that it contained a new story by Byrne, since his credit is poorly noted at the bottom. I’m guessing I thought it was a straight reprint collection at the time.
Well, the joke is on me. This is great Byrne Batman art, a fact that’s pretty obvious when examining the original pages.
The story itself is fine and, in support of plot, Byrne brings in Two-Face, Joker, Penguin, and of course, the Riddler. Art-wise though, the 52-page story is gem, featuring many catchy and dynamic pages. Byrne may have created the story to take advantage of 3D effects, but it works perfectly well in traditional form, as evidenced by its recent black and white reprinting in the DC Universe by John Byrne Omnibus (2017).
But… Black and White? No budget for color? Batman? John Byrne? Really?
Hey DC — how about coloring it for its 30thanniversary next year and issuing it in deluxe format one-shot?
Batman of Arkham #1 (Elseworlds one-shot), June, 2000
When you think of homages — or outright swipes — to classic comic book covers, a few classic and obvious issues come to mind:
Action #1
Fantastic Four #1
X-men #141
But there’s an issue slightly less obvious that may be the record holder with the most homages, especially with the same character:
Detective #31 (1939) by Bob Kane is just the third Batman cover ever, and a great one. It inspired Neal Adams to create his own version about thirty years later, and at that point, the floodgates opened. See below for as near a complete gallery as I could assemble. (Some are looser than others, but they all aim to capture the spirit of original cover.)
Meanwhile, on this gorgeous original cover by Alcatena (why isn’t he doing more comic book work?!) third time was a charm for me. I was under-bidder when it came up at auction. Shortly thereafter, when a major art dealer had it for sale, I missed it, and it sold again.
But that owner only had the cover a short while before he sold (or traded) it back to the same dealer, and this time I quickly managed to stake my claim on this beautifully detailed cover.
It’s November 1, and we’re still discussing Halloween?
Of course — we are talking about Batman: The Long Halloween, one of the greatest long-form (13 issues) Batman stories ever created. Jeph Loeb and Tim Sale craft an inventive and gorgeous story that takes place early in Batman’s career, centered on a serial killer who only kills on holidays.
The story also features the Calendar Man, once a silver age joke, who taunts the caped crusader in the manner of Hannibal Lechter. He knows who the murderer is, but will only provide tantalizing and taunting clues, not the killer’s actual identity.
On this great action page, Catwoman attacks Poison Ivy in an attempt to break her spell over Bruce Wayne, but the somewhat hypnotized Bruce breaks Catwoman herself from the attack.
Mrrow indeed!
(And happy anniversary Mr. Wayne. Our next few posts are in honor of your 80th year as the Caped Crusader.)
Happy Halloween! Today we wrap up our two-week series celebrating the best in monsters, mystery and mayhem.
Here’s a sweet page from Roy Thomas and Mike Mignola’s adaption of Francis Ford Coppola’s 1992 film, Bram Stoker’s Dracula.
Fun Fact: All the pages in this adaption are “sweet.” There’s not a miss in the bunch. In fact it’s one of the best looking of any film adaptations ever done in comics. (Top of mind, only Archie Goodwin and Walter Simonson’s Alien graphic novel is in the same league.)
It’s also fair to say that while the film itself is fine (mixed reviews when it was released), the comics adaption itself is actually better.
Fun Fact: Coppola liked Mike’s art so much he hired him to provide illustrative material for the film itself, and Mike’s work is credited in the movie.
Fun Fact: The title was the launch project for Topps Comics, and was in development prior to the hiring of an actual Editor-In- Chief. (Jim Salicrup.)
Fun Fact: John Nyberg inked the series in spectacular fashion— it’s astonishing how anyone but Mike could make it so “Mignola-like,” but John nails it. The brilliantly effective coloring is by Mark Chiarello, who later colors the first full Hellboy series, Seed of Destruction. (Hellboy himself appears for the first time just a few months after Dracula concludes in an SDCC giveaway comic book.)
Fun Fact: For many years, Dracula was a lost classic — one of the few major Mignola projects not in print — for more than 20 years. I personally chased those reprint rights for 10 of those 20. Sometimes, insane tenacity pays off.
Fun Fact: It’s the first comic book I ever worked on professionally, and its reprint was one of the final projects published prior to my departure from IDW. (I will have to figure out a way to bring another version to my next publishing home. Ha.)
Fun Fact: Despite one of the best looking comic book series ever, it’s unlikely there will ever be an “artists edition” style book. The originals are scattered to the wind, and only occasionally offered for sale. I consider myself fortunate to own this one.
First story appearance of Hellboy, SDCC comic, July 1993
First color appearance of Hellboy, script by John Byrne, December 1993
