Here’s a fun mashup of two early Jack Kirby Marvel Silver-Age images: Hulk, from the title splash of Avengers #2, and Iron Man from the cover of Tales of Suspense #39.
About 10-12 years ago, Angel was drawing some Kirby-recreations and original reinterpretations, and offering them online. He included this specific art with some other items I acquired from him, with this inscription. Very lovely, especially since I like to think he was really thanking Jack here, not me.
And I like it better that way.
It’s also the appropriate art to segue into a celebration of the Avengers 60th anniversary, coming in February.
Art Adams pays homage to Neal Adams with this terrific Avengers variant cover from 2014.
Neal’s original Avengers (#92) cover is from 1971, and remains one of my personal favorites. In addition to loving the dramatic art and striking colors, I have a fond memory of guessing the cover’s story gimmick before I actually read the comic.
(Spoiler alert: Thor, Cap and Iron Man are actually skrulls, which we don’t find out until the next issue. Another spoiler: Writer Roy Thomas shortcuts some of the backstory of how that came to pass — blink and you might miss it. Before it’s all over though, the Avengers will find themselves in the middle of the Kree-Skrull war. But, as always, we digress.)
Art’s modern version swaps out X-Men for Avengers, and seamlessly adds additional characters as well.
2021-2022 is the 50th Anniversary of the Kree–Skrull war, so… Happy Anniversary, and Happy New Year!
Tim Sale (with writer Jeph Loeb) creates a cool and dynamic page from an early clash between Gray Hulk and “Gold” Iron Man in the classic Hulk Gray mini-series.
The Hulk surprisingly didn’t battle with IM in the early years of the original Silver age, with the very notable exception of the first few issues of Avengers — which was the first team book that seemed to have more fighting within the group than without.
Of course, Loki helps manipulate their clash in issue #1, and the Space Phantom does the same in issue #2. By issue #3, Tony has switched into the first version of his now famous sleeker red and yellow model. (They duke it out there, too.) And by the end of issue #3, Hulk will disappear altogether from the book for quite a while.
As a side note, I miss hand-drawn sound effects even more than I miss traditional lettering. Thoom indeed.
Hulk and Iron Man spend most of issue #1 of Avengers fighting each other, then, astonishingly do it all over in issue #2.
Rampaging Hulk Magazine #3, June 1977 and Avengers #28, September 2012
If December makes you think of red and green, then, wow do we have a month for you. (Well, to be fair, mostly green, some red, and a little gray thrown in for good measure.)
It’s “12 days of Hulk” this month — 12 all new art posts devoted to everyone’s favorite rampaging hero, who turns 60 in early 2022.
But first a flashback to the ghost of Christmas past (two years ago, to be exact) with two great Hulk pages by the legendary Walter Simonson. (With help from Alfredo Alcala on the first and Scott Hanna on the second.)
See you back here on Tuesday with a double feature courtesy of Mark Bagley.
Hawkeye has his Television debut today, and if the show lives up to its trailer, it should be good fun.
Here we have a terrific Hawkeye page from the Silver Age Avengers, illustrated by his co-creator, Don Heck. (This is from the period of Avengers where the majority of the team, including Hawkeye, was comprised of reformed villains. I always loved that.) The page is fun combo of action and snarky dialogue, and it completely (and unexpectedly) breaks the fourth wall in the first two panels.
As a bonus, this might be the only page I own where the sound effect is actually then classic word “Pow.” I wonder how many newspaper headlines during the years have used that sound effect as part of a headline discussing any sort of comics-related story. (“Bam! Pow! Comics are not for kids anymore!” Here’s my personal sound effect for those: Ugh.)
Hawkeye’s first appearance —as a villain — in Iron Man, followed later by his reformation and entry into the Avengers.
This 1993 photo pops up in the ether from time to time, and I may have even published it on the blog previously. Don Heck and Walter Simonson look terrific, and I look… about 12.Cool tie though.
John Byrne takes over The West Coast Avengers with a storyline entitled “Vision Quest.” The Vision is missing — the government is secretly reverse engineering him — and when it’s all done, we witness the introduction of the “White Vision.”
Sound familiar? Many of these ideas and threads (and of course many, many others) appear in Disney’s WandaVision.
Byrne makes the visual most of an exposition page here. (The dreaded “talking heads” scenario.) Nearly all of the Avengers are represented, and John uses multiple angles (medium vs. close-up shots) and characters’ points of view to keep the page visually interseting.
Nice detailed inks from Mike Machlan, who used a very fine line — much easier to discern in the original art than in the printed page.
I don’t recall how often we caught a glimpse of the full exterior of the West Coast headquarters, but it reminds me of a Santa Monica luxury hotel.
California Dreamin,’ indeed.
Yes, there’s a Damn problem!
Can’t imagine that the entire comics-loving’ world hasn’t already seen this, but just in case…
Fallen Son: The Death Of Captain America #5, August 2007
John Cassaday — a fan favorite artist if ever there was one — delivers a striking double-page splash of the Silver Age Avengers, with Captain America dominating the scene.
In the original comic, it was the Avengers that discovered the World War 2 legend floating in suspended animation in (essentially) a large ice cube. Of course, they never would have found him if it wasn’t for another Golden Age icon, Namor the Sub-Mariner, but as always, we digress.
This rendering actually combines multiple 60s Avengers line-ups into one image; The Hulk quit in a huff at the end of issue #2, fought against the team in issue #3, and was MIA by the time Cap thawed out in issue #4.
Cassaday’s art is stunning throughout this issue, but, biasedly perhaps, I think this is by far the best page(s) among many great ones.
The spread has appeared as both a poster and a limited edition Giclee, so, clearly it’s had some impact.
Assemble indeed!
In short order, Cap returned to the Marvel line-up, received his own solo feature, and then a few years later, his own series. (Picking up the numbering from Tales of Suspense.)
Ed McGuiness and Mark Morales provide us with an iconic image of Captain Marvel — Carol Danvers — from the latest iteration of the Avengers.
Also along for the ride on this page specifically are Captain America, Black Panther, Doctor Strange and Ghost Rider.
And of course, Loki (quite literally along for the ride) is up to his usual mischief as well.
This latest version of Avengers has been well received: Classic characters, larger than life antagonists, and lots of energy and creativity from Jason Aaron and McGuinness.
“Sometimes, the classics just work. Sure, the new thing is…new. It’s fun and exciting and different. The new thing can show you something you didn’t know you’d love but you do as much as the classics. But sometimes you just need the classics. And that’s exactly what today’s new #1 for Avengers offers...
“Superstars Jason Aaron and Ed McGuinness, accompanied by inker Mark Morales and color artist David Curiel, have done an exceptional job of returning the Marvel Trinity–Captain America, Thor, and Iron Man–to the center of the Avengers in this premiere issue, and it’s hard to argue that it doesn’t just feel right.“
Other art teams have handled some stories on this run, but Ed McGuinness… well, he’s just Ed McGuinness. And Morales fine brush work adds depth, drama and focus on a busy page.
(Ed pretty much looks like he did when I met him 25 years ago while he was working on Vampirella for Harris Comics. I wonder what kind of Dorian Gray situation he has going on in his attic… Actually Mark does too. Hmmmm.)
Ant-man has made much news lately with talk about the villain Kang (The Conqueror), who would be a cool choice as the next “big bad.” Time travel is his bag, and we know how that topic has already a few twists in Avengers Endgame.
Kang has given time-twisting headache to the Avengers and the Fantastic Four in the comic book pages. He could be an obvious thread to introduce the FF into the MCU.
Or not.
Marvel has no shortage of interesting antagonists.
Because I devour time travel stories, Kang was a favorite among many great villains. Even when his story was, how shall we say? A bit convoluted.
In this 1986 story arc by writer Roger Stern, The Avengers have to contend with multiple versions of Kang, because, well, you know — time travel, the multiverse, alternate realities, that sort of thing.
Legendary penciller John Buscema had returned to Avengers a few years prior, and, although he only provided breakdowns in most stories, Tom Palmer’s lush inks make this run visually compelling.
VERY compelling.
The Avengers lineup at the time includes Captain America, The Wasp, Black Knight, Captain Marvel (Monica Rambeau version) and both Sub-Mariner and Hercules, the clothing-optional pair of the Marvel Universe. They all appear on this cool end page.
Of course, that’s just the East Coast Avengers. The 1986 West Coast branch includes an ever-changing line-up featuring Hawkeye, Tigra, Iron Man, and others.
But as always, I digress.
Next up this week: Ant-Man, The Guardians of the Galaxy and Captain Marvel…
See you soon.
Get your scorecards out: Rama-Tut, Kang, Immortus and the Scarlet Centurion are all alternate versions of each other. Or not. Or both. You can look it up.
