Greg Goldstein's Comic Art Gallery

Howard Chaykin — Blackhawk Up

Blackhawk #2, April 1988

As I was preparing the earlier post today about Howard Chaykin’s Scorpion work for Atlas, I ran across an announcement that the 1988 “controversial” Chaykin Blackhawk series is being collected for the first time — along with some additional “modern” Blackhawk stories — into a deluxe hardcover.

I had forgotten that the series (originally 3 issues in “prestige format”) had never been collected. Each issue must have been optimistically overprinted. You can purchase copies today pretty much from any back issue comic book retailer — 30 years later — for less than cover price. I wouldn’t be surprised if Diamond Distributors still has them in stock.

Why was this series “controversial”? The alternate universe setting, the different spin on the lead character and his politics — or perhaps, most likely, Blackhawk’s sexual appetites — and an implied oral sex scene. Today, in an age of “mature” reboots and retcons, plus an overwhelmingly (and unhealthy) lack of interest in political history — even the modern kind — those features would hardly be discussed.

Controversy or not, Chaykin’s Blackhawk remains a worthy follow-up to his American Flagg series. It has many similarities — not the least of which is innovative and dynamic visual style and design throughout. It’s no wonder that when I started collecting original art again about 12-13 years ago, I was pleased to find this page available to purchase right off the bat.

Hawk-a-a-a indeed!

If you want to head down the academic rabbit hole on this subject, try this:

http://imagetext.english.ufl.edu/archives/v7_2/costello/

Howard Chaykin — Atlas, Shrugged Off

Scorpion #1, February 1975

Atlas/Seaboard announced its 1974 entry into comic book publishing with plenty of talent and plenty of marketing. Founded by former Marvel Comics publisher Martin Goodman and featuring marquee names like Neal Adams, Steve Ditko, Wally Wood and many up-and-comers, it seemed the possibilities for the new company were endless.

But… those possibilities ended just 23 issues later (no individual title lasted more than four) in late 1975. Many of the titles had rebooted midstream, providing a capricious and confounding publishing strategy.

Howard Chaykin’s Scorpion was easily one of the better Atlas titles — so naturally, after two issues, Seaboard canned Chaykin, hired Alex Toth, and never actually published the pages Toth produced.  (They turned up later, elsewhere.) 

Not one to waste a great character, Howard quickly transformed Scorpion into Dominic Fortune at Marvel, where he has lived on and off for the last 40 years.

This great page captures Chaykin inventive and dynamic sense of storytelling. Literally “thinking out of the box,”  Chaykin flies the airplane right through the outer panel walls, and somehow Atlas’ production dept. made it work — years before full bleed pages were practical in comic book printing.

(Related — there are a few videos available on-line on the short history of Atlas/ Seaboard: https://www.youtube.com/watch?v=hzhcYa23PI0 ; https://www.youtube.com/watch?v=CJn7NlnjLy8)

And, as Luke narrates in the recent Star Wars The Rise of Skywalker trailer, “No one’s ever really gone.” To wit, Atlas just made another comeback of sorts:

https://www.hollywoodreporter.com/heat-vision/ghost-rider-producer-buys-atlas-comics-library-teams-paramount-1211185

https://www.hollywoodreporter.com/heat-vision/who-owns-atlas-comics-1212677