Greg Goldstein's Comic Art Gallery

Tag: IDW Publishing

Doug Wildey — Wildey Wild West

Original Art and The Artists

Gunsmoke Western #57, March 1960

How much of a perfectionist was the great Doug Wildey? He knew there was no chance the printed comic books of 1960 could capture the fine details in his draftsmanship, but he drew them anyway.

This is the second Wildey Atlas western title splash I’ve managed to acquire, and like the first, it’s a beauty. In fact, even more stunning.

By chance, this page was only display and offered for sale a few moments during last year’s San Diego Comic Con when I happened on it. I’m sure it would have been gone had I come by an hour or more later.

As I noted previously, Doug Wildey was an amazing storyteller and draftsman. Don’t just take my word for it — ask Stan Lee.

Back in about 2010, we visited Stan in his Beverly Hills office to get some pages signed for the first John Romita Spider-Man Artists Edition from IDW Publishing. Stan’s “people” were kind enough to let us bring some personal items to get signed as well, so I brought a few pages of original art with me. 

Stan, who was telling stories and singing while he was signing (Yes, singing, not a typo for signing. Story for another day.) stopped dead in his tracks when he saw this page of art. 

He stared at it quietly for a few moments — given the speedy pace of our morning, it seemed like an eternity — and you could see pleasant memories wash over his face. And then the big Stan Lee smile:

“Doug Wildey. Wow. He was great. So terrific. I loved his stuff. I wish we had a chance to do more together.” 

He handed the page back to me, still beaming, still examining it up and down as he slowly passed it back.  I had seen Stan sign thousands of items; many of them with fond remembrances, but nothing quite like this.

I’m sure he would have had the same reaction to this page as well.

Bye bye details in the sheriff’s face, shirt, et al. Wildey had to know the cheaply-printed page would lose all the great detail and craftsmanship, but he included it in his original anyway.

Jim Silke — A Great Century

Original Art and The Artists

American Century #21, February 2003

RIP Jim Silke, the multi-talented artist / art director/ writer who died last week at the age of 93. A great century (ok, nearly) indeed.

One of my favorite facts from Silke’s career is that he essentially started his “new” career as a comic book artist / writer in his early 60s.

Repeat: He started in his early 60s.

I acquired this wonderful painted cover late last year, part of a series he created for Vertigo’s American Century title.

A retro classic. 

And readers of this blog, especially any who visited me at the late Liberty Station IDW Publishing offices, know I definitely have a thing for old newsstands. (FYI, that’s Action Comics #183 from 1953, bottom right.)

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Just some of the “good girl” / “bad girl” covers from Silke’s portfolio.
One of Silke’s four Grammy-nominated album covers. He actually won for a Judy Garland cover, but frankly this is a personal favorite of mine, because I don’t think I have ever looked as relaxed as Sinatra does here. I consider it aspirational.

Berkeley Breathed — Mixed Emotions

Original Art and The Artists

Bloom County Sunday Strip, April 17, 1983

So… You support much of one party’s political platform, and the other guys win, and you somehow benefit from that opposing victory anyway?

Talk about mixed emotions.

This Bloom County Sunday strip appeared in print six weeks before I had my first “real” job — with a salary that certainly that did NOT benefit from any sort of Reagan tax cut. 

And yet this specific strip remained burned in my brain forever. When we (IDW Publishing) added Bloom County reprints to our line-up around 2009, I asked if Berkley still had this specific strip, and if so, would he sell it to me.

He still had it… and he gifted it to me. A gift I treasure, and one that I am indeed very thankful for.

Happy Thanksgiving, everyone.

Gabe Hardman — The Apes Go “Boom”

Original Art and The Artists

Betrayal Of The Planet Of The Apes #3, January 2012

True Confessions:

When I was at IDW Publishing, we chased the Planet of Thae Apes license hard. And I mean hard. (I’m a super fan.) We had some terrific story ideas, and some talented creators ready to come on board if we acquired it.

The challenge was, that Fox couldn’t provide us with a guarantee that they had proper clearances on the original Marvel material. Reprinting that material would help finance the creative costs on the new series, as well as help fund the licensing fees, so that ended up as a deal breaker for us.

So… Boom swept in and acquired those rights without the reprint guarantee. And did a great job on their new material. And the joke was on us, ultimately, because Boom did end up with at least some of those reprint rights.

Sigh.

That said, we did get to do a super fun Star Trek / Planet of The Apes crossover with Boom, which is mostly a story for another day. But one nugget: Boom asked me to negotiate the “Taylor” (Charlton Heston) likeness rights with the estate, and that was one of the more reasonable and rational Hollywood-style negotiations I have ever had. And even Marvel didn’t originally have those rights. So, there’s that.

Oh, and the great Gabe Hardman did this superb cover for an issue of one the Boom series. Did I neglect to mention that?

Russ Manning — Star Wars, Sunday Best

Original Art and The Artists

Star Wars Sunday Strip, #39, December 12, 1979

Russ Manning Star Wars Original Comic Strip Art From The Collection of Greg Goldstein

I finally checked off a piece of art from my OA “bucket list” with the acquisition of this terrific Russ Manning Star Wars Sunday strip late last year.

I own some great Star Wars original art, but not much focusing on Leia, so I’m especially pleased I won this strip at auction. Coincidentally, I was the underbidder the previous time it had appeared at auction — second time is the charm, apparently.

When we had the opportunity to collect the complete Star Wars strip collection at IDW Publishing, it was yet another box checked off from the publishing bucket list. Dean Mullaney and the Library of American Comics (LOAC) crew produced (as always) an amazing three-volume set.

Welcome to Star Wars “month.”  May the force be with you throughout.

Did your newspaper make room for the full strip, or the “abridged” version, featuring Sundays without the top tier?
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Jordi Bernet — Darkly Masterful

Original Art and The Artists

Torpedo Collection Volume #3 (IDW Publishing, US), April 2011

Jordi Bernet, original Torpedo 1936 art page --- from the collection of Greg Goldstein

On each page of Torpedo, the much-lauded Spanish graphic novel series, artist Jordi Bernet provides a masterclass in atmospheric storytelling. 

Bernet transports us into the gritty, noir-infused world of 1930s New York City. His stylized art captures the essence of the era, from smoky back alleys to sleek underworld nightclubs. Even Central Park provides no respite from the grit and violence.

Torpedo is not for everyone; The “hero” is a ruthless hitman — and the term misogynist doesn’t begin to define his violent approach to women. Writer Sanchez Abuli often pushes the envelope too far, which is why Alex Toth, the original artist of the series, bolted.

But Bernet’s art? Always terrific.

Jack Kirby — Encore Presentation

Original Art and The Artists

Baltimore Comic-Con, September 8-10, 2023

After a five-year hiatus, the legendary Jack Kirby original art presentation returns with nearly 1,000 high-res images* featuring some of the King’s most important pages and covers. Join myself, the legendary Walter Simonson, the incredible Scott Dunbier (at least 80(!) IDW Publishing Artist Edition collections under his editorial belt — I’ve lost count) for a Kirby tribute unlike any other.

Baltimore Comic Con 9/8-9/10, exact time and panel room location TBD.

(*Yes, nearly 1,000. It’s an hour-long presentation, so if you blink, you’ll miss a few.)

In the meantime, I’m fortunate enough to personally own a few pages of Jack’s original art and have covered most of them previously in the blog, but here they are in one place for the first time. 

If you want to see them and much more, simply enter “Jack Kirby” into the blog search bar.

Jack Kirby New Gods Hunger Dogs Graphic Novel
Jack Kirby Marvel Fantastic Four Original Art
Jack Kirby DC Sandman Original Art
Jack Kirby Private Strong Original Comic Art
Jack Kirby and Steve Rude Superman Jimmy Olsen Original Comic Art
Jack Kirby DC OMAC Original Comic Art
Jack Kirby Skymasters Original Comic Strip Art

Odds and Sods — August 2023

Original Art and The Artists

It was my turn to chat with Comic Art Fans (CAF) moderator Bill Cox this past Tuesday. We ended up talking about lots of interesting comic book publishing history… plus some great art. You can watch it directly through the link below:

Greg Goldstein at Phil Seuling New York Comic Book Convention 1975

And speaking of comic book history…

In celebration of 50 years of the creation of the comic book specialty distribution market, Milton Griepp of ICV2 is featuring a series of interviews with early “pioneers” in the business. The day before this past SDCC, my interview (video and print) appeared. If you’ve got some down time (Ok, if you’re bored with pretty much everything else on-line at the moment), please join me down the rabbit hole.

Good timing on the publication of the interviews; I am personally celebrating 40 years of professional contributions to the popular entertainment arts (Topps, IDW Publishing, Activision, et al) in one media format or another.

Teenage Greg (photo is October 1975, at Phil Seuling’s monthly Comic Book Marketplace show in New York City) would be very amused, if not startled.

Long, strange trip indeed.

Back When We Was Fab?

Original Art and The Artists

In celebration of 50 years of the creation comic book specialty distribution market, Milton Griepp of ICV2 is featuring a series of interviews with early “pioneers” in the business. Yesterday, my interview (video and print) appeared. If you’ve got some down time (Ok, if you’re bored with pretty much everything else on-line at the moment), please join me down the rabbit hole.

Good timing on the publication of the interviews; Today is the first day of San Diego Comicon, and although I won’t be behind a table, and it won’t be as musty,I will indeed be celebrating more than 50 years of contributions to the popular entertainment arts (Topps, IDW Publishing, Activision, et al) in one media format or another.

Teenage Greg (photo is October 1975, at Phil Seuling’s monthly Comic Book Marketplace show in New York City) would be very amused, if not startled.

Long, strange trip indeed.

https://icv2.com/articles/news/view/54613/icv2-interview-greg-goldstein

Visible on the table stacks: OMAC #1, Savage Sword of Conan #1, Iron Jaw # 1, all purchased through Seagate Distributors, the pioneering comic book distribution company launched by the legendary Phil Seuling.