IDW Publishing – Page 6 – Greg Goldstein's Comic Art Gallery

Paul Gulacy — Toys For The Holidays (Part 3)

December 31, 2020 Greg Goldstein Original Art and The Artists

GI Joe Special Missions #4, June 2013

When I was a kid, G.I. Joe never looked like this.

Of course, there’s an easy explanation for that. I grew up with the original Joe’s somewhat vanilla representations of America’s fighting forces. I loved them, as did most of my friends, but character development was not in the 60s line-up.

Characters like “bad girl” Baroness here were the result of Hasbro’s re-introduction and revamp of the brand in 1982. Marvel Comics was essentially paid to create colorful heroes and even more colorful bad guys. And they delivered, mainly with the creativity and guidance of writer Larry Hama.

The rest, as they say (Ok, I say it a lot) is history.

IDW became publisher of record shortly after I cane on board in 2008, and has had some terrific success with various iterations during the last dozen years.

This Special Missions series is a fine example, with script by Chuck Dixon and terrific visual storytelling by fan favorite Paul Gulacy.

I acquired a few pages from this series, including this dynamic splash, but another one of these pages comes with a unusual annecdote, which I will share down the road. (I’d bet you can’t wait, but I’d lose.)

And so, 2020 finally comes to an end. Whew. Here’s looking forward to a much better 2021. We will be back on Thursday, January 7, with a special year-opening series on… well… that will be telling. See you soon, and thanks again for visiting.

The original G.I. Joe included a desert jeep and related gear, capitalizing on the brief success of the Rat Patrol television series. I was obsessed with this vehicle.

*Cobra’s Baroness started out as a sexy character back in the 80s, but became even sexier as figure design and sculpting moved into the digital age.*

David Williams — Into The Spider-Verse

December 15, 2020 Greg Goldstein Original Art and The Artists

Spider-Verse Team-Up, #3, March 2015

Two years ago this week, many of us settled into a comfy (hopefully) movie theater seat to catch Spider-Man: Into the Spider-Verse. I think I’m speaking for the majority of filmgoers when I say: “Brain Blown.”

The Spider-Verse concept was so successful in this ground breaking animated film, that apparently some of its alternate Spidey universes appear to be creeping into the next live action Spider-Man film, currently due in theaters in a year from now.

Rumors are swirling in recent weeks that many actors and characters from the two previous Spider-Man film universes will reappear in this film, with supposedly Jamie Foxx (Electro) and Alfred Molina (Doctor Octopus) confirmed.

A multiverse Sinister Six? I say, bring it on! (I’ve confessed my love of multiverse storylines previously.)

Meanwhile, in the comics, you don’t have to wait for Disney and Sony and the talent and the screenwriter and the director to have a meeting of the minds.

You can simply read any number of Spider-Verse related comic book titles, including this one featuring art by the vastly underrated David Williams.

Here you get six Spider-People for the price of one. Seems like a good deal to me.

The film poster, the original art for Bill Sienkiewicz’s promo poster, and the cover to IDW’s Marvel Action :Spider-Man featuring the first comic book team-up of Peter Parker, Miles Morales and Spider-Gwen.

*All three actors in one Spider-Man film? You never know…*

Shannon Wheeler — Happy Thanksgiving!

November 26, 2020 Greg Goldstein Original Art and The Artists

Sh*t My President Says, 2017

To paraphrase an old adage, sometimes you get the bird, and sometimes… the bird gets you.

I’ve discussed my pal Wheeler’s terrific cartooning skills previously. For this book (on which I actually have a co-editing credit, because of all my nagging, nudging and general meddling) he let me have first dibs on any piece, and I chose this one.

Urban legend: Ben Franklin suggested that the turkey should be the national bird. He actually did compare the bald eagle very unfavorably to the turkey, but apparently did not bring forth an official turkey proposal.

Every holiday (hell, every day, actually) feels so bizarre this year, but I’m thankful to all of you who take a moment from our apocalypse-in-training to check in on the blog.

Thanks again, and have a good holiday. Be safe out there!

Zina Saunders — Vote!

November 3, 2020 Greg Goldstein Original Art and The Artists

Mars Attacks #1 Cover Variant, 2012

Vote indeed! (Just not for this guy.)

The terrifically talented Zina Saunders — daughter of legendary Mars Attacks painter Norm Saunders — created this card for our 1994 Topps Mars Attacks “sequel” series. So many good cards were created for that set, including many by Zina, that we ran out of room, and this one went unused…

Until 2012, when we acquired the Mars Attacks comic book license at IDW. Legendary comics marketing guru Dirk Wood had this crazy idea: What if we created 55 variant covers, each featuring one of the original 55 cards? Ha-ha. That’s funny.

Then we went ahead and did it.

And we upped the ante: We added an additional variant cover that you could only get if you bought the complete box set of variant covers.

Honestly, I think we all agreed we were nuts — until some good orders came in. Collectors actually wanted all the covers. It was a novel way to have a complete “set” of the original Mars Attacks.

Maybe those are unrelated thoughts. We might still be nuts.

But I’m not voting the Martian ticket, regardless. Not this year, anyway.

Darwyn Cooke — Detective Duo

September 12, 2020 Greg Goldstein Original Art and The Artists

Detective Comics # 338 and #356 Mashup Re-imagination, 2010

As noted last year, the late, great Darwyn Cooke produced a number of these reinterpretations and homages of classics during his all too short lifetime.

In this dynamic drawing, Darwyn combined two classic covers into one, taking the iconic “punch scene” from Detective #356 and fitting into the #338 layout. Carmine Infantino (pencils) and Joe Giella (inks) created both of the memorable original covers.

When you dive the detail of the re-imagination, you might notice that the crooks in the right frame now more closely resemble the hoods that populate the Darwyn’s astonishing Parker graphic novel series that we published at IDW. It’s a wonderful touch.

Definition of a comics geek?

When I saw this piece offered for sale, I recognized what Darwyn had done — without it being specifically noted in the item description. Issue #356 was one of the first Batman comics I remembered reading as a kid.

Pete Poplaski — Family Affair

September 8, 2020 Greg Goldstein Original Art and The Artists

Batman: The Silver Age Newspaper Comics Vol. 3 (1969-1972), November 2016

Pete Poplaski has been called an “artist’s artist” by many creators. His name might not be known as well as other artists, but his talent is unquestionable.

Pete, who broke into comics in the 70s underground community, ultimately became Kitchen Sink Press’ art director, and among many accomplishments helped give some of Robert Crumb’s projects just the right design touch.

Kitchen had the rights to reprint the DC Batman and Superman comic strips in the early 1990s, and Pete created brand new covers that evoked the classic style of those strips.

When we acquired those reprint rights at IDW in 2012, we went back to Pete to see if he would be interested in picking up where he left off, and fortunately he was.

Wayne Boring. Dick Sprang. Al Plastino. Carmine Infantino. You name a classic artist, and Pete can replicate the style.

And perhaps most astonishing of all is this giant wraparound cover for Batman Silver Age Volume 3. Featured on these covers are nearly everyone in the Bat family from that era. Good guys and villains alike. All the type is hand lettered.

And when I say giant, I’m not kidding. When combined, the two pieces are nearly four-feet wide.

I’ve never seen another piece of comic art quite like it.

September 19 is “Batman Day,” so we’re going to ride the Bat-train for a few weeks and post some additional theme-appropriate art. No “Bam or “Pow” included.

*Poplaski creates color guides by photocopying the original and, if too big, taping the pages together.*

David Mazzucchelli — Devil Noir

August 18, 2020 Greg Goldstein Original Art and The Artists

Daredevil #217, April 1984

55 years ago, Wallace Wood emphasized the “devil” in Daredevil with a dramatic costume change for the character in issue #7. The series, which had floundered early on, started to gain some traction with Woody’s work just a few issues prior. Issue #7, featuring Daredevil hopelessly outmatched by the Sub-Mariner, is considered a silver-age classic.

Our next three posts celebrate this anniversary with a look at the “modern” man without fear.

I love classic film noir. Dark streets, shady characters, two-faced femme fatales, dimly lit apartments, et al. All great.

At one point, there was not a sign of comic art in my office — just classic noir posters.

So it’s no surprise that that some of my favorite takes on Daredevil are those same noir tropes applied to comics by outstanding storytellers like David Mazzucchelli.

And great pages like this one, featuring Daredevil in every panel, playing the (blind, but super-powered) detective. Mazzucchelli’s use of cinematic camera angles and shadows and light creates a deeply moody page, especially when seen in its original form.

Mazzucchelli keeps nearly all of his original art, and he both penciled and inked this page, so it’s a fantastic rarity as well. Only a handful of Daredevil pages that he is fully responsible for have appeared for sale on the secondary market.

*Daredevil #217 features a dramatic cover by the amazing Barry Windsor-Smith.*

Frank Miller and David Mazzucchelli would collaborate on one of the best loved comic book story arcs of all time: “Born Again.” At IDW, we were fortunate enough to put together an Artist’s Edition of the series with beautiful scans provided from Mazzucchelli himself.

Sam Kieth — Hero To Zero

July 28, 2020 Greg Goldstein Original Art and The Artists

Zero Girl #3, April 2001

Welcome back to a month long celebration of the “Independents” — Independent creators and projects that continue to impact the comic book medium.

I have some great Sam Kieth anecdotes from projects where we’ve crossed professional paths.

Topps Maxx trading cards. Check.

Cadillacs and Dinosaurs Animated comics adaptions. Check.

Maxx Deluxe collections. Check.

Batman / Maxx. Double check.

Zero Girl? Even though we collected both series at IDW, I have no memory of how this one came to pass. Probably a short phone call between Editor Scott Dunbier and Sam, and that was that.

I do have however, this cool page, the issue’s cover scene, in my collection. Zero Girl is admittedly not one of Sam’s better known efforts, but its surrealism definitely appeals to me, and the art, especially in the first series is classic Kieth.

As for those stories I do have? I’ll have to get back to you.

Sam did three great (and little-seen) covers for the 1994 Topps adaptation of the Cadillacs and Dinosaurs animated series. He sold the original art for them in the last year or two; I guess he forgot he promised one of them to me. Ha!

Stan Sakai — Usagi Forever

July 9, 2020 Greg Goldstein Original Art and The Artists

Usagi Yojimbo #124, November 2009

Nearly 36 years of the epic Usagi Yojimbo this year. That’s 36 years of stellar storytelling — and still going strong. A remarkable achievement.

Samurai “funny animals” as if directed by Akira Kurosawa. Japanese arts, folklore and fantasy. Told in clear, well-crafted, and often philosophical episodes.

Genius. Just genius.

Stan is an accomplished talent in all facets of comic book creation: Writing. Penciling. Inking. Painting.

And did I mention his lettering? In addition to lettering his own series, Stan letters Sergio Aragones’ Groo, and for 25 years, he lettered the Spider-Man Sunday comic strip.

This detailed action cover is from the opening chapter of a cool story arc entitled “Town Call Hell”. When it was ultimately collected into a trade, Stan painted a new version. (See below).

Bringing Stan over to IDW was one of my final accomplishments there. It was also one my happiest.

(IDW’s first collection is up for an Eisner award this year.)

*Stan redid his original great cover as yet ANOTHER great cover for the book collection.*

*Usagi in his first appearance, and then his first ongoing series from Fantagraphics.*

John Byrne — Happy 70th!

July 6, 2020 Greg Goldstein Original Art and The Artists

John Byrne’s Next Men #1, December 2010

Wait… John Byrne is 70 today? How old does that make me? Yikes.

Continuing our celebration of “Independents” month with a bonus entry by Byrne.

John started his Next Men series at Dark Horse in 1991, ultimately stopping in 1994, during an epic industry-wide sales implosion.

In 2010, after some wrangling, John restarted the series at IDW and this beautifully detailed art was used for the announcement at SDCC, along with one of the cover variants.

Happy Birthday, John!