Greg Goldstein's Comic Art Gallery

Dan DeCarlo — Iconic (Part 1)

Archie Giant Series #153, Original Pin-up, reworked for cover, June 1968

Archie and his gang fully hit their stride with the baby boom generation, and no one was more responsible for that than cartoonist Dan DeCarlo.

Bob Montana created the original appearance of the gang, and DeCarlo modernized it — and never stopped tweaking the appearance (he had a very keen eye for fashion) and the personalities of the beloved characters for more than forty years. 

I loved Montana’s work — I even edited a hardcover collection of Montana strips — but DeCarlo’s clear and expressive art fully imprinted on my young reading eyes in the 60s and 70s.

So… to continue Archie’s 80thcelebration, we’ll feature just the tip of the iceberg of Dan’s great work this week.

And we will start with a fun anomaly: A gag that was redesigned — and rewritten — before it morphed from a pin-up page to a full cover.

Which one works better? I think I can come up with pros and cons for each, although from a comics code perspective, it’s possible the published cover might be slightly more acceptable than the original. It’s a bit more open to the imagination as to whether Archie is painting Veronica’s shirt — or her actual body.

In the unpublished version, it’s pretty much a no-brainer.

Gabriel Rodriguez — Supernatural Talent

Locke and Key: Keys To The Kingdom #1, August 2010

Locke and Key has returned with a second season on Netflix this past week, and I’m looking forward to catching up to it shortly. As we wrote about previously, it was a long and tortuous road to get here, and I’m glad that the show performed well enough to get picked up for additional seasons.

Regardless, in this case at least, the graphic novel will never be improved upon by another medium and it remains one of IDW Publishing’s greatest achievements.

This cool page has Bode dealing with his transformation into a character that looks a bit like Calvin from the classic Calvin and Hobbes comic strip. Too much like Calvin in the original pencils, if I recall correctly.

But I digress.

Some of the page was created and edited digitally (see below) so the original art is clean and lean — and captures Gabe’s terrific storytelling and draftsmanship that makes the story so compelling. 

Charles Paul Wilson III — Turns To The Darkside

Tales From The Darkside, November 2016

Our Third annual Halloween tribute continues now through October 31. 

Charles P Wilson III creates a knockout cover for a collection of Joe Hill’s unrealized scripts for a proposed reboot of Tales From The Darkside.

Wilson is absolutely among the top underrated artists working in comics and graphic novels today. He created a number of terrific looking projects for us at IDW Publishing, including Hill’s the Wraith and illustrated some other stunning variant covers for Locke and Key, X-Files, and TMNT, among others.

You can read more about him here.

Glenn Fabry — Disappearing Act

James Bond #1 (Dynamite), November 2015

Today, after an 18-month pandemic induced delay, No Time To Die finally opens in the United States. We mark the occasion with our third, and final, piece of James Bond original art.

Ah, comic book art in the age of powerful digital technology. This original cover by Glenn Fabry starts off with two beautiful Russian women, but ultimately ends up without them.

(The gun in the background also disappears between solicitation and actual publication, but that is more a function of the trade dress choice, and certainly less jarring.)

Digital manipulation aside, it’s still a cool cover. And kudos to Dynamite for landing the rights. At IDW Publishing, we hounded the rights holder(s) endlessly and continuously came up empty handed. (I’m sure other publishers tried as well.) 

And speaking of disappearing acts — When I was at Topps Comics, we acquired the Goldeneye (Pierce Brosnan’s first outing as Bond) rights in 1995. We launched with a first issue of what was planned as a three-issue adaptation. Unfortunately, issues two and three never appeared. In addition to approvals that came in at the speed of molasses, the licensor — and I kid you not — objected to the adult material that was appearing in the comics. 

Nothing crazy — just the same “adult” material that appears in the film.

Seriously.

John Byrne — No Shrinking Violet

The All New Atom #3, November 2006

John Byrne pretty much wrapped up his 21st century run at DC with the launch of The All New Atom in 2006. Great art and storytelling, but John only drew the first three issues in the series (with nice finishes by Trevor Scott) before departing.

This might have been bad news for DC’s Byrne fans, of course, but, selfishly, it was good news for us at IDW Publishing. Byrne’s Next Men ultimately returned, and John found time for some additional Star Trek series and a fun Jurassic Park mini, among many others.

Gail Simone created the character and wrote this Atom series, and like all of Gail’s work, it was a fun take, with Ryan Choi as the Atom’s alter ego, replacing Ray Palmer.

Also, Gail is one of the liveliest and funniest (and prolific) comics creators on Twitter. 

Trust me on this.

See you back here next Tuesday. Have a safe and fun Holiday weekend!

Milton Caniff — Sage For His Age

Steve Canyon, Daily Strip, June 6, 1949

How big a deal was it when Milton Caniff left Terry and The Pirates to create Steve Canyon, a new comic strip that he would own exclusively?

It made the cover of Time Magazine. 

Time, the most important news magazine in the world in the mid-20th century, also featured Gandhi, Princess Elizabeth, Eva Peron, The Shah of Iran and Jackie Robinson on its covers that year.

One of America’s best-loved comic strip creators had declared his independence. 

The big newspaper syndicates would no longer control the rights to Caniff’s cartooning. 

In the days when star cartoonists were pretty much rock stars (popular comics helped drive newspaper sales), “The Rembrandt of the Comic Strip” was now fully in charge of his own destiny. 

It was indeed a big deal.

To this day, when you want to reprint Steve Canyon, or chose to produce some lovely retro Canyon merch., you make a deal with the Caniff estate directly.

Milt Caniff — one of the medium’s greatest creators — leaves behind a legacy of independence that hundreds, if not thousands, of cartoonists and storytellers embrace on an ongoing (and not at all risk-free) basis.

Happy Independence Day.

Al McWilliams — Futurist

Twin Earths, Daily Strip, April 14, 1958

Al (Alden) McWilliams gives us an uncanny glimpse of a cool flip phone — about 40 years ahead of its time.

(Of course, there’s the terrific use of shadows and light to admire as well. But, as always, we digress.)

Twin Earths was one of the few strip collections that we could never make happen at IDW and The Library of American Comics. (For reasons involving both rights and availability of materials.) It’s too bad, because it was a fun and well-rendered adventure strip — one of the few that dealt with “flying saucers.” Capatilizing on UFOs in the news headlines, it was part of an overall more realistic trend in SF post World War 2.

Also, McWilliams is a terrific artist who never quite achieved the fame of some of his contemporaries — seemingly never quite being in the right place at the right time.

Continuing our month long celebration of the great adventure comic strips:
Week 1: Superheroes
Week 2: Detectives
Week 3: SF
Week 4: Comic Book Giants

Al Williamson — Flight To Glory

Secret Agent Corrigan (X-9), Daily Strip, October 17, 1969

As noted in a previous post, the amazing Al Williamson spent 13 years illustrating Secret Agent Corrigan as a daily strip. (With writing by Archie Goodwin — also great.) 

Here’s a nice example from the earlier period of Al’s strips with a gorgeous final panel. 

(Of course as I also previously noted, Williamson could have illustrated a guide to Windows XP, and I would have devoured it anyway.)

Al’s Corrigan strips are relative bargains in the original art market today: Nice examples can often be found in the $400-$500 range.

The complete five-volume collection of Williamson’s Corrigan (Also referred to as X-9) is one of my favorite series form the Library of American of Comics (LOAC), and one of my favorite projects at IDW Publishing. 

Yes, that makes me biased. So?

Continuing our month long celebration of the great adventure comic strips:
Week 1: Superheroes
Week 2: Detectives
Week 3: SF
Week 4: Masters Of The Form

Chester Gould — The Trusty Detective

Dick Tracy, Sunday Strip, March 12, 1961

One panel. That’s all it took to get my attention on this page.

Which one? Trust me, it’s not a quiz: It’s panel three, featuring the CLASSIC Dick Tracy profile by creator Chester Gould

And, as a bonus, our trusty detective is holding a gun.

Of course, it’s an overall great Sunday page with nice action to complement all that detecting. But that specific panel is iconic to a strip and creator that were inexorably tied together for nearly 50 years.

Alex Raymond — Watching The Detectives

Daily Strip, December 11, 1950

Every so often, I have this daydream, that I will sell most, if not all, of my art and use the proceeds to buy just one piece: An Alex Raymond Flash Gordon Sunday.

First time I ever saw that art as a kid, I recognized that I was looking at something extraordinary.

Nearly 50 years later, I still feel that way.

In the meantime, I have this great Raymond Rip Kirby to enjoy. Frankly, they are all pretty great, but this one especially spoke to me because of the terrific use of light and shadows. (And smaller word balloons than typical means more art to enjoy.)

Publishing the complete Raymond Rip Kirby — and Flash Gordon, with the Raymond Jungle Jim toppers — at IDW was a joy. An absolute joy.

And I’m still thinking about saving my pennies…

Continuing our month long celebration of the great adventure comic strips:
Week 1: Superheroes
Week 2: Detectives
Week 3: SF
Week 4: Masters Of The Form