SDCC — With A Little Help From My Friends
San Diego Comic-Con, July 24-28, 2024
Tag: Norm Rapmund
SDCC 2023 (Part 3 of 3)
San Diego, July 19-23, 2023
Brett Booth — Time Won’t Let Me
Flash #40, May 2015
“I only made everything worse.”
Barry Allen arrives from the future to present day and makes a mess of things.
Like Stephen King wrote in 11.22.63, you try to change the past, the past fights back.
I can’t wait to see the Flash film with its similar theme, but truth be told, that’s primarily because Michael Keaton is reprising his role as Batman.
Oh, and it goes without saying, this is a great splash penciled by the terrific Brett Booth and inked with gusto by the equally terrific Norm Rapmund.
500 — And Counting
Norm Rapmund Recreation of John Byrne Batman, July 2022
How to celebrate the 500th blog post — and a little more than three years of posting?: Here’s a beautiful Norm Rapmund recreation of a John Byrne Batman splash page (from the 1990 Batman 3-D graphic novel) that Norm started well before this blog was even conceived. (Probably 2017 or so.*)
The 500 milestone includes some “reruns” and a few “cheats,” but hey, 500 is still 500. And we have may slipped in frequency for the first time this past month, but there’s still more great art to come.
Stay tuned.
(*A story for another day.)
SDCC — 2022! (Part 2)
SDCC — 2022! (Part 1)
So good to see San Diego Comic Con as close to a “regular” event as possible…It’s been much too long!
Part two tomorrow!
Dan Jurgens & Norm Rapmund— Infinite Supermen
Countdown #40, September 2007
Dan Jurgens drawing Superman? Excellent.
Dan Jurgens drawing seven different Supermen on one splash page? Absolutely terrific.
I’ve lost the thread on the DC multiverse. Is it infinite these days or finite? Do all versions exist simultaneously, or at different points in the timeline?
It doesn’t really matter. As a long-ago former CEO of mine would say, this kind of pondering can make you reach for the Excedrin.
(And, trust me on this, he had the largest bottle of Excedrin I’ve have seen to this day. It must have been a special order. But, as always, we digress.)
Fun fact: In Dan’s and inker Norm Rapmund’s original art, the Superman just to the left of “our” Superman, looks a bit like Jimmy Olsen to me. The coloring clearly modified the face in the published version.
SDCC 2019 — One Year Ago
San Diego Comic-Con, July 17-21, 2019
I took the least amount of photos last year since I first owned an I phone about 11 years ago. Even though I (theoretically) had more time on my hands, I buried myself in a few time-consuming art trades, and before I looked up, the con was over.
But since I started the blog well after SDCC, I never actually got around to edit and post what I did take.
Now rectified. The full collection here, and some samples below.
Looking very much forward to the next physical comic book convention, wherever, and whenever, that occurs.
Mark Bagley — Beware My Power
Justice League of America #43 (2006 Series), May 2010
Continuing our multi-week celebration of the 80thanniversary of the Justice Society of America. This specific post, featuring the Golden Age Green Lantern (Alan Scott) is an updated version of one of our earliest blogs from August, 2019.
The super-talented Mark Bagley has only spent three years (so far, at least) of his 30-year career at DC. But during that tenure, he worked on the weekly Trinity book as well as JLA/JSA, so he drew many of the DCU’s mainstay characters — some with multiple versions.
On this great splash page, we see Alan Scott, the Green Lantern of Earth 2 having a power surge issue. (With terrific inks by Norm Rapmund, and ultimately, when printed, great colors by Pete Pantazis.) I love the camera angle that Mark chooses here, enhancing the drama.
Earth 2, Earth 3, Earth Prime, Earth 616, whatever. Bring them on. I’ve been fascinated by the multiverse concept ever since I purchased my first JSA/JLA crossover annual event off the racks in the summer of 1967. Even when it gets confusing, I’m still a fan.
And while we are at it, bring back Fringe. Sliders, too.
Dan Jurgens — Unfair Fight
Booster Gold #8, June 2008
Continuing our celebration of the 80th anniversary of the Justice Society of America, with each new post featuring a different classic JSA character.
Today’s riddle: What do comic art collectors miss the most that comic book editors and publishers miss the least?:
A: Word balloons on the art board themselves.
Digital lettering is an amazing boon for comic book production, and a disappointment for many art collectors, myself included.
If you work in the editorial department, of course, no one misses the endless FedEx packages trafficking from penciller to letterer to inker, and back. Ugh.
But… the art boards themselves feel less complete without them. These are, after all, comic book pages. Comic books are pictures AND words.
Modern comic book original pages are analogous to silent films. If the visuals communicate well enough, you can interpret the storytelling without words. (And there shouldn’t be too much of that anyway. But I digress.)
Which finally gets us to this page by the great Dan Jurgens and Norm Rapmund. Superman is about to break the neck of fellow hero Wildcat, while Maxwell Lord looks on gleefully.
Pretty easy to figure out that Superman is either under some sort of mind control — or he’s not Superman at all. (Spoiler alert, it’s the former, and Wildcat survives.)
This is a great splash from a great art team on a great series. As mentioned in a previous post, I’m definitely a fan of this run of Booster Gold, which ended perhaps a bit prematurely because of “The New 52” reboot in 2010.
