Stan Lee – Page 2 – Greg Goldstein's Comic Art Gallery

Don Heck — Giants (& Ants) Among Us

April 5, 2022 Greg Goldstein Original Art and The Artists

Tales to Astonish # 54, April1964

2022 is the 60th anniversary of Marvel’s shrinking and enlarging superhero Ant-Man (Giant-Man), sometimes hyphenated, sometimes not. Either way, we’ve got a cool page from Dandy Don Heck to lead off a mini-anniversary celebration.

That middle right panel has big (pun actually not intended) appeal to me — it appears that Giant-Man is about to break right through it, as he grows o his larger size.

Plus we have he lovely Janet Van Dyke (Wasp) and the ridiculous villain El Toro to boot.

What’s not to like?

Fun Fact(s): Henry (Hank) Pym invents his shrinking serum in Tales to Astonish #27, cover dated January 1962, but actually appearing on newsstands that previous September. But he doesn’t actually become the Ant-Man character until his second appearance in issue #35. The Wasp appears first in #44, and Pym becomes Giant-Man in #49. Whew.

Gil Kane / Rich Buckler — Spider-Problems, Big & Small

February 17, 2022 Greg Goldstein Original Art and The Artists

Spectacular Spider-Man Annual #10 and Web of Spider-Man Annual #6, 1990

Described (tongue in cheek, hopefully) as a “micro-crossover,” Spidey’s Totally Tiny Adventure is a three-part story from 1990, running in the summer annuals. (Amazing Spider-Man Annual #24, The Spectacular Spider-Man Annual #10, The Web of Spider-Man Annual #6).

The story, as you might guess, features Spider-Man shrinking down to Ant-Man size and beyond. It’s definitely a bit light-hearted without devolving into straight camp. (Our friends at Pulp and Dagger have a full review here.)

Gil Kane drew chapters one and three, and Rich Buckler tackled chapter two. And a trivia note: Stan Lee scripted both chapters two and three, marking a rare return to the keyboard for the Spidey’s co-creator.

Tony Daniel — Spider-Man’s Amazing Feat

February 1, 2022 Greg Goldstein Original Art and The Artists

Commission (Based On Steve Ditko, Amazing Spider-Man #33, November 1965), 2013

Amazing. Spectacular. Sensational.

It doesn’t matter what adjective you put in front of Spider-Man’s name, his actual popularity dwarfs them all.

And he celebrates his 60th anniversary later this year.

So why not celebrate the world’s most famous web-slinger with a whole month of Spider-Man art.

Why not indeed?

First up — Tony Daniel’s terrific tribute to Stan Lee and Steve Ditko’s most iconic issue of the original series, Amazing Spider-Man #33.

It’s not that Spider-Man wouldn’t be saved (Heck, even a little kid knows that.) But in that classic story, Ditko masterfully conveyed Spidey’s struggle and necessary force of will to find the strength to lift tons of machinery and save himself.

No Iron Man or Thor to the rescue. This is all about Spider-Man’s personal will to survive — so that he himself can rescue Aunt May.

It’s likely the most powerful three-page comic book sequence of the era.

Harris is not the first creator to pay tribute to the scene, but he does it masterfully, creating an image that exists somewhere seconds before page three of Ditko’s original sequence.

Additionally, Harris uses a muted color palate, perfect for the art. I don’t typically pursue color art, but this piece grabbed me the moment I saw it.

Amazing indeed.

Ray Lago’s tribute from a “Marvel Portraits Comic”

Eric Powell — I’d Like To Meet His Tailor

January 22, 2022 Greg Goldstein Original Art and The Artists

Secret Wars Too, #1, January 2016

Eric Powell brings his offbeat sensibility to the good doctor in this two-page gag story featured in a Secret Wars parody comic.

I acquired this page directly from Eric at SDCC a few years back, and apparently the other page had just sold to another lucky purchaser.

Missed it by that much.

(Full two-pager presented below.)

*The TPB cover by our pal Jim Mahfood is much more interesting than the comic book cover, which is a gag without much art.*

Doctor Doom has a terrific legacy in the pantheons of Marvel humor. Stan and Jack did a hilarious send-up of the FF-Doom-Silver Surfer multi-parter in the very first issue of Not Brand Echh in 1967. (The amazing published splash page here is from the actual story of course, not the parody.)

Chris Giarusso — Hulk Splash!

December 28, 2021 Greg Goldstein Original Art and The Artists

Hulk-Sized Mini-Hulks #1, August 2011

Green Hulk vs. Gray Hulk?

Nope.

If you’re Chris Giarusso, cartoonist extraordinaire, it’s Green vs. Red vs… Blue?

The Hulk’s co-creator, Stan Lee, would have turned 99 years old today. He might not have ever envisioned a world of rainbow-colored Hulks, but “Hulk Splash?” That’s a gag worthy of Not Brand Ecch.

Happy Birthday Stan. Say hello to Jack and the rest of the team for us.

Don Heck — Pow!

November 24, 2021 Greg Goldstein Original Art and The Artists

Avengers # 33, October 1966

Hawkeye has his Television debut today, and if the show lives up to its trailer, it should be good fun.

Here we have a terrific Hawkeye page from the Silver Age Avengers, illustrated by his co-creator, Don Heck. (This is from the period of Avengers where the majority of the team, including Hawkeye, was comprised of reformed villains. I always loved that.) The page is fun combo of action and snarky dialogue, and it completely (and unexpectedly) breaks the fourth wall in the first two panels.

As a bonus, this might be the only page I own where the sound effect is actually then classic word “Pow.” I wonder how many newspaper headlines during the years have used that sound effect as part of a headline discussing any sort of comics-related story. (“Bam! Pow! Comics are not for kids anymore!” Here’s my personal sound effect for those: Ugh.)

*Hawkeye’s first appearance —as a villain — in Iron Man, followed later by his reformation and entry into the Avengers.*

*This 1993 photo pops up in the ether from time to time, and I may have even published it on the blog previously. Don Heck and Walter Simonson look terrific, and I look… about 12.* *Cool tie though.*

Giorgio Comolo — World’s Greatest Comics Annual

August 10, 2021 Greg Goldstein Original Art and The Artists

Jack Kirby Homage, 2002 Cover Re-imagination, Fantastic Four Annual #6, November 1968

Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)

The great Italian artist Giorgio Comolo, a Jack Kirby fanatic, creates a terrific alternate cover for Fantastic Four Annual #6, one of the best solo FF stories to appear during the Lee and Kirby run.

Ironically, despite the acknowledged greatness of the issue, the published cover feels a bit lifeless. Comolo’s take is certainly a much more dramatic representation of the issue’s key moment.

As for that vial? Well, for a spoiler, you can read Marvel’s marketing copy below. Let’s just say its importance is yet another reason why we refer to Fantastic Four as the world’s greatest superhero soap opera.

For a look at some other Comolo Kirby homages, click here.

Issue synopsis: The baby is coming! With Sue going into labor, Reed must make a perilous journey to obtain Element X, the only thing that can keep the baby safe from the cosmic rays in Sue’s body. The bad news – it can only be found in the Negative Zone! The WORSE news? It’s in the hands of one of the deadliest beings in any universe – ANNIHILUS!

Steve Epting — It Was Sixty Years Ago Today…

August 8, 2021 Greg Goldstein Original Art and The Artists

Fantastic Four #586, February 2011

One comic book. One grasp (and possibly a final one) at straws for a struggling comic book publishing company.

Sixty years ago today, Fantastic Four #1 hit the newsstands.

DC had slowly started its own superhero revival five years prior with the appearance of the Silver Age Flash. By the time the FF appeared, DC had establishes enough heroes to create a Justice League team comic book.

Heck, even Archie Comics launched some superhero titles (The Fly, The Shield, etc.) ahead of Marvel.

But Fantastic Four made an impression. Flawed heroes, who barely got along with each other? Fearsome Foes and supporting characters? Continuity, for goodness sakes?

Talk about late to the party — but making an entrance.

Within a few issues, Fantastic Four was the first, and ultimately greatest, soap opera saga in comics. And it didn’t take much longer for Jack Kirby to fully establish himself as the greatest visual storyteller the medium had ever seen, and for Stan Lee to become the greatest showrunner (and, for better or worse, showman) in comics’ history.

The original stories, of course, were much less complex and sophisticated than they are today. (As were the readers.)

Example: This great Steve Epting splash page from issue #586 is from a story that features time travel conundrums and a multiverse gone somewhat amok.

Heady stuff. But you should expect nothing less from Marvel’s First family.

The World’s Greatest Comics Magazine, indeed.

*Stan the modest Man: The slogan “Greatest Comic Magazine in the World” became “The World’s Greatest Comic Magazine” in the following issue, and stuck around for more than 30 years.*

Jack Kirby — Happy 60th, “The Marvel Age Of Comics”

August 5, 2021 Greg Goldstein Original Art and The Artists

Fantastic Four #42, September 1965

On Tuesday, August 8, 1961, Fantastic Four #1 hit the newsstands.

The rest, as they say, is history.

As promised back in January, we’re adding a few more Fantastic Four posts to continue the 60th celebration of “The Marvel Age Of Comics.”

And yes, we’re cheating a bit by re-running this great page by Jack from the beginning of the FF’s peak period.

But… no Stan Lee AND Jack Kirby… no Fantastic Four… likely no Marvel Age, period. So, in our mind, worth a repeat.

See you on Sunday.

1980: Jack had left Marvel, again, this time for the world of animation and independent creator-owned comic book projects. Stan was busy in Hollywood woking tirelessly (and mostly unsuccessfully) to make Marvel a brand in entertainment. I never take sides in the endless Lee-Kirby debate, so I say to the photographer who captured this pic (quoting from The Man Who Shot Liberty Valance): “When the legend becomes fact, print the legend.”

*It all starts here: Cover and opening page for FF#1.*

Alex Saviuk — Spider-Man’s Amazing Friends

June 5, 2021 Greg Goldstein Original Art and The Artists

Newspaper Strip, Sunday, January 20, 2008

Pencils: Alex Saviuk.

Inks: Joe Sinnott

Letters: Stan Sakai.

Story: Stan Lee. (With ghostwriting help likely from Roy Thomas.)

It’s an all-star team of creators contributing to this Sunday Spider-Man strip, and signed by everyone.

(Well almost. If I’m correct about Roy, I hope I can get his John Hancock at a convention. Whenever conventions become the norm again, that is.)

Fun Fact: I acquired this Sunday directly from Alex, who was kind enough to Remarque it for me to distinguish from the few others that had all four autographs. A talented artist and a super nice guy.

Nuff said.

(*You can read about Stan Lee and the legend of “Nuff Said” here and here.)