Greg Goldstein's Comic Art Gallery

Category: Original Art and The Artists

Gabe Hardman — The Apes Go “Boom”

Original Art and The Artists

Betrayal Of The Planet Of The Apes #3, January 2012

True Confessions:

When I was at IDW Publishing, we chased the Planet of Thae Apes license hard. And I mean hard. (I’m a super fan.) We had some terrific story ideas, and some talented creators ready to come on board if we acquired it.

The challenge was, that Fox couldn’t provide us with a guarantee that they had proper clearances on the original Marvel material. Reprinting that material would help finance the creative costs on the new series, as well as help fund the licensing fees, so that ended up as a deal breaker for us.

So… Boom swept in and acquired those rights without the reprint guarantee. And did a great job on their new material. And the joke was on us, ultimately, because Boom did end up with at least some of those reprint rights.

Sigh.

That said, we did get to do a super fun Star Trek / Planet of The Apes crossover with Boom, which is mostly a story for another day. But one nugget: Boom asked me to negotiate the “Taylor” (Charlton Heston) likeness rights with the estate, and that was one of the more reasonable and rational Hollywood-style negotiations I have ever had. And even Marvel didn’t originally have those rights. So, there’s that.

Oh, and the great Gabe Hardman did this superb cover for an issue of one the Boom series. Did I neglect to mention that?

Mike Ploog — Marvel Goes Ape

Original Art and The Artists

Planet Of The Apes #3, December 1974

Things you learn.

According to Roy Thomas, in an editorial in the first issue of Planet of the Apes magazine, it was my friend and old Topps colleague Len Brown who persuaded Roy — and Marvel — to acquire the POTA license. Roy’s article on that process is worth a read.

Another fun fact: Mike Ploog insisted he draw the series, which was developed as a sequel to the fifth and final original Apes film, Battle of the Planet of the Apes.

And that’s cool, because Mike provides us with some very lovely artwork throughout, including this terrific page. 

Mutants! Monkeys! Maniacs! What more could you ask for?

(Special note: Pretty much  everyone was late to the party on the POTA license, but when they finally got there in time for the final film and then the TV series, It became, as they say,  “a thing.”) 

Roy Thomas tells us the origin of Marvel’s Planet Of The Apes.

Mike Machlan — Jack Kirby Revisited: Hulk Vs. FF

Original Art and The Artists

Commission, Undated

Original Jack Kirby recreation art from Mike Machlan --- from the collection of Greg Goldstein

Jack Kirby created this iconic cover of the first meeting between the Hulk and The Fantastic Four in 1963. It would be the first of many, many epic fights between the Thing and The Green Goliath.

The late Mike Machlan takes Jack’s moment in time, and brilliantly adds a second or so to show what happens when the heroes actually come upon each other. One thing is certain — that cave will never be the same.

Machlan loved classic comics, and his recreations and reinterpretations can be found on the Comic Art Fans website and elsewhere. His professional career was much too short.

Original Machlan art and published page from Marvel Fanfare #41 as posted previously:

https://greggoldsteincomicartgallery.com/mike-machlan-avengers-2-redux/

Interlude — OAX, Better Late…

Original Art and The Artists

Original Art Expo, January 2024

Paolo Rivera
Vincent Zurzulo (Metroplis Comics) w/ Erica Vale
Bob Layton & Dave Johnson
Mike Allred with one of the largest Allred originals of all time
Laura and Mike Allred
Simone Bianchi
Photo of Adam Hughes, Brian Stelfreeze and Greg Goldstein
Adam Hughes, Brian Stelfreeze, Greg Goldstein

Somehow, four months passed, and these pics from the Original Art Expo haven’t made it to the blog.

Welp, better late than never.

Carmine Infantino & Pablo Marcos — Way Of The Wookie!

Original Art and The Artists

Star Wars Weekly #95 (Marvel UK), December 1979

Marvel Comics 1979 Star Wars original comic book art by Carmine Infantino and Pablo Marcos from the collection of Greg Goldstein.

Here’s a terrific 1979 Star Wars splash page from Carmine Infantino; like a few other stories from the same era, it was originally exclusive to the Star Wars UK weekly.

I’ve never seen a definitive answer on this, but I suspect writer Archie Goodwin wrote several stories as “placeholders” until Lucasfilm gave Marvel some indication on the storyline/ direction of Empire Strikes Back. No one at Marvel could have been possibly known when that would be. So, Archie and Carmine kept going with “isolated” storylines, until they were brought into the loop. 

(The ESB embargo date must have changed a few times too. Marvel advertises the adaptation at the end of #37 for the very next issue — which ends up as a filler story — because Empire doesn’t start till #39.)

Lovely brushwork from Pablo Marcos nicely compliments and enhances Carmine’s “loose” pencil work. (As Carmine aged, his styled became looser and looser. Check his 80s return to DC’s original Flash series a few years later.)

Another quirk about this story. It ultimately appeared in color (from Marie Severin) in a Marvel US paperback collection of “new” Star Wars stories. Cropping on the panels is inconsistent because the pages had to fit the odd format. (See below.)

Ernie Colon & Al Williamson — A New Hope

Original Art and The Artists

Droids #8, June 1987

Original Marvel Comics Star Wars comic book art by Ernie Colon & Williamson from the collection of Greg Goldstein

George Lucas thought SF comics legend Al Williamson (EC, Flash Gordon) was an ideal choice to draw the original Marvel adaption of Star Wars. (Now officially titled Chapter IV: A New Hope.)

Unfortunately, Al was locked into his deal for the Secret Agent Corrigan newspaper strip and couldn’t take the gig.

(Fortunately for George, his other choice came through: Howard Chaykin, who was extraordinarily familiar and comfortable with SF and swashbuckling came on board for the adaptation and a few additional issues. But, as always, we digress.)

Al ultimately ended up doing wonderful adaptations of both Empire Strikes Back and Return of the Jedi. The stories are gorgeous.

But… Al gets another shot on the original film, when, 10 years after the fact, Marvel decides to adapt A New Hope again — this time as a three-part story in the kids’ comic, Droids. 

Ernie Colon provides lovely storytelling, and Williamson provides his beautiful inks, giving him credits on all three Star Wars original trilogy films.

As for the story itself — the main selling point is that this adaptation is told from the Droids’ point of view — which seems odd, since Lucas told interviewers that the films were told from the Droids’ POV, in the first place.

Deja Vu all over again?

Jeffrey Brown — Dad Jokes For Star Wars Fans

Original Art and The Artists

Star Wars: Vader’s Little Princess, 2013

Here are two wonderful cartoons from Jeffrey Brown’s delightful Star Wars “kid’s” books. Kids is in quote marks, because honestly the jokes play even better with adults, especially those that have seen the films multiple times.

I acquired two of the originals, because, well, I have two kids, and they may want souvenirs from my art collection. (Adults now actually, but still my “kids.” Oops, more quote marks.)

Not to mention that they are beautifully done, and I would probably acquire more if they weren’t so pricey.

Come to think of it that might apply to the kids, as well as the art.

Don’t them I said that.

From the Publisher:

“Darth Vader is learning that being a Sith lord and dedicated father to Princess Leia isn’t quite so easy…

In this irresistibly funny follow-up to the breakout bestseller Darth Vader and Son, Vader—Sith Lord and leader of the Galactic Empire—now faces the trials, joys, and mood swings of raising his daughter Leia as she grows from a sweet little girl into a rebellious teenager. Smart and funny illustrations by artist Jeffrey Brown give classic Star Wars moments a twist by bringing these iconic family relations together under one roof. From tea parties to teaching Leia how to fly a TIE fighter, regulating the time she spends talking with friends via R2-D2’s hologram, and making sure Leia doesn’t leave the house wearing only a skirted metal bikini, Vader’s parenting skills are put hilariously to the test.”

Klaus Janson — The Apprentice

Original Art and The Artists

Star Wars Annual #3, 1983

Original Star Wars Comic Book art by Klaus Janson, from the collection of Greg Goldstein

1983 was a busy year for Star Wars… and Klaus Janson.

Janson pencils, inks, and colors a terrific looking stand-alone Star Wars annual which releases in the summer. At the same time, he’s inking and penciling over Frank Miller’s layouts on Miller’s legendary Daredevil run. (Ultimately penciling and inking four issues on his own.)

On the Lucasfilm front, Return of The Jedi releases in May 1983, concluding the original trilogy — with the gazillion licensed products that follow suit. (The Jedi adaptation from Marvel is released as a separate series, in addition to the monthly Star Wars ongoing comic book.)

The first three pages of this Star Wars annual came up for auction late last year and fortunately, I snagged one.

Russ Manning — Star Wars, Sunday Best

Original Art and The Artists

Star Wars Sunday Strip, #39, December 12, 1979

Russ Manning Star Wars Original Comic Strip Art From The Collection of Greg Goldstein

I finally checked off a piece of art from my OA “bucket list” with the acquisition of this terrific Russ Manning Star Wars Sunday strip late last year.

I own some great Star Wars original art, but not much focusing on Leia, so I’m especially pleased I won this strip at auction. Coincidentally, I was the underbidder the previous time it had appeared at auction — second time is the charm, apparently.

When we had the opportunity to collect the complete Star Wars strip collection at IDW Publishing, it was yet another box checked off from the publishing bucket list. Dean Mullaney and the Library of American Comics (LOAC) crew produced (as always) an amazing three-volume set.

Welcome to Star Wars “month.”  May the force be with you throughout.

Did your newspaper make room for the full strip, or the “abridged” version, featuring Sundays without the top tier?
Screenshot

Nestor Redondo — Birds Of Paradise

Original Art and The Artists

Rima, The Jungle Girl #6, March 1975

Original comic art, Nestor Redondo, Rima --- from the collection of Greg Goldstein

Dear DC, 

Please collect the short-lived Bronze Age series, Rima The Jungle Girl, featuring gorgeous art from Nestor Redondo* in his prime. It might not be a best-seller, but fans in the know will thank you profusely will their support. 

Trust me on this.

Your pal,

Greg

(No scan or photo will do real justice to this dazzling splash page featuring dozens of exotic and detailed tropical birds.

*Joe Kubert layouts, Redondo pencils and inks.