Greg Goldstein's Comic Art Gallery

Tag: DC Comics

Ty Templeton and Rich Burchett — Very Animated

Original Art and The Artists

The Batman and Robin Adventures #2, December 1995

Batman Animated remains a timeless version of the character more than 25 years after its debut. That’s a well-known fact. Lesser well known perhaps is that the comic books published to support the award-winning TV series are pretty terrific in their own right.

Similar to the series itself, DC assembled an all-star group of creators to support these tie-ins including Burchett, Templeton, Joe Staton, and the late Mike Parobeck among many others.

Stories were typically self- contained, and the writing style was “all-ages,” sophisticated enough for adults, but not too complex for kids. 

On this absolutely great opening splash page by the Templeton/Burchett team, the artists dramatically illustrate how Batman can get very, very animated indeed. Cartoon or not, this version of Batman is a deadly serious guy.

As he should be. Always.

John Byrne — Riddle Me This

Original Art and The Artists

Batman 3D Graphic Novel, May 1990

Part three of a multi-part series celebrating Batman’s 80thbirthday.

I missed this story, published nearly 30 years ago, the first time around. I don’t care much for 3D in media — comics, film, etc. And this cover didn’t do anything for me. I probably never even noticed that it contained a new story by Byrne, since his credit is poorly noted at the bottom. I’m guessing I thought it was a straight reprint collection at the time.

Well, the joke is on me. This is great Byrne Batman art, a fact that’s pretty obvious when examining the original pages.

The story itself is fine and, in support of plot, Byrne brings in Two-Face, Joker, Penguin, and of course, the Riddler. Art-wise though, the 52-page story is gem, featuring many catchy and dynamic pages. Byrne may have created the story to take advantage of 3D effects, but it works perfectly well in traditional form, as evidenced by its recent black and white reprinting in the DC Universe by John Byrne Omnibus (2017).

But… Black and White? No budget for color? Batman? John Byrne? Really?

Hey DC — how about coloring it for its 30thanniversary next year and issuing it in deluxe format one-shot?

If that doesn’t make a few nickels, nothing will.

Enrique Alcatena — Haunting Homage

Original Art and The Artists

Batman of Arkham #1 (Elseworlds one-shot), June, 2000

When you think of homages — or outright swipes — to classic comic book covers, a few classic and obvious issues come to mind:

  • Action #1
  • Fantastic Four #1
  • X-men #141

But there’s an issue slightly less obvious that  may be the record holder with the most homages, especially with the same character:

Detective #31 (1939) by Bob Kane is just the third Batman cover ever, and a great one. It inspired Neal Adams to create his own version about thirty years later, and at that point, the floodgates opened. See below for as near a complete gallery as I could assemble. (Some are looser than others, but they all aim to capture the spirit of original cover.)

Meanwhile, on this gorgeous original cover by Alcatena (why isn’t he doing more comic book work?!) third time was a charm for me. I was under-bidder when it came up at auction. Shortly thereafter, when a major art dealer had it for sale, I missed it, and it sold again.

But that owner only had the cover a short while before he sold (or traded) it back to the same dealer, and this time I quickly managed to stake my claim on this beautifully detailed cover.

  • Original homage by Adams
  • Neal adams homage to… Neal Adams
  • Matt Wagner
  • Tony Harris
  • Klaus Janson
  • Freddie Williams III
  • Michael Cho
  • Joe DeVito
  • Frank Quietly
  • Recreation by Murphy Anderson
  • Brian Stelfreeze
  • Commission — Unpublished
    by Marc Hempel
  • Commission — Unpublished
    by Sheldon Moldoff
  • Commission — Unpublished
    by Kelly Jones
  • Commission — Unpublished
    by Dave Devries
  • Anniversary Litho by Tim Doyle

And a few from non-Batman titles…

Tim Sale — “Mrrow!”

Original Art and The Artists

Batman: The Long Halloween, #6, June 1997 

Wait.

It’s November 1, and we’re still discussing Halloween?

Of course — we are talking about Batman: The Long Halloween, one of the greatest long-form (13 issues) Batman stories ever created. Jeph Loeb and Tim Sale craft an inventive and gorgeous story that takes place early in Batman’s career, centered on a serial killer who only kills on holidays. 

The story also features the Calendar Man, once a silver age joke, who taunts the caped crusader in the manner of Hannibal Lechter. He knows who the murderer is, but will only provide tantalizing and taunting clues, not the killer’s actual identity.

On this great action page, Catwoman attacks Poison Ivy in an attempt to break her spell over Bruce Wayne, but the somewhat hypnotized Bruce breaks Catwoman herself from the attack.

Mrrow indeed!

(And happy anniversary Mr. Wayne. Our next few posts are in honor of your 80th year as the Caped Crusader.)

Gabriel Hardman — Like A Demon

Original Art and The Artists

Cursed Comics Cavalcade #1, October 2018

Continuing a two-week series celebrating Halloween with the best in monsters, mystery and mayhem.

Jack Kirby’s Demon — despite a short-lived original run of 16 issues — endures 47 years after his first appearance in 1972.

Talented creators have reinvigorated, and in some cases outright reinvented, Jack’s supernatural character in the ensuing decades. It’s an all- star list that includes Matt Wagner, John Byrne, Garth Ennis, John McCrea, and many others.

Add to that list Gabriel Hardman, who, on this splash, provides an iconic and frightening image of the classic character. Gabe’s use of deep black inks and the off-setting lightning and breaking glass create a haunting and dramatic page. (I think the art looks more impressive in black and white than in published color, but regular readers of this blog probably already guessed that.)

Hardman’s main professional work is creating storyboards for films, a list that includes Spider-Man, Batman, Logan and much more. He’s terrifically talented, and much sought after in Hollywood, so we don’t get enough of his work in comics, which is a definite pity for comic art aficionados. 

In the meantime, we can likely look forward to yet another artistic interpretation of Kirby’s character sometime in the future. 

After all, we all have our Demons.

An atmospheric storyboard from Logan. Even if Gabe were permitted to part with it, he couldn’t — he does most of his storyboards fully digital.



Bernie Wrightson — Legend In Progress

Original Art and The Artists

Witching Hour #5, November 1969, “The Sole Survivor”

Today we launch a two-week series celebrating Halloween with the best in monsters, mystery and mayhem.

It’s difficult to attend Baltimore Comic Con without thinking about Bernie Wrightson, who hailed from here, and made his final convention appearance here six months prior to his death in 2017.

Wrightson’s professional comics career began in DC’s mystery anthology titles just six months before this art was published, 50 years ago this month.  

This page, therefore, is very early Wrightson, and although it’s still a few years away from his artistic peak, the talent, and signature detail, is already unmistakably there. His art hooked me early on, and I remain hooked.

Those DC mystery and horror comics, many edited by EC legend Joe Orlando, often showcased star artists like Wrightson, Mike Kaluta, Neal Adams, Gil Kane, and others, including occasionally Orlando himself.

Of course, like other anthology comics, you never knew what the line-up was going to be from title to title, issue to issue. These series were indeed like Forrest Gump’s proverbial box of chocolates: You never know what you’re going to get.

So of course they were always the titles I tried to skim through urgently on the candy store spinner racks, before that crusty proprietor Mr. Wurman would inevitably glance my way and say: “You gonna buy those? This is not a library.”

Bernie painted this beautiful cover for the short-lived Web of Horror magazine in the same timeframe as his early DC work — He was 21 years old.

Mike Mayhew — Inside Job

Original Art and The Artists

Green Arrow #7, February 2011

Green Arrow is back on the air (CW) for its eighth and final season, so before the emerald archer fades into the TV sunset, we’re focusing a few posts on Green Arrow originals.

Here’s a great panel page example by the phenomenal Mike Mayhew. 

Mike’s earliest regular work was at Topps, excelling at dynamic storytelling on Zorro (yes, Zorro) in the traditional pen and ink medium. After the comic book implosion of the mid- 90’s left many talented artists out of a job, Mike tried his hand at painting for a book cover assignment. The result? Mike quickly transformed from talented story artist to a premier cover painter.

These days, Mike’ schedule only occasionally allows for fully illustrated interior stories. Here he demonstrates his tonal skills on Green Arrow — creating a lush, haunting page. (GA is dealing with the apparent ghost of his dead mother, hence the haunting.)

When Mike introduces me to a third party, he often says I was his “first boss.” Technically, that would have been Jim Salicrup, who edited Topps comics during its brief heyday, from 1992-97. But I was the Director of Publishing… so why quibble? Mike’s a great talent and a friend. I’ll take it.

Ian Churchill — Melee

Original Art and The Artists

Superman Doomed #2, October 2014

Presenting the final post in our series celebrating Supergirl’s 5thseason premiere tonight on the CW.

As noted previously, Ian Churchill’s run on Supergirl was terrific, and his brief return here, is still a welcome one.

On this dynamic page, Supergirl shreds Cyborg Superman, who is (I think) actually Supergirl’s father, who is under the mind control of Brainiac, who is… never mind. This “prequel” to the complicated DC convergence crossover is convoluted, and the less said, the better.

But the art, of course, is great.

Dick Dillin — Whirlwind Entrance

Original Art and The Artists

Justice League of America #64, August 1968

Continuing our series celebrating Supergirl’s 5thseason premiere on the CW on Sunday.

One of the cool features of all of the DC CW shows is the introduction of supporting characters you would hardly imagine would ever make it into live action TV.

Rip Hunter? Firestorm? Mister Terrific? The Ray? The list goes on… and on… and on.

One such character is Red Tornado, who made it into an early episode of Supergirl. Ok, so he’s a villain… and his backstory definitely veers from much of his retcon continuity in the DCU, but who cares. He certainly looked great.

Red Tornado’s first appearance in his contemporary droid form is in Justice League #64, and this splash – the cover scene — is actually his first rendering in that first appearance issue. More importantly, it’s also the very first JLA appearance of artist Dick Dillin, who went on to draw the series for an astounding 12 years until his untimely death in 1980.

And that cover? One of my all time favorites, enhanced by that unique greenish background, and featuring a full cast of the Justice Society. It jumped out at you on the spinner racks 50 years ago, and still does today.

Chris Sprouse / Karl Story — Double Feature

Original Art and The Artists

Supergirl #36, and Action #872, February 2009

Supergirl’s 5thseason premieres on the CW on Sunday, so our next few posts will take a look at the cousin of steel.

Here’s my unsolicited story idea for the terrific art team of Chris Sprouse and Karl Story:  A Superman Family “Elseworlds” limited series that includes Superman, Supergirl, Lois and Jimmy, The Super Pets, The Legion of Superheroes, Kandor, Bizarro… And a full line-up of classic villains.  Pretty much everyone who populated the mid 20th century Superman comics.

In other words, a longer form story that’s similar to Alan Moore’s and Curt Swan’s classic “Whatever Happened to The Man of Tomorrow,” but with —- spoiler alert — no fatal tragedies involved.

In 2020, that’s about as likely to happen as Perry White yelling “Great Caesar’s Ghost”, or Jimmy Olsen turning back into a giant turtle, but a guy can dream, can’t he?

Much like Steve Rude, Chris Samnee, and a handful of other artists, Chris and Karl take classic styling and adapt it into a modern form. It’s both retro and contemporary. 

In many ways, it’s the best of both worlds. (Hey — that could be the name of the series.)

In the meantime, we have these two great covers: Supergirl and “Superwoman” (long story) gracefully flying, and Metallo and Reactron defeating the super cousins. Cyborgs rarely look this menacing on a super-hero cover.

And, if someone at DC miraculously likes my idea, and Mark Waid is tied up, it’s pretty easy to find me…