Eric Powell brings his offbeat sensibility to the good doctor in this two-page gag story featured in a Secret Wars parody comic.
I acquired this page directly from Eric at SDCC a few years back, and apparently the other page had just sold to another lucky purchaser.
Missed it by that much.
(Full two-pager presented below.)
The TPB cover by our pal Jim Mahfood is much more interesting than the comic book cover, which is a gag without much art.
Doctor Doom has a terrific legacy in the pantheons of Marvel humor. Stan and Jack did a hilarious send-up of the FF-Doom-Silver Surfer multi-parter in the very first issue of Not Brand Echh in 1967. (The amazing published splash page here is from the actual story of course, not the parody.)
Doctor Doom’s greatest fantasy? Murdering Reed Richards, of course.
And if you have your own planet, you too can make your dreams come true.
Leo Manco nicely illustrates Doom choking Reed on this page from the Emperor Doom mini-series.
Reminds me of a film moment of a certain costumed villain that looks an awful lot like Doctor Doom. Art imitates art, imitates art, ad infinitum, apparently.
Manco, an Argentinian artist, is terrific, and I wish we’d see more of his work in the comic book space.
The similarities between Darth Vader and Doctor Doom always choke me up. (Ouch.)Per our last post, Lucas owes some public tribute to Jack Kirby as far as we are concerned.
Doctor Doom — Marvel’s first iconic super villain of the Silver Age* — celebrates his 60th anniversary this year.
And I have a question.
How are the MCU pros going to create a new on-screen look for the character that is true to form, but doesn’t look goofy as hell? These folks are the best in the business, but that’s a hell of challenge. Lesser talents have failed, not once, not even twice, but three times.**
They could go all black (always a safe choice) and make the costume more technological and futuristic, but… I believe George Lucas already beat them to the punch by about 45 years.***
The comic book Doom costume is one of those that almost makes sense in 2D, but three-dimensional? Oof.
I’m definitely looking forward to seeing the results, maybe even later this year, if we’re lucky.
And, as always, we digress.
Here, the versatile Ron Lim creates a dramatic splash page with the most Doctor Doom you will ever see in once place. You see, the good doctor has this cool hobby of building robots in his spare time.
Lots of them, apparently.
Fun fact footnotes:
Ok, Sub-Mariner beat Doom by a full issue — or more than 20 years, depending on how you count Silver Age vs. Golden Age — but I can’t fully embrace him as a villain. (This despite the fact that Doom and Sub-Mariner later appeared together in a comic book called Super-Villain Team-Up.)
** Two contemporary big budget film releases, plus the officially unreleased Roger Corman version. I probably shouldn’t count that, but I do. Sue me.
*** Lucas has yet to acknowledge that Darth Vader is essentially a mash-up of two Jack Kirby comic book creations, Doctor Doom and Darkseid. C’mon George, fess up.
Clayton Henry’s cover to the Fantastic Five is an homage (swipe?) of Kirby’s FF Annual #2
Doctor Doom’s first appearance features a ridiculous bird for good measure.
Secret Invasion: Fantastic Four #3, September, 2008
We close out our second celebration of the 60th anniversary of the Fantastic Four with a quick visit to the Negative Zone.
The Negative Zone, like so many of Jack ad Stan’s creations, endures. I’m sure one version or another will figure into the MCU when The FF finally receives the proper cinematic respect the team deserves.
In the meantime, we have the talented Barry Kitson, and the equally talented Mick Gray, delivering a dynamic and splashy page of Johnny Storm bursting into flames and out of the Fantasti-Car, leaving Ben Grimm unhappily behind. (With a cute piece of dialogue to showcase his frustration, as seen in the published page below.)
It’s a terrific piece of art, and if I have any beef with it all, it’s in the published version, because, after coloring, Johnny appears to have a tight crew cut or no hair at all when he bursts into flame. (And stays that way.)
Johnny Storm without his blonde locks? Even on fire? Blasphemy, I say.
Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)
Jim Starlin pens a love letter to the classic Hulk-Thing battles of the 60s and 70s with this fun two-parter from Marvel Fanfare.
The Hulk decks Mr. Grimm “off-screen” as it were, bridging the two issues. (See below.)
I never cared one way or another whether The Hulk or Thing was stronger (I pretty much enjoyed any crossover), but apparently this subject is very emotional for some.
That said, Thor is stronger than either of them.
Let the hate mail begin. Ha.
CBR has done a great overview of those classic battles, which you can read here.
Jim Starlin lets our imagination fill in the actual punch, as the Hulk has apparently just decked the Thing in between issues.
The Marvel Age of crossovers begins in March 1963, with a very busy FF meeting the Hulk and Spider-Man in the same month..
Tony Harris delivers a terrific cover for one of the oddest–logoed titles in Marvel History.
The title is not “4”, but actually “Marvel Knights 4”, as the publisher decided to give an edge to the FF by incorporating them into the Marvel Knights brand. (Of course this assumes you know that MK stands for Marvel Knights. And that you’re certain that “4” refers to the FF.)
It’s a puzzler how they ended up there.
And speaking of puzzlers — this storyline deals with time travel and Ramades, son of Ram-Tut, who makes his first appearance the issue prior.
Rama-Tut, of course, is also Kang AND Immortus, and also ultimately retconned to be Nathaniel Richards. Reed’s father. The Time Variance Authority and the Time-Keepers are also involved.
Frankly, as mentioned previously, I could never keep any of this straight, and even the very-detailed Wikipedia page can’t help my brain get around the various iterations of this character. (Not blaming them, though — it’s probably just me.)
Great cover art, though, and Tony colored it himself — adding the background texture as well.
(As for Ramades? He has yet to reappear since this storyline was completed in issue#18.)
Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)
Ron Garney — with the help of Jason Keith — delivers a dramatic cover of Ben Grimm and Franklin Richards preparing for a last stand against an unseen foe in a cemetery, indicating the rest of the team is dead.
It’s a time travel story, and a sentimental one at that — as it explores The Thing’s near-immortal life span. In fact, Jonathan Hickman’s one-shot story itself feels like it would be right at home in a Superman comic.
If I have any small gripe — and I think it has happened elsewhere— is that the older Franklin Richards (Reed’s son) often looks too much like a younger Nathaniel Richards (Reed’s dad) in some of the time travel or multiverse stories. Confusing from time to time. (That pun was not intended. Seriously.)
Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)
How many brick walls has the Thing crashed through? That’s not some sort of rhetorical question — I have no idea what the answer is.
I do know, when I saw this cool commission, it reminded me in high concept (minus the silly tank top) of John Byrne’s great cover of the ever-lovin’ Thing’s return in Fantastic Four #274.
The Thing. Breaking through a wall. And smoking a cigar.
Jack Kirby Homage, 2002 Cover Re-imagination, Fantastic Four Annual #6, November 1968
Continuing our celebration of the 60th anniversary of the debut of Fantastic Four #1. (August 8, 1961)
The great Italian artist Giorgio Comolo, a Jack Kirby fanatic, creates a terrific alternate cover for Fantastic Four Annual #6, one of the best solo FF stories to appear during the Lee and Kirby run.
Ironically, despite the acknowledged greatness of the issue, the published cover feels a bit lifeless. Comolo’s take is certainly a much more dramatic representation of the issue’s key moment.
As for that vial? Well, for a spoiler, you can read Marvel’s marketing copy below. Let’s just say its importance is yet another reason why we refer to Fantastic Four as the world’s greatest superhero soap opera.
For a look at some other Comolo Kirby homages, click here.
Issue synopsis: The baby is coming! With Sue going into labor, Reed must make a perilous journey to obtain Element X, the only thing that can keep the baby safe from the cosmic rays in Sue’s body. The bad news – it can only be found in the Negative Zone! The WORSE news? It’s in the hands of one of the deadliest beings in any universe – ANNIHILUS!
One comic book. One grasp (and possibly a final one) at straws for a struggling comic book publishing company.
Sixty years ago today, Fantastic Four #1 hit the newsstands.
DC had slowly started its own superhero revival five years prior with the appearance of the Silver Age Flash. By the time the FF appeared, DC had establishes enough heroes to create a Justice League team comic book.
Heck, even Archie Comics launched some superhero titles (The Fly, The Shield, etc.) ahead of Marvel.
But Fantastic Four made an impression. Flawed heroes, who barely got along with each other? Fearsome Foes and supporting characters? Continuity, for goodness sakes?
Talk about late to the party — but making an entrance.
Within a few issues, Fantastic Four was the first, and ultimately greatest, soap opera saga in comics. And it didn’t take much longer for Jack Kirby to fully establish himself as the greatest visual storyteller the medium had ever seen, and for Stan Lee to become the greatest showrunner (and, for better or worse, showman) in comics’ history.
The original stories, of course, were much less complex and sophisticated than they are today. (As were the readers.)
Example: This great Steve Epting splash page from issue #586 is from a story that features time travel conundrums and a multiverse gone somewhat amok.
Heady stuff. But you should expect nothing less from Marvel’s First family.
The World’s Greatest Comics Magazine, indeed.
Stan the modest Man: The slogan “Greatest Comic Magazine in the World” became “The World’s Greatest Comic Magazine” in the following issue, and stuck around for more than 30 years.