Greg Goldstein's Comic Art Gallery
Panels and Pages… Art and Artists… Creators and Conventions… Musings and Memories…
Superman Confidential #4, 2007
A lovely page from a novel series:
Darwyn Cooke and Tim Sale, two legends gone much too soon, teamed up on this interesting exploration of the origins of kryptonite and how Superman came to understand his relationship to his home planet.
Welcome to Day two of the 12 DC Days of DeCember.
Superman: Day of Doom #3, January 2003
Marking the 10th anniversary of the Death and Return of Superman, Dan Jurgens and Bill Sienkiewicz tackled a four-issue retrospective mini-series titled, appropriately, Day of Doom.
Bill’s unmistakable inks make the situation even more horrific this second time around. (This is one of the best pages in the series, as it features all four Superman characters who “returned.”)
Happy Halloween indeed — and welcome to the 30th anniversary of the Death of Superman.
How did that happen?
Son of Superman (Graphic Novel), January 2000
Here’s a beautiful Superman page by the super-talented J.H. Williams, inked by his long-time collaborator Mick Gray. It’s an “Elseworlds” (imaginary, out of continuity) story when DC still published those.
Original art pages are artifacts of course, and fortunately, and this one relies on traditional inking methods, lettering and sound effects as opposed to digital enhancements to provide the final result.
I love Williams’ note to Gray in the top margin, explaining how he envisions the final look of the page. (It’s interesting that the colorist chose to reduce the dynamic splash effect in the water in the second panel. To each his own, I guess.)
Thaboom indeed!
Superman #200, October 1967
This art is from Wayne Boring’s final new story for DC comics for more than 20 years.
Boring, one of Superman’s truly legendary artists, was part of a group of creators that asked for pay rate increases, benefits and other employment improvements. So, naturally, DC fired them all.
It’s an oddball imaginary story with the end spoiler right there on the (Curt Swan) cover for kids like me to see. I had only been reading Superman comics for a short while, but I knew his Kryptonian origin by heart from TV and other media. So, I was intrigued by this alternative vision of The Superman legend.
I acquired this page whenI first started collecting art again about 15 years ago, and I haven’t seen one since.
Action Comics #407, December 1971
I rarely get into bidding wars over a specific piece of art. As a well-know art dealer intones: “There’s always more art.”
This time, though, I got carried away.
Superman in space. Curt Swan and Murphy Anderson. Superman in every panel. A title page. An original Superman logo. And my peak era of buying comics from newsstands (late Silver Age, early Bronze age) without the benefit of comics conventions.
That is a lot of checkboxes. So, like I said, I got carried away.
Overpaid — but worth it.
Plus — and I love this — it has a Looney Tunes type joke in the monolugue. He made a wrong left turn a million miles ago? Seriously?
Action #592, September 1987
John Byrne provides a terrific page from about the halfway point in his re-boot run of Superman.
(And no mainstream character was more in need of a reboot in the mid-80s than Superman.)
John of course provided nearly everything here: Story, script, pencils and inks. Keith Williams adds the background inks on buildings and such.
Byrne? Superman in every panel? That’s a keeper.
Superman Commission, 1988
One part Joe Shuster. One part Alex Toth. One part Jack Kirby.
All parts Steve Rude.
And I can’t (or won’t) get flowery about a classic Superman image — from the era when “The Dude” first started working with mainstream publishers. (World’s Finest)
Simply a classic. Period.
See you next week with our continuing summer tribute to the Man of Steel.
Countdown #40, September 2007
Dan Jurgens drawing Superman? Excellent.
Dan Jurgens drawing seven different Supermen on one splash page? Absolutely terrific.
I’ve lost the thread on the DC multiverse. Is it infinite these days or finite? Do all versions exist simultaneously, or at different points in the timeline?
It doesn’t really matter. As a long-ago former CEO of mine would say, this kind of pondering can make you reach for the Excedrin.
(And, trust me on this, he had the largest bottle of Excedrin I’ve have seen to this day. It must have been a special order. But, as always, we digress.)
Fun fact: In Dan’s and inker Norm Rapmund’s original art, the Superman just to the left of “our” Superman, looks a bit like Jimmy Olsen to me. The coloring clearly modified the face in the published version.
Adventures of Superman #7, January 2014
….Happy Independence Day!
DC changed “The American Way” tagline a while ago, and I get that. Superman, more than 80 years after his debut, is an an international icon.
But Superman, like July 4th and summer, will always go together in my mind — I’m pretty sure some silver age Superman comics are the first ones I ever read with the help of my Aunt at the age of five on a July 4th family vacation. And the rest, as they say (ad nauseam, actually), is history.
This iconic Superman image is a “blue-line”: Karl inked the a scan of Chris’ pencils to save some time as deadline rapidly approached. (The print schedule is more powerful than a locomotive OR Superman. Trust me on this.) And I absolutely don’t care. It’s the printed cover, and, like I said, iconic.
More Superman posts during July. Stay tuned.
Recreation, Superman #199 Cover, 2005 (Original By Carmine Infantino, August 1967)
I read, and re-read, a handful of comics over and over again as a little kid. Avengers Annual #1 and #2 both come to mind, as do a few other annuals and specials. The first JLA/JSA crossover I discovered (JLA #56 and #57) was a favorite story, and I remember both Batman #200 and Superman #200 fondly.
But Superman #199? That was definitely my most frequent go-to. It doesn’t hurt that Carmine Infantino’s cover (Murphy Anderson on inks) is definitely my favorite (non-Neal Adams) DC cover of all time.
Fast-forward to about 15 years ago, just when I started getting my toes wet in the original art collector’s market again. My pal, Pete Koch (art collector/dealer/aficionado) and I are about to complete an art swap when I see that he has this stunning cover recreation by Rober Quijano in a stack of pages.
Trade completed.
Thanks, Pete.
Not-so-fun Fact: The scanned image doesn’t do the art justice, because I couldn’t remove the art from the frame without destroying it. Sad!
