Greg Goldstein's Comic Art Gallery

Joe Kubert — Sure Shot

Our Army At War #145, August 1964

Joe Kubert likely drew more pages of war combat than any other artist in the history of comics.

And you would be hard-pressed to find any of his covers or stories that glorified combat.

Gritty? Yes. Realistic? Absolutely. Action-oriented? Of course. Suspenseful? Nearly every time.

But Kubert’s stories — typically collaborating with writer Bob Kanigher — focused on the horrors and tragedies of war. And his distinctive, roughhewn art, was a perfect fit for the genre.

If anyone created a “War Artists Hall of Fame” the inaugural class would likely feature Harvey Kurtzman, Jack Davis, Wallace Wood, and Russ Heath. 

And Kubert should absolutely be at the top of that list.

Happy Veteran’s Day, 2025. 

Today sees the arrival of a new reprint series: DC Finest — War, The Big Five Arrive, joining others that include the DC War Artist’s Edition a much earlier reprint, America at War. All four volumes of a DC archive collection reprinting Sgt. Rock are long out of print, and naturally, much sought after.

Russ Heath — The Bat, The Cat & The Endless Tease

Batman: Legends of the Dark Knight # 48, August 1993

Will they… or won’t they?

Doug Moench and the legendary Russ Heath have some fun with that question in this well-done four-part tale entitled “Heat” from Legends of The Dark Knight in 1993.  The page itself is one of the best from this third part of the story, in which the frenemies team up to stop a serial killer.

Did Batman become permanently romantically entangled with Catwoman? No spoilers from me, but since the Bat and the Cat didn’t get engaged until more than 25 years later, that might provide a clue in itself.

The real question? When are these and other stories from LOTDK going to be collected? Many great talents contributed to this series, and very, very few have been reprinted. It’s a lot of material, but a series of compendiums could do the trick.

As for the history of their on and off again romance, this DC blog entry offers an insightful —if not incomplete — look at 85 years of will they or won’t they:

https://www.dc.com/blog/2022/03/03/the-forbidden-love-of-batman-and-catwoman

The story of Earth-2’s (successful) romance between Bruce and Selina is told in The Brave and the Bold #197, from 1983.

Jim Aparo — Past Is Prologue

The Brave and The Bold #174, May 1981

Here’s a great page from Jim Aparo featuring Batman, Green Lantern, Green Arrow, Black Canary and the Guardians of the Universe! It’s the concluding page of a flashback to the historic Denny Oneil and Neal Adams Green Lantern / Green Arrow run, 10 years prior.

I always loved Jim Aparo’s Batman and especially enjoyed his amazing 100-issue run on Brave and Bold where he had the opportunity to have fun with nearly all of the key characters in the DCU.

But confession time: I missed most of the last third of his B&B output the first time around. College — both logistics and budgetary concerns — kept my acquisitions in the late 70s and early 80s limited.

Which is likely why I missed the very cool two-part story that provides some follow-up to the specific Guardian of the Universe (“Old Timer”) who travelled around with Green Lantern and Green Arrow back in the day.

Excellent, clever writing from Gerry Conway, and to repeat the obvious, great art by Aparo.

Superman & The Fantastic Four — Double Feature

Superman & Fantastic Four Art Pages, Various

Who would’ve thought that Superman — the true beginning of the DC Universe, and the ignition for the fire that became the world of modern superheroes— AND The Fantastic Four — the first superheroes in the modern Marvel Universe — would hit the silver screen with major reboots at the same time? Definitely an unlikely coincidence.

So…

Here are all the Superman posts on the blog the last five years…

https://greggoldsteincomicartgallery.com/?s=superman

…and here are all the Fantastic Four posts from the same period.

https://greggoldsteincomicartgallery.com/?s=%22fantastic+four%22

Enjoy! I’m off to SDCC; let the madness begin!

Jerry Siegel & Joe Shuster — Superman & The Bandit Robots

Superman Sunday Strip, (Syndicate Proof Sheet), December 15, 1940

Not quite original art, this is a syndicate proof sheet for the Superman Sunday comic strip, from December 15, 1940. The proof sheets are printed on higher quality paper, and the colors are extremely vivid — which you can see even though I photographed this example under glass.

(For an amplification of how this proofing process worked, see the new edition of Jack Kirby’s Sky Masters Sunday strips, which explains the process in some detail.)

I enjoy these early strips — Shuster’s art here often seems more polished than the comic books, where some of the art suffers from inconsistency. That’s of course not shocking: Superman’s explosive —and nearly instantaneous —popularity meant that Shuster, with the help of assistants and other artists, had to keep up with a prodigious amount of publishing.

This proof came from co-creator Jerry Siegel’s personal collection , and I was fortunate enough to snag one with a giant robot. (Plus, it is signed!)

Superman, Lois AND a giant robot. Seems like a hat trick to me.

Jim Silke — A Great Century

American Century #21, February 2003

RIP Jim Silke, the multi-talented artist / art director/ writer who died last week at the age of 93. A great century (ok, nearly) indeed.

One of my favorite facts from Silke’s career is that he essentially started his “new” career as a comic book artist / writer in his early 60s.

Repeat: He started in his early 60s.

I acquired this wonderful painted cover late last year, part of a series he created for Vertigo’s American Century title.

A retro classic. 

And readers of this blog, especially any who visited me at the late Liberty Station IDW Publishing offices, know I definitely have a thing for old newsstands. (FYI, that’s Action Comics #183 from 1953, bottom right.)

Gil Kane & Wallace Wood — In Brightest Day…

Green Lantern #69, June 1969

Another checked box on the art bucket list: Green Lantern, pencils by Gil Kane and Inks by Wallace Wood, from the only GL issue (#69) they worked on together.

This dynamic page, created during the latter part of Kane’s run on the series, nicely showcases the artistic chops of both Kane and Wood. Although Woody was often known for completely overshadowing his pencilers, this issue’s collaboration is excellent — Wood adding his sleek polish to Kane’s imaginative storytelling and skillful figure work.

Green Lantern was all over the map during this period — story and art teams were always in flux, and it’s clear the book couldn’t find its footing. Ultimately,  that editorial challenge proved to be a boon to comics and DC specifically, when a half year later, Denny O’neil and Neal Adams took over, added Green Arrow and revamped it all. At that point, what did they have to lose?

The rest, as they say, is history…

Carmine Infantino & Joe Giella — Batman Of Two Worlds

DC Comics Presents: Batman #1, September 2004

Batman meets… Batman?

In this goofy, but fun 2004 comic tale, why not?  (It’s a tribute to DC Editor Julius Schwartz who died earlier that year.)

It’s the final published Carmine Infantino and Joe Giella Batman artwork (story by Geoff Johns) and this cool page features both the “real” Batman and the TV version.

A nice pick-up from fellow collector Steve Lipsky.

I apparently missed these Schwartz tribute comics when they first appeared 20 years ago, so now I’m going down that rabbit hole. (There were eight one-shot issues, and they’ve never been collected together.) This specific Batman one-shot does however appear in the 2014 Infantino Batman hardcover collection.

Russ Heath — Watch It!

Battlefront #17, March 1954

Here’s a terrific early and rare Atlas war page form the legendary artist, Russ Heath.

This page’s great dogfight reminds me of some of Russ’ later DC work, including the classic “Aces Wild” in All-American Men of War #89, otherwise known as Roy Lichtenstein’s favorite comic book. Lichtenstein, the renowned pop art pioneer, “appropriated” (swiped / repurposed / purloined — take your pick) two Heath panels from that story, as well as others in that issue. (See below.)

Those paintings are worth millions of dollars. Multi-millions.

The best 12¢ anyone ever spent.

Happy Veterans Day to all who served!

Fun Fact: Russ, a veteran, used himself as reference for the role of Major Leo Grabeski (also below) in this extremely multi-cultural group of airmen.

Two Heath panels from the same page from “Aces Wild” story (All-American Men of War #89, 1962) became the basis for two well-known Roy Lichtenstein war paintings: “Brattata” and “Blam.”.

A panel from an Irv Novick’s story in the same issue was the basis for Lichtenstein’s “Whaam.”

Eric Powell — Bizarro Alive, Alive

Action Comics # 855, October 2007

Geoff Johns, Richard Donner and Eric Powell creating a multi-part Bizarro story? 

Sign me up.

Spoiler alert: It’s absolutely terrific — fun and affectionate — start to finish. Powell knocks the art out of the park. Many mainstream superhero readers tracked down Powell’s Goon series after they saw this.

You can bet the farm — Kent’s or otherwise — on that.

One final time — Happy Halloween, 2024!