Greg Goldstein's Comic Art Gallery

Ernie Colon & Al Williamson — A New Hope

Droids #8, June 1987

George Lucas thought SF comics legend Al Williamson (EC, Flash Gordon) was an ideal choice to draw the original Marvel adaption of Star Wars. (Now officially titled Chapter IV: A New Hope.)

Unfortunately, Al was locked into his deal for the Secret Agent Corrigan newspaper strip and couldn’t take the gig.

(Fortunately for George, his other choice came through: Howard Chaykin, who was extraordinarily familiar and comfortable with SF and swashbuckling came on board for the adaptation and a few additional issues. But, as always, we digress.)

Al ultimately ended up doing wonderful adaptations of both Empire Strikes Back and Return of the Jedi. The stories are gorgeous.

But… Al gets another shot on the original film, when, 10 years after the fact, Marvel decides to adapt A New Hope again — this time as a three-part story in the kids’ comic, Droids. 

Ernie Colon provides lovely storytelling, and Williamson provides his beautiful inks, giving him credits on all three Star Wars original trilogy films.

As for the story itself — the main selling point is that this adaptation is told from the Droids’ point of view — which seems odd, since Lucas told interviewers that the films were told from the Droids’ POV, in the first place.

Deja Vu all over again?

Klaus Janson — The Apprentice

Star Wars Annual #3, 1983

1983 was a busy year for Star Wars… and Klaus Janson.

Janson pencils, inks, and colors a terrific looking stand-alone Star Wars annual which releases in the summer. At the same time, he’s inking and penciling over Frank Miller’s layouts on Miller’s legendary Daredevil run. (Ultimately penciling and inking four issues on his own.)

On the Lucasfilm front, Return of The Jedi releases in May 1983, concluding the original trilogy — with the gazillion licensed products that follow suit. (The Jedi adaptation from Marvel is released as a separate series, in addition to the monthly Star Wars ongoing comic book.)

The first three pages of this Star Wars annual came up for auction late last year and fortunately, I snagged one.

Russ Manning — Star Wars, Sunday Best

Star Wars Sunday Strip, #39, December 12, 1979

I finally checked off a piece of art from my OA “bucket list” with the acquisition of this terrific Russ Manning Star Wars Sunday strip late last year.

I own some great Star Wars original art, but not much focusing on Leia, so I’m especially pleased I won this strip at auction. Coincidentally, I was the underbidder the previous time it had appeared at auction — second time is the charm, apparently.

When we had the opportunity to collect the complete Star Wars strip collection at IDW Publishing, it was yet another box checked off from the publishing bucket list. Dean Mullaney and the Library of American Comics (LOAC) crew produced (as always) an amazing three-volume set.

Welcome to Star Wars “month.”  May the force be with you throughout.

Frank Thorne —Emperor Of Doom

Savage Sword of Conan #23, October 1977

Here’s a gorgeous and splashy Frank Thorne washtone page from a terrific Red Sonja story published in the black and white Savage Sword of Conan magazine.

Thorne is one of those artists that I enjoyed as a kid but did not fully appreciate until much later. Excellent draftsmanship, storytelling, and an imaginative sense of design.

And, of course, beautiful women. That part was always obvious.

I acquired this page earlier this year at OAX. Paid too much for it.

But not sorry about it.

George Perez — Avengers & JLA, Assemble!

Avengers / JLA #4, May 2004

Captain Marvel fighting alongside… Captain Marvel? Only on this great battle page by the legendary George Perez from the Justice League / Avengers crossover that took more than 20 years to make happen.

And, appropriately, 2024 is the 20th anniversary of its publication. Twenty years ago? How on Earth (1,2, or 616) did that happen?

(Thanks to pal and super collector Michael Lovitz for parting with this one.)

Howard Chaykin — ‘Round About Midnight

Midnight Men #4, September 1993

Never let a great idea go to waste.

Howard Chaykin turned an unused Batman pitch into an imaginative new series for the extremely short lived “Heavy Hitters” imprint from Marvel/Epic in 1993.

I’ve seen most of the original art for this title, and each page is beautiful: Great storytelling, terrific draftsmanship, and a generous use of deep India ink and screen tone for depth and effect.  He worked his ass off on these pages, and it shows.

Bonus: Great lettering, as always, by John Workman.

Honestly, the only thing I don’t like about the series is the coloring (not by Howard), but hey, it was the 90s.

The four-issue series has never been collected, but individual issues typically turn up in dollar bins, and are worth seeking out.

Remember, you can’t kill the Midnight Men.

Jim Starlin & Alex Nino — Wild Rampage

Rampaging Hulk #4, August 1977

Alex Nino proves to be one of Jim Starlin’s better inkers (if not the best) with this one and only fabulous collaboration for Rampaging Hulk magazine in 1977.

It’s a gorgeous Hulk fantasy story, worth seeking out in its original magazine format. (It’s reduced to comic book size, with inferior reproduction, in Rampaging Hulk Essentials, the only available reprint.)

As I was working on this post, Nostalgic Investments listed a beautiful DPS from this story for 15k (see below) and, in today’s market, that definitely seems reasonable.

Joe Kubert — In His Sights

Punisher War Zone #36, 1990

Joe Kubert just kept getting better… and better.

I didn’t realize Joe had worked on a Punisher storyline until I saw these lovely original art pages. And, no surprise, it’s a terrific looking arc, indeed.

Chuck Dixon is the credited writer, but the storytelling here is all Kubert. A unique page with eight small panels and that superbly dramatic half-splash close-up. (A perfect callback to the first panel.)

Kubert was in his sixth decade of professional work when this story appeared; and he was still drawing for more than another 20 years before he passed away at 85 in 2012.

Incredible.

Herb Trimpe & John Severin — Love Lost

Incredible Hulk #154, August 1972

Herb Trimpe, inked by John Severin. 

Perfect Hulk art team on a pretty perfect Incredible Hulk page. 

Ol’ greenskin knows that somewhere in Hank Pym’s laboratory — and Bruce Banner’s brain — hides the secret to shrinking back down to the microverse. 

Why is this so important? I’m glad you asked. Our poor Hulk is lovesick and desperate to reunite with his beautiful Jarella.

Hulk in very panel: Raging, smashing, and blinded by love — and the self-awareness that he doesn’t retain enough of Banner’s smarts to work through it.

As noted, pretty perfect.

Wally Wood — Astonishing, As Always

Astonishing Tales #4, February 1971

Wally Wood drew four short Doctor Doom stories in Astonishing Tales. This page, from the fourth and final story is, like all of them, a Wood classic.

And yes, that’s the Red Skull lurking in the last panel. After all, what use is a super-villain story without another, even more twisted super-villain as the antagonist?

This would turn out to be Wood’s final output for Marvel Comics.

Took me a long time to pull the trigger on the “right” deal for one of these, and I’m glad to have finally acquired one.