Greg Goldstein's Comic Art Gallery

Tag: Superman

John Byrne — World’s Fair(est)

Original Art and The Artists

Superman & Batman: Generations #1, January 1999

It happened at the World’s Fair.

Sort of.

Superman and Batman — along with Robin — first appeared together on the cover of the 2nd annual issue of World’s Fair Comics in 1940, issued to commemorate the 39/40 World Fair in New York City.

Shortly thereafter, that comic morphed into the ongoing World’s Finest Comic, and Superman and Batman appeared together on the covers all time.

But inside? Separate stories featuring DC’s most popular characters.

It wasn’t until 12 years later (1952) that The Caped Crusader and The Man of Steel actually met in one story. (More on that in our next post on Thursday.)

Meanwhile…

John Byrne creates an adventure that involves the aforementioned World’s Fair in his clever Generations series from 1999. 

This is my favorite page from the series. It features all three heroes, plus Lois Lane, and sure enough, in that top inset panel, Lex Luthor as well.

Has there ever been another page this iconic in nature? All five characters in one small panel. And a gigantic splash of the four main ones. I missed acquiring this page once previously,  but fortunately, I didn’t make the same mistake the second time around, albeit with a bit more pain in the wallet.

Worth it.

Curt Swan and Murphy Anderson — The Headless Superhero

Original Art and The Artists

Action Comics #406, November 1971

Our third annual Halloween tribute continues now through October 31. 

Remember that time hat Superman lost his head?

You don’t?

I do, and I was pleased to see this page come up at auction earlier this year.

I was mostly done with the Superman Family by the time this issue appeared in 1971, but occasionally something off the wall (pun NOT intended — this time, anyway) would grab my attention, and this was one of those issues.

It’s rare (although not impossible) to find a title page that has such a literal cover interpretation, and of course the fact that it was drawn by the great Superman art team of Curt Swan and Murphy Anderson is a giant selling point for me.

Also rare: The cover is taken from the back-up story instead of the main feature. Obviously, someone at DC knew how to grab attention — at least mine, anyway.

Fun fact: On both Superman stories in this issue, the “Swanderson” art team gets top billing in the credits. They deserved it, as the art was light years ahead of the story material.)

Matt Wagner — Holy…Trinity?

Original Art and The Artists

Batman / Superman / Wonder Woman: Trinity #2, September 1993

September 18 was DC’s annual  “Batman Day.” Although not exactly a national holiday, DC and Warner have used the occasion to commemorate the caped crusader and launch and market new products around the event.

Batman shows off his typically charming personality — to Wonder Woman and Superman — in this iconic bat-panel from Matt Wagner’s Trinity 2004 series. 

(And the Amazon princess is not amused.)

The overarching plot of this deluxe three-parter involves Ra’s al Ghul enlisting Bizarro to create… well, chaos. 

But the critical (and very entertaining) theme of the title is how DC”s three iconic heroes reconcile their personality and philosophy differences and figure out a way to work together without defeating each other, instead of the bad guys.

It ain’t necessarily easy. Trust me on this.

Rich Burchett — Flesh and Steel

Original Art and The Artists

Superman Adventures #2, December 1996

As discussed previously, the Superman animated TV series, living in the shadow of its older, more popular brother, Batman Animated, never really garners the respect it deserves.

In fact, all the 90s DC “all ages” comics based on the animated series are not appreciated enough. 

Give the current interest and investment in YA and kids comics by nearly all publishers, those Superman and Batman series were likely, and unfortunately, too far ahead of their time. 

I hope someday it makes commercial sense to collect all the Superman and Batman material into complete collections.  They are delightful comics.

Also, similarly discussed, is the fact that Rich Burchett is a vastly underrated storyteller and artist. Pages like this are standard examples of his creative storytelling and imaginative use of composition and camera angles.

And Metallo? Finally something that is not underrated. He is a terrific member of Superman’s modern rogue gallery, especially the version that appears here, following up a classic episode on the TV series.

John Byrne featured a revamped scary Metallo as the first foe in his revamp of Superman — quite a different character than the earliest version that appeared way back in Action #252 (1959). Of course, hardly anyone remembers that Metallo was introduced in that issue, since it is upstaged (understatement) by the introduction of Supergirl in a separate story.

Wayne Boring — Superman Powers Up

Original Art and The Artists

Superman Daily Strip, September 29, 1965

Classic Superman artist Wayne Boring provides us with an excellent and rare daily strip at the end of Superman’s 27-year newspaper run.

The excellence is obvious; Superman uses three different super powers in each of the three panels. 

Rare because, well, pretty much the same reason: Many, many strips from this period only feature Clark, Lois or other characters in “civilian” garb, with soap opera style plots and stories. In other words, there are many strips where Superman is nowhere to be found.

In fact, in the 80s, Boring would often Remarque those “plain” originals with a Superman figure to make them more desirable in the collectors market.

But of course, no need to add an “extra” Superman here. He’s doing just fine in this good-looking example.

We managed to collect most of the Superman strips at IDW and LOAC, but couldn’t find any collectors with complete runs from the earliest silver age period. (Late 50s.) That era of strips includes the introduction of a Brainiac prototype (“Romado”) drawn by the great Curt Swan.

Back in the Golden Age, Newspapers ruled New York, and Superman ruled the Sunday comics section (16 color pages!)of the New York Daily Mirror. A Golden Age, indeed.
A classic example of a Wayne Boring Superman Remarque, drawn right over the panels.

Steve Rude — Hulk Vs… Superman

Original Art and The Artists

Incredible Hulk vs. Superman, July 1999

Steve Rude delivers a terrific action page of Superman vs. Hulk, as we continue to pay tribute to Hulk vs. heroes in other universes this week.

Superman vs. Hulk seems quite a bit more logical than Batman vs. Hulk.  Theoretically, Superman would ultimately win, but at least he would be winded.

And come to think of it, Golden Age Superman, as originally conceived by Jerry Siegel and Joe Shuster, might still win, but it would be pretty close to a draw.

Early Silver Age Superman, who could move planets around, not so much.

Rude, who worships at the alter of Jack Kirby, and shows reverence for Shuster’s Superman as well, is the perfect artist to illustrate this pairing.

And Granny’s expression in the middle panel? Nothing like a bit of offbeat humor to lighten the mood of a titanic fight, albeit very briefly.

Rude is perfect for that, as well.

Technology gets better (and less expensive), and fans apply their creativity accordingly.

Jim Starlin — Superman Among The Gods

Original Art and The Artists

Death of the New Gods #7, May 2008

We continue to celebrate Jack Kirby’s legacy at DC Comics with a special two-week look at Jack’s characters and concepts as envisioned by other creators. 2021 is the Fiftieth anniversary of the Fourth World storyline. *

Superman (with Mr. Miracle’s help) gets into it with the Infinity man in this great splash page and well-crafted mini-series by Jim Starlin.

Starlin of course created Thanos, the not-quite knock-off of Darkseid, who became one of the most popular super-villains in the Marvel Universe, and ultimately the ultimate “Big-bad” of the MCU. So it’s fitting to have him play in the Darkseid’s  sandbox as well.

Ironically, it took Darkseid a bit longer to achieve the same level of popularity in the DC Universe, but his own crown as DC’s ultimate super-villain has been amplified by his inclusion in the Zach Snyder “cut”of Justice League.

As for the series title? Let’s just say that reports of the New Gods’ deaths are greatly exaggerated.

*Purists will note that some of the characters and titles actually made it onto newsstands before the close of 1970, but the fully integrated series (Jimmy Olsen, Forever People, New Gods, and Mister Miracle) — doesn’t fully materialize until the following year.

Darkseid and Thanos, not as similar as you might think. (Darkseid doesn’t need a cosmic cube to be a god — he already is one.)

Rich Burchett — Mechanical Monsters

Original Art and The Artists

Superman Adventures #1, November 1996

The Fleischer Studio Superman Cartoons — the very first time Superman appeared on the big screen — continue to be regarded as animation legends.

Watching them today, 80 years later, they appear more astonishing than ever. This is especially true when you realize how much the studio was able to accomplish with the technology of the day.

The best known — and perhaps highest regarded — of these 8 original Fleischer shorts is the second one, “The Mechanical Monsters.”

Superman vs. an army of robots?

What’s not to love?

So it’s only fitting that the first issue of Superman Adventures, adapting the contemporary (1996) animated series, features Superman battling… an army of robots.

Writer Paul Dini and artists Rich Burchett and Terry Austin provide us with an action-packed “all ages” adventure, which includes Superman fighting a fairly powerful Superman robot.

Superman vs. Superman?

What’s not to love?

Side note: Superman The Animated Series, coming in the shadow of the phenomenal Batman animated series, doesn’t get enough love. My daughter and I watched them all. It’s a terrific version of Superman. Trust us on this.

Superman Adventures #1 pays homage to the classic 1941 cartoon “The mechanical monsters.”

Pete Poplaski — Superman’s Golden Age

Original Art and The Artists

Superman Retro Advertising Tin Sign, 1994

Nostalgic collectible tin advertising signs became all the rage in the 1990s.

At first, “reprints” of authentic signs started popping up at flea markets and street fairs. Many were classic brands and logos, some long defunct.

Shortly thereafter, inventive entrepreneurs created new signs designed to emulate the retro look and feel of the classics. You can still find many of these at shops and vendors that specialize in nostalgic candy, soda, etc.

Kitchen Sink, publisher at the time of the Superman and Batman newspaper strip reprint collections, issued two very cool Superman “advertising” tins designed and illustrated by the amazing Pete Poplaski. (This one is marked #3, but I’ve only seen two, so I’m assuming at least one design was tabled.)

As with nearly all of Pete’s illustrations, everything you see, including the lettering, is fully hand drawn. (The line detail on the buildings alone is astonishing.)

And no one captures classic comic art styles like Pete. (Well, maybe the equally amazing Paul Mavrides, but that’s a tale for another day.)

As mentioned previously, when we picked the DC strip reprint rights at IDW in 2013, Pete was our first choice to create all the cover material. 

And, as always, he knocked it out of the park.

Celebrating the 80th anniversary of the original Superman cartoons, created by the incredible Fleischer Studios for Paramount Pictures.
Paul Mavrides, Pete’s only real “competition” in recreating other artist styles, illustrated the Comic Book Confidential film poster art back in 1988, mimicking the art style of each individual artist. (Paul and the original art provide a funny intro to the film itself.)

Michael Cho — Happy Days

Original Art and The Artists

Superman: The Golden Age, Volume 2, Fall 2016

Michael Cho delivers one of the best images this century of the Golden Age Superman.  

Superman. In action. Happy and upbeat.

You’d be happy too if you were the most powerful human on earth — even if you had some serious crime to fight.

I’ve gone on the record that a grim and gritty, introspective (even mopey) Superman is not for me. In other words, most of the modern versions of the character.

Call me old school.

Michael says this early era of Superman is his favorite. It’s certainly among mine as well.

It’s a Superman week here on the blog as we celebrate the 80th anniversary of the debut of the amazing Paramount Fleischer Studios Superman cartoons. Those wonderfully produced animated shorts were the very first time Superman hit the big screen.

In a few days, the most recent filmed version of the character will appear in the re-edited “Snyder cut” of Justice League on HBO.

Don’t take any bets on which version I prefer.

Printed cover, digital prelim, and full-bleed litho version.
George Reeves and Christopher Reeve both knew it was (mostly) cool to be Superman.