Our Army At War #272, September 1974
The single greatest compliment I ever heard abut John Severin’s art — and there were many others — came from Jack Kirby, via Mark Evanier:
“Jack used to say that when he had to research some historical costume or weapon for a story, it was just as good to use a John Severin drawing as it was to find a photo of the real thing.”
Severin’s lavish attention to detail caught my eye early. The line-work was so precise and polished. It was amazing stuff, especially considering that those details needed to reproduce on cheap, pulpy newsprint running on industrial web presses.
As a kid, especially remember his pitch-perfect inking on Herb Trimpe’s pencils for The Incredible Hulk. I also loved John’s pairing with sister Marie Severin on some of the earliest issues of Kull. John’s had one weakness was that occasionally his realistic line work could come off as stiff and inking Marie’s more dynamic layouts solved that issue.
Severin was best known for three non-superhero genres: Westerns, humor, and war. He was a pro at all three, and everything else he touched as well.
As Evanier wrote, “They don’t make ’em like that anymore.”
Indeed they don’t.
(These two pages, along with others, were especially selected for the exhibit “War No More” at the Words & Pictures Museum in Northampton, Mass. in 1993.)
