Greg Goldstein's Comic Art Gallery
Panels and Pages… Art and Artists… Creators and Conventions… Musings and Memories…
San Diego Comic-Con, July 24-28, 2024
Somehow, another year SDCC has already come and gone, and again, I ask the simple question: How does it go by so quickly?
I can’t answer that, but I can say this: For better or worse, the convention is pretty much back to it’s pre-pandemic magnitude.
Minus, of course, the carpeting. Please, on behalf of feet (and backs) everywhere — bring back the carpeting.
Betrayal Of The Planet Of The Apes #3, January 2012
True Confessions:
When I was at IDW Publishing, we chased the Planet of Thae Apes license hard. And I mean hard. (I’m a super fan.) We had some terrific story ideas, and some talented creators ready to come on board if we acquired it.
The challenge was, that Fox couldn’t provide us with a guarantee that they had proper clearances on the original Marvel material. Reprinting that material would help finance the creative costs on the new series, as well as help fund the licensing fees, so that ended up as a deal breaker for us.
So… Boom swept in and acquired those rights without the reprint guarantee. And did a great job on their new material. And the joke was on us, ultimately, because Boom did end up with at least some of those reprint rights.
Sigh.
That said, we did get to do a super fun Star Trek / Planet of The Apes crossover with Boom, which is mostly a story for another day. But one nugget: Boom asked me to negotiate the “Taylor” (Charlton Heston) likeness rights with the estate, and that was one of the more reasonable and rational Hollywood-style negotiations I have ever had. And even Marvel didn’t originally have those rights. So, there’s that.
Oh, and the great Gabe Hardman did this superb cover for an issue of one the Boom series. Did I neglect to mention that?
Original Art Expo, January 2024
Somehow, four months passed, and these pics from the Original Art Expo haven’t made it to the blog.
Welp, better late than never.
Star Wars Sunday Strip, #39, December 12, 1979
I finally checked off a piece of art from my OA “bucket list” with the acquisition of this terrific Russ Manning Star Wars Sunday strip late last year.
I own some great Star Wars original art, but not much focusing on Leia, so I’m especially pleased I won this strip at auction. Coincidentally, I was the underbidder the previous time it had appeared at auction — second time is the charm, apparently.
When we had the opportunity to collect the complete Star Wars strip collection at IDW Publishing, it was yet another box checked off from the publishing bucket list. Dean Mullaney and the Library of American Comics (LOAC) crew produced (as always) an amazing three-volume set.
Welcome to Star Wars “month.” May the force be with you throughout.
Anaheim Convention Center, March 29-31, 2024
Midnight Men #4, September 1993
Never let a great idea go to waste.
Howard Chaykin turned an unused Batman pitch into an imaginative new series for the extremely short lived “Heavy Hitters” imprint from Marvel/Epic in 1993.
I’ve seen most of the original art for this title, and each page is beautiful: Great storytelling, terrific draftsmanship, and a generous use of deep India ink and screen tone for depth and effect. He worked his ass off on these pages, and it shows.
Bonus: Great lettering, as always, by John Workman.
Honestly, the only thing I don’t like about the series is the coloring (not by Howard), but hey, it was the 90s.
The four-issue series has never been collected, but individual issues typically turn up in dollar bins, and are worth seeking out.
Remember, you can’t kill the Midnight Men.
Michael Keaton is trending this week because of the Oscars “Batman” moment between him and Arnold Schwarzenegger/ Danny DeVito this past Sunday.
Many of the comments discuss Keaton being the “best” Batman.
Now, as I’ve said previously, I never loved the way his face looked in that original cowl. That’s partly the fault of the costume, and perhaps partly Keaton’s face shape. And the resulting style guide art was… not great.
That said —
Keaton is still the most enjoyable version of Bruce Wayne on screen. By far.
Keaton’s Wayne is both charming and offbeat. He’s very self-aware, has a sense of a humor and charisma, but still on the edge — likely bordering on psychotic. He provides many, many shades to the Wayne persona. His main scene with Bassinger and Wuhl is one of the great moments from the first film.
And hilariously, the whole “Keaton is the best Batman” thread is one of the most ironic critiques in entertainment history.
Why? Because even without the Internet and social media, the trolls managed to make so much negative noise about Keaton cast as Batman in Tim Burton’s 1989 feature.
“The guy from Beetlejuice? Seriously?”
The long knives were out for Burton, Warner Brothers, DC, and pretty much anyone and everyone associated with film prior to release.
Seriously, I don’t how the casting would have survived if social media had existed in 1988.
Which reminds us of the late, great William Goldman’s classic comment:
“Nobody knows anything.”
Except, at least in this case, Tim Burton.
Poster, Creation Con (#1), November 1971, Art By Kenneth Smith
I’ve posted previously about my very first comic book convention in 1971, which coincidentally, was also the very first Creation convention in NYC, organized by teenagers Adam Malin and Gary Berman. (52 years ago. Oof, I feel old. But better than the alternative.)
Thanks to a doting Aunt, I was able to spend a few hours at the New Yorker that weekend, no doubt channeling a Tex Avery cartoon character: Eyes bugging out at all the wonders in the room. I spent whatever little pocket money I had well before I left.
Last year (2022), I happened to have an extra day in NYC before the Thanksgiving weekend, so I trekked out to the wilds of NJ (actually, close to midtown) to visit retailer Anthony Snyder’s warehouse, following up on some art I was interested in. (It’s an impressive collection of comics and comic art — definitely an interesting place to get lost in for a minute.)
As we were closing in on a deal for multiple items, I discovered this gem buried in a portfolio: A poster for that same Creation Con. (Kenneth Smith’s “demon” art was used for both the poster and convention program.) And wow, does that logo scream early 70s.
Delighted I acquired it — and, given the timing, I’m guessing there must be some sort of kismet about Thanksgiving weekend for me. Appropriate, too, because I am indeed thankful — for a lot of things.
Happy Holiday, everyone.
* Fun fact: Unlike many of the hotels that hosted those early New York conventions, the New Yorker is still here. And close enough to the Javits Center, that visitors to the current-day New York Comic-Con often stay there.
New York Comic-Con, October 12-15, 2023
Well it was great to see everyone at NYCC. Missed a few folks of course, but saw quite a few, so I think I will take the win. I might have some issues with this show, but it still has one of the best Artist Alley’s around.
New York Comic-Con, October 12-15, 2023
A few of the terrific creators at NYCC.
See you on Tuesday for another great group, and the wrap-up.
