Greg Goldstein's Comic Art Gallery

Tag: Greg Goldstein

Al Williamson — Return Of… Return Of The Jedi

Original Art and The Artists

Return of the Jedi, #2, October 1983

Forty years ago, today — 

On a warm sunny day in NYC, my friends and I restlessly stood on a movie theater line, a line like many others that day, that wrapped around the proverbial city block. But did it matter that much? We had waited three years for this. What’s another three hours? (For the record, the theater, now gone, was the Loew’s 34th Street Showplace, near Second Ave.)

Return of the Jedi was opening that day, and we figured the Star Wars saga would reach its dramatic — and inevitable — conclusion. End of the story. (How naïve — but we were young and foolish.)

Somehow, I had the discipline and willpower to avoid opening Marvel’s ROTJ magazine adaptation which I owned for about two weeks prior to the film’s release date. (I did not have that same willpower three years prior for ESB, but that’s a story for another day.)

An original piece of art from that graphic novel adaptation, by the legendary Al Williamson, is a prized possession. Here’s my original 2019 post about the art:

Lush brushwork. Clear storytelling. Impeccable detail. Accurate anatomy and likenesses.  Al Williamson’s page from Star Wars: Return of the Jedi adaption speaks volumes about realizing potential in adapting other mediums to comics.

George Lucas had the power to choose the artist to draw the Marvel Empire Strikes Back adaption and he had the good sense to choose Al Williamson.

Al’s gorgeous art on classic EC science Fiction stories as well as Flash Gordon had clearly made an impression.

Fortunately for us, Williamson agreed to also illustrate the Star Wars newspaper strip (after Russ Manning’s untimely passing), and he ultimately came back for Return of the Jedi adaption as well.

On all three projects — plus a handful of stories in the regular comics — Al delivered. It’s some of his finest work.

Williamson kept much of his Star Wars related art, and his estate now owns it.  Nearly all the originals that have come on the market are those once owned by his assistants or inkers.

This great page from ROTJ has a more interesting provenance. Superstar inker Mike Royer received it from Al (see inscription) shortly after publication. It remained in his collection for many years.

So, it’s not only a great piece of original art, but it also has a great story behind it as well.

And it’s a cornerstone of my collection.

Yes, we waited in line. (That’s me, Star Wars sartorial in a bootleg “REVENGE” of the Jedi t-shirt.) I have a feeling the line on the other side of town was more interesting.

The Art Of The Library

Original Art and The Artists

Columbia University, April 2023

Happiness is a terrific graphic novel library.

Pictured is just one tiny part of the incredible collection at Columbia University curated by my pal, Karen Green, part librarian, part force of nature. From three books a few years ago — to three full rooms(!) of some of the best material published in the medium thanks to her tireless efforts. (Not to mention the acquisitions of personal papers and ephemera from some of the best-known names in the industry.)

Here we can see some of the shelves dedicated to the oversized material, including many of the original art “Artist Editions” titles I was fortunate enough to publish during the halcyon days at IDW Publishing. These of course were edited and curated by another pal, editor par excellence Scott Dunbier.

I cannot tell you how pleased I was to see the scope of this collection at my Alma Mater. 

(Illustration of Karen below from Columbia Magazine by Nick Sousanis)

Earl Norem — Mars Attacks, A True Classic

Original Art and The Artists

Painting for Topps Mars Attacks re-launch, 1994, used later as cover for Mars Attacks: Classics Obliterated (IDW) #1, June 2013

In 1994, to celebrate and promote the return of Topps Mars Attacks with its first series of comic books, and a brand-new series of Trading cards, we commissioned the legendary Earl Norem to create a “Classic” movie style painting of Mars Attacks as if it were a 50s SF poster painted by Reynold Brown or Joe Smith.

We immediately used the image on the back of a Topps convention staff t-shirt at SDCC, and other marketing materials as well. It was designated to appear on one of our comic books, but kept slipping through the cracks, until ultimately it remained unused through the series run. (It may have appeared on a bonus card or promo card though.)

As the owner of the original painting, I hadn’t forgotten about it, and when IDW acquired the Mars Attacks rights, it finally made its way as a cover for the “Classics Obliterated” one shot. It was only 18 years. Better late than never indeed.

Michael Golden — Dinosaur Snack

Original Art and The Artists

Jurassic Park: Raptor’s Attack #1, March 1994

As noted previously, I’m a giant (pun intended) fan of Michael Golden’s dinosaur covers and portfolio plates for our Topps Jurassic Park comics.

Here’s one I haven’t posted before: Poor Ellie (Laura Dern) about to become a hors d’oeuvre for a group of velociraptors. I love the unique point of view on this one.

Originally designated as the cover for Jurassic Park: Raptor’s Attack #1, it was also reused for the cover of the newsstand exclusive JP comic, Jurassic Park Adventures #3.

Happy 30th Anniversary, Jurassic Park!

Tom Yeates — Dracula vs. Zorro?

Original Art and The Artists

Dracula Versus Zorro #2, November 1993

Dracula vs. Zorro.? For about a millisecond, this one sounds a bit odd, and then you say, wait a minute…

In the hands of writer Don McGregor and artist Tom Yeates (inks by Rick Magyar), you get a fun Topps Publishing two-parter, with Don’s smart writing and Tom’s magnificent storytelling — on giant art boards, no less.

A few notes:

• ˜The book came out just shy of 30 years ago.

• Dracula (The Francis Ford Coppola adaption kind) was Topps very first comic book; Dracula vs Zorro appears just before the launch of Topps’ Zorro solo series, also featuring stories by McGregor. (The crossover wasn’t originally planned as the character’s introduction— it just sort of happened, following the smash success of the Drac adaptation…)

• It’s only two monthly issues but features a whopping 61 pages of content — which leads me to believe we may have originally intended the story to total three issues. Perhaps we scaled back after the numbers came in for issue #1. Although we collected it in a prestige format comic in 1994, there are definitely not enough pages for a full trade collection. That was an era when we didn’t always plan for collections.

Dick Ayers and John Severin — The “Kirbyverse” & Savage Dragon, Too

Original Art and The Artists

Bombast #1, April 1993

Thirty years ago this month — April 1993 — saw the launch of Topps’ “Kirbyverse.” (I genuinely can’t remember who thought of that phrase – EIC Jim Salicrup or myself, so we will each take have to take co-credit.)

Although Jack was not directly involved in character or story development, he did enjoy being kept in the loop and, from the feedback we received, he enjoyed our efforts.

The challenge at the time of course, is that the consumer marketplace didn’t enjoy our efforts quite as much as he OR we did.  Four Kirbyverse titles launched in April 1993, plus a freebie. Total circulation of the group: About one million copies. (That is not a typo.)

But our titles launched purposely with retro styling, (see the ad below) and, at that moment, the market was mostly uninterested in classic styling. Younger readers gobbling up Image’s Youngblood and Spawn weren’t that versed or interested in Jack Kirby.

From the moment we launched, sales of the Kirby titles dropped each month. By the time we had reached 1994, we were sunk.

That said, it was a hell of a launch, and Jim managed to reunite the classic Marvel bullpen (or at least some of it) one last time.

And well-known Kirby superfan and Image co-founder Erik Larsen was kind enough to “lend” us Savage Dragon for the first issue of Jack’s Bombast one-shot.

So, there was that.

More on the Topps Comics “30th anniversary (albeit a few months late) in the next few weeks.

Did I manage to squeeze enough info into this one ad? Did the design team hand draw the “Kirby Crackle” in the background? Hint, those are both rhetorical questions.

Jack Kirby & Mike Royer — 30 Years Ago, Today

Original Art and The Artists

Production Art, Satan’s Six #1, April 1993

30 years ago? How is this even possible?

Jack Kirby’s Satan’s Six was developed as part on an unrealized “Kirby Line” of comics in 1978, shortly after Jack’s final tenure at Marvel had ended.

Jack drew a cover and eight story pages, plus a character concept and design page. Mike Royer was hired to ink some of those pages as samples, but when the concept for a “Kirby Line” dissipated, the pages sat in a drawer unused for nearly 15 years.

Enter my old home, Topps Comics, the fledging publishing line from the trading card and confectionary giant. Topps signed a deal with Jack in 1992 to produce comic books based on new, and (primarily) previously unused concepts. It was essentially a second chance for a “Kirby Line.” With the King in declining health, however, others would have to create content around Jack’s ideas.

A few years ago, some Kirby production art re-surfaced, complete with the original “Marvel style” trade dress on the cover and Royer’s original inks.

What became of Satan’s Six? Tony Isabella’s stories based on Jack’s high concept of a lovable group of misfits too mischievous for Heaven, but not evil enough for Hell seemed wackily appropriate enough, but the art definitely was a challenge from issue one. 

Especially issue one. 

Kirby’s eight original pages are scattered throughout the full story with the rest of the art from John Cleary, making for a dizzying juxtaposition of styles.

And Cleary’s “contemporary” (1993) art here, and through the remaining three issues, was simply not enticing enough to sustain interest.  The book was cancelled with issue #4. You can read a complete illustrated overview of the series here.

Satan’s Six has yet to return to comics. They remain in… Limbo.

But still…Happy 30th anniversary to the “Kirbyverse!”

Dollar Bin Bandits

Original Art and The Artists

I’m the guest on last week’s Friday (2/3) episode of the terrific comic book industry podcast Dollar Bin Bandits, available on your favorite podcast platform — and on YouTube.  (Links below.)

We covered quite a bit of ground: State of the industry, Topps and IDW days, comic book history, gaming and much more.; maybe something for everyone — or at least anyone who cares about these topics.

They picked a “classic” photo for marketing (as seen above — full version on my “About Me” tab), so don’t’ be too surprised if you watch on video, and well, I don’t look exactly the same. (Must have been the lighting.)

Thanks to Oren Phillips and crew for a very enjoyable hour, and an excellent series all around!

https://www.youtube.com/c/DollarBinBandits/videos?app=desktop

https://podcasts.apple.com/us/podcast/the-dollar-bin-bandits/id1576289731?i=1000597848080&fbclid=IwAR39RLXRY_ELHVulTHxDd2caqP7VgzwOAdNzzBHj_lSon2Y6HNl22lgvPVQ

Mike Mignola — Happy Anniversary, Topps Comics

Original Art and The Artists

Bram Stoker’s Dracula, #3, December 1992 (& A Topps Gallery, 1992-1995)

Better late than never — Topps Comics actually launched its first title, Bram Stoker’s Dracula, in October, not November of 1992. By mid 1993, we had film adaptions, SF anthologies, Kirby superheroes and dozens more under our belt.

It was a wild ride.

In early 2023, we will have a more extensive look back with some new art, photos, memorabilia, etc. In the meantime, here’s a gallery of previously posted art. (Each piece links to the original post.)

Stay tuned.