Barry Windsor-Smith — Slayer Of The Status Quo

Conan # 7, July 1971

Conan celebrates its 50th anniversary in comics this year, and we celebrate the anniversary with three Conan-themed posts this week.

Barry Winsdor-Smith was not the first choice to draw Conan. Legend has it that Roy Thomas knew that John Buscema was the idea artist for the job. But Publisher Martin Goodman nixed the idea, citing budget and schedule, and told Stan/Roy to find someone less expensive.

The solution? The young British-born Smith, who had been a fill-in artist on a handful of super-hero titles with an unmistakable Kirby influenced style, and who was both cheap — and available.

And so Barry drew Conan for 21 of the first 24 issues — and the comic book world promptly grew up.

Smith, one of the many “young guns” of similar age, and breaking in at around the same time, (Chaykin, Kaluta, Simonson, Wrightson among the many others) ultimately developed an inimitable style. Yes the Kirby influence was there, especially early on. But so is Steranko. And Alphonse Mucha, the best-known stylist of the Art Nouveau period (late 19th – early 20th century), provides much of the inspiration for the intricate designs and beautiful women that populate those early Conan stories.

Smith’s run on Conan is unlike any other in professional comics at that time. And Baby Boomers, who had grown up on the simple stories of DC, and had segued into the cosmic soap operas of Stan and Jack, were primed for these comics. The Boomers were growing older, and now, the comics were growing up with them.

Smith’s style developed rapidly over his three year run on Conan, culminating in the extraordinary “Red Nails” that first appeared in 1973/1974 in Savage Tales. And of course, the work was always best when Smith was inking himself, but both Sal Buscema and Dan Adkins did excellent work, and interestingly, both are credited on this issue. Sal is credited on this specific page, but without all 20 original pages together, it’s difficult to tell.

Either way, it’s a stunning page, and only a small harbinger of things to come.